Do palco ao écran: eles não usam black-tie

Detalhes bibliográficos
Autor(a) principal: Schmidt, Laila Rotter
Data de Publicação: 2012
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFSCAR
Texto Completo: https://repositorio.ufscar.br/handle/ufscar/5596
Resumo: This research aims to comprehend the creative process of the movie "Eles não usam black-tie" (They don't wear black-tie) (1981), directed by Leon Hirszman, based on the homonymic play written by Gianfrancesco Guarnieri, using theoretical references provided by the line research "Procedural Critics" (as proposed by Cecilia Salles) and the documents related to the creation of the film, such as Arguments, scripts, Storyboard, among others. Considering the passage from the play text to the film as a process of "intersemiotic translation" (following Roman Jakobson), or "transcreation" (as established by Haroldo de Campos), we propose an approximation to Hirszman's creative thought, artist witch, as Guarnieri, has marked the Brazilian political and cultural scenario for the past decades.
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spelling Schmidt, Laila RotterMonzani, Josette Maria Alves de Souzahttp://lattes.cnpq.br/0505156751073470http://lattes.cnpq.br/4206419885968877e726a14c-117c-4c7f-bb7c-7d664589bed22016-06-02T20:23:12Z2012-05-252016-06-02T20:23:12Z2012-04-02SCHMIDT, Laila Rotter. Do palco ao écran: Eles não usam black-tie. 2012. 308 f. Dissertação (Mestrado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2012.https://repositorio.ufscar.br/handle/ufscar/5596This research aims to comprehend the creative process of the movie "Eles não usam black-tie" (They don't wear black-tie) (1981), directed by Leon Hirszman, based on the homonymic play written by Gianfrancesco Guarnieri, using theoretical references provided by the line research "Procedural Critics" (as proposed by Cecilia Salles) and the documents related to the creation of the film, such as Arguments, scripts, Storyboard, among others. Considering the passage from the play text to the film as a process of "intersemiotic translation" (following Roman Jakobson), or "transcreation" (as established by Haroldo de Campos), we propose an approximation to Hirszman's creative thought, artist witch, as Guarnieri, has marked the Brazilian political and cultural scenario for the past decades.Esta pesquisa tem por objetivo conhecer o processo de criação do filme Eles não usam blacktie (1981), de Leon Hirszman, baseado na peça homônima de Gianfrancesco Guarnieri, utilizando o referencial teórico fornecido pela Crítica de Processo (conforme Cecilia Salles) e os documentos referentes à realização da obra, tais como Argumentos, roteiros, Storyboard, entre outros. Tomando a passagem do texto teatral para a obra audiovisual como um processo de transposição intersemiótica (seguindo Roman Jakobson), ou ainda de transcriação (no sentido desenvolvido por Haroldo de Campos), propomos uma aproximação ao pensamento criador de Hirszman, artista que, assim como Guarnieri, marcou o cenário político-cultural brasileiro das últimas décadas.Universidade Federal de Minas Geraisapplication/pdfporUniversidade Federal de São CarlosPrograma de Pós-Graduação em Imagem e Som - PPGISUFSCarBRCinema brasileiroHirszman, Leon, 1937-1987Transcriação audiovisualProcessos criativosBrazilian cinemaTranscreationCreative procedural criticsLINGUISTICA, LETRAS E ARTES::ARTES::CINEMADo palco ao écran: eles não usam black-tieinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-1-1783fbbc1-af12-4b4e-9699-e69e7658e5feinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSCARinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARORIGINALDissLRS V. 1.pdfDissLRS V. 1.pdfapplication/pdf1533357https://repositorio.ufscar.br/bitstream/ufscar/5596/1/DissLRS%20V.%201.pdf2e720bc310d83f1545b2d856a6372144MD51DissLRS V. 2.pdfDissLRS V. 2.pdfapplication/pdf5310476https://repositorio.ufscar.br/bitstream/ufscar/5596/2/DissLRS%20V.%202.pdf689d00cd7d0afd96723f65d0a6bd629bMD52TEXTDissLRS V. 1.pdf.txtDissLRS V. 1.pdf.txtExtracted texttext/plain310591https://repositorio.ufscar.br/bitstream/ufscar/5596/3/DissLRS%20V.%201.pdf.txt33d752c5b96ecf4ba75e9058401f51ddMD53DissLRS V. 2.pdf.txtDissLRS V. 2.pdf.txtExtracted texttext/plain496813https://repositorio.ufscar.br/bitstream/ufscar/5596/4/DissLRS%20V.%202.pdf.txt3957a251cc1e3ba8f0033df18e228957MD54THUMBNAILDissLRS V. 1.pdf.jpgDissLRS V. 1.pdf.jpgIM Thumbnailimage/jpeg6493https://repositorio.ufscar.br/bitstream/ufscar/5596/5/DissLRS%20V.%201.pdf.jpg3158fa68d7215134046925074f44f1c6MD55DissLRS V. 2.pdf.jpgDissLRS V. 2.pdf.jpgIM Thumbnailimage/jpeg6489https://repositorio.ufscar.br/bitstream/ufscar/5596/6/DissLRS%20V.%202.pdf.jpgb7a3944bf7bc95e535f3c5b2bb3c29eaMD56ufscar/55962023-09-18 18:31:50.153oai:repositorio.ufscar.br:ufscar/5596Repositório InstitucionalPUBhttps://repositorio.ufscar.br/oai/requestopendoar:43222023-09-18T18:31:50Repositório Institucional da UFSCAR - Universidade Federal de São Carlos (UFSCAR)false
dc.title.por.fl_str_mv Do palco ao écran: eles não usam black-tie
title Do palco ao écran: eles não usam black-tie
spellingShingle Do palco ao écran: eles não usam black-tie
Schmidt, Laila Rotter
Cinema brasileiro
Hirszman, Leon, 1937-1987
Transcriação audiovisual
Processos criativos
Brazilian cinema
Transcreation
Creative procedural critics
LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA
title_short Do palco ao écran: eles não usam black-tie
title_full Do palco ao écran: eles não usam black-tie
title_fullStr Do palco ao écran: eles não usam black-tie
title_full_unstemmed Do palco ao écran: eles não usam black-tie
title_sort Do palco ao écran: eles não usam black-tie
author Schmidt, Laila Rotter
author_facet Schmidt, Laila Rotter
author_role author
dc.contributor.authorlattes.por.fl_str_mv http://lattes.cnpq.br/4206419885968877
dc.contributor.author.fl_str_mv Schmidt, Laila Rotter
dc.contributor.advisor1.fl_str_mv Monzani, Josette Maria Alves de Souza
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/0505156751073470
dc.contributor.authorID.fl_str_mv e726a14c-117c-4c7f-bb7c-7d664589bed2
contributor_str_mv Monzani, Josette Maria Alves de Souza
dc.subject.por.fl_str_mv Cinema brasileiro
Hirszman, Leon, 1937-1987
Transcriação audiovisual
Processos criativos
topic Cinema brasileiro
Hirszman, Leon, 1937-1987
Transcriação audiovisual
Processos criativos
Brazilian cinema
Transcreation
Creative procedural critics
LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA
dc.subject.eng.fl_str_mv Brazilian cinema
Transcreation
Creative procedural critics
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA
description This research aims to comprehend the creative process of the movie "Eles não usam black-tie" (They don't wear black-tie) (1981), directed by Leon Hirszman, based on the homonymic play written by Gianfrancesco Guarnieri, using theoretical references provided by the line research "Procedural Critics" (as proposed by Cecilia Salles) and the documents related to the creation of the film, such as Arguments, scripts, Storyboard, among others. Considering the passage from the play text to the film as a process of "intersemiotic translation" (following Roman Jakobson), or "transcreation" (as established by Haroldo de Campos), we propose an approximation to Hirszman's creative thought, artist witch, as Guarnieri, has marked the Brazilian political and cultural scenario for the past decades.
publishDate 2012
dc.date.available.fl_str_mv 2012-05-25
2016-06-02T20:23:12Z
dc.date.issued.fl_str_mv 2012-04-02
dc.date.accessioned.fl_str_mv 2016-06-02T20:23:12Z
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dc.identifier.citation.fl_str_mv SCHMIDT, Laila Rotter. Do palco ao écran: Eles não usam black-tie. 2012. 308 f. Dissertação (Mestrado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2012.
dc.identifier.uri.fl_str_mv https://repositorio.ufscar.br/handle/ufscar/5596
identifier_str_mv SCHMIDT, Laila Rotter. Do palco ao écran: Eles não usam black-tie. 2012. 308 f. Dissertação (Mestrado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2012.
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