Science and Art as knowledges and knowledges as art and science: the nature of decolonized knowledges

Detalhes bibliográficos
Autor(a) principal: Bessa-Oliveira, Marcos Antônio
Data de Publicação: 2023
Tipo de documento: preprint
Idioma: por
Título da fonte: SciELO Preprints
Texto Completo: https://preprints.scielo.org/index.php/scielo/preprint/view/6491
Resumo: The production of knowledge became coarsened with the Science of the 16th century by abandoning knowledge that would no longer be considered knowledge like Science; science as a Modern invention. Likewise, artistic-cultural productions stiffen, because of Science: in the Renaissance the artist discredited as a scientist is treated as a connoisseur of a knowledge-body of plastic technique not of reason-Modern Science. So, more than one imagines, Science and Art have always been linked as knowledge. However, this split between knowledge/know equal Science, causing disagreements between knowledge of Science and knowledge of Art, knowledge of the Body and knowledge of Reason, causes binarisms in later cultures in the West and even on the East. Thinking from there, through decolonized thinking, I will emphasize that to dumb down Modern Science no longer needs to dumb down other knowledges, discussing, from the arts, perspectives on Science and Art as knowledges and Knowledges as art and science in the different Knowledge of Areas.
id SCI-1_5ca4a77c631c8fd04dbeb75abebd3252
oai_identifier_str oai:ops.preprints.scielo.org:preprint/6491
network_acronym_str SCI-1
network_name_str SciELO Preprints
repository_id_str
spelling Science and Art as knowledges and knowledges as art and science: the nature of decolonized knowledgesLa ciencia y el arte como saberes y los saberes como arte y ciencia: la naturaleza de los saberes descolonizadosCiência e Arte como saberes e saberes como arte e ciência: a natureza dos conhecimentos descolonizadosArteCiênciaDescolonialidadeArtScienceDecolonialityArteCienciaDecolonialidadThe production of knowledge became coarsened with the Science of the 16th century by abandoning knowledge that would no longer be considered knowledge like Science; science as a Modern invention. Likewise, artistic-cultural productions stiffen, because of Science: in the Renaissance the artist discredited as a scientist is treated as a connoisseur of a knowledge-body of plastic technique not of reason-Modern Science. So, more than one imagines, Science and Art have always been linked as knowledge. However, this split between knowledge/know equal Science, causing disagreements between knowledge of Science and knowledge of Art, knowledge of the Body and knowledge of Reason, causes binarisms in later cultures in the West and even on the East. Thinking from there, through decolonized thinking, I will emphasize that to dumb down Modern Science no longer needs to dumb down other knowledges, discussing, from the arts, perspectives on Science and Art as knowledges and Knowledges as art and science in the different Knowledge of Areas.La producción de conocimiento se anquilosó a causa de la ciencia del siglo XVI al abandonar los saberes que ya no se considerarían conocimientos como la ciencia; la ciencia como invento moderno. Del mismo modo, las producciones artístico-culturales se anquilosaron a causa de la Ciencia: en el Renacimiento, el artista, desacreditado como científico, fue tratado como conocedor de un saber-cuerpo de técnica plástica, no de razón-Ciencia moderna. Así pues, más de lo que pensamos, la Ciencia y el Arte siempre han estado ligados como conocimiento. Sin embargo, esta escisión entre conocimientos/saber igual a Ciencia, provocando desencuentros entre saber de la Ciencia y saber del Arte, saber del Cuerpo y saber de la Razón, provoca binarismos en culturas posteriores en Occidente e incluso en Oriente. Pensando desde ahí, a través del pensamiento descolonizado, señalaré que para atontar la Ciencia Moderna ya no es necesario atontar otros saberes, discutiendo, desde las artes, perspectivas sobre la Ciencia y el Arte como saberes y los Saberes como arte y ciencia en las diferentes Áreas de Conocimiento.A produção de saber embruteceu-se com a Ciência do século XVI ao abandonar os conhecimentos que não seriam mais considerados saberes como a Ciência; ciência como invenção Moderna. Igualmente, as produções artístico-culturais enrijecem, causa da Ciência: no Renascimento o artista desacreditado como cientista é tratado como conhecedor de um saber-corpo da técnica plástica não da razão-Ciência Moderna. Então, mais do que se imagina, Ciência e Arte sempre estiveram ligadas como conhecimentos. Entretanto, essa cisão entre conhecimentos/saberes igual Ciência, acarretando desacordos entre saber da Ciência e saber da Arte, saber do Corpo e saber da Razão, provoca binarismos nas culturas posteriores no Ocidente e até sobre o Oriente. Pensando daí, por meio do pensamento descolonizado, ressaltarei que para embrutecer a Ciência Moderna não precisa mais emburrecer saberes outros, discutindo, a partir das artes, perspectivas sobre Ciência e Arte como saberes e Saberes como arte e ciência nos diferentes Conhecimentos de Áreas.SciELO PreprintsSciELO PreprintsSciELO Preprints2023-07-25info:eu-repo/semantics/preprintinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://preprints.scielo.org/index.php/scielo/preprint/view/649110.1590/SciELOPreprints.6491porhttps://preprints.scielo.org/index.php/scielo/article/view/6491/12349Copyright (c) 2023 Marcos Antônio Bessa-Oliveirahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBessa-Oliveira, Marcos Antônioreponame:SciELO Preprintsinstname:Scientific Electronic Library Online (SCIELO)instacron:SCI2023-07-21T21:22:17Zoai:ops.preprints.scielo.org:preprint/6491Servidor de preprintshttps://preprints.scielo.org/index.php/scieloONGhttps://preprints.scielo.org/index.php/scielo/oaiscielo.submission@scielo.orgopendoar:2023-07-21T21:22:17SciELO Preprints - Scientific Electronic Library Online (SCIELO)false
dc.title.none.fl_str_mv Science and Art as knowledges and knowledges as art and science: the nature of decolonized knowledges
La ciencia y el arte como saberes y los saberes como arte y ciencia: la naturaleza de los saberes descolonizados
Ciência e Arte como saberes e saberes como arte e ciência: a natureza dos conhecimentos descolonizados
title Science and Art as knowledges and knowledges as art and science: the nature of decolonized knowledges
spellingShingle Science and Art as knowledges and knowledges as art and science: the nature of decolonized knowledges
Bessa-Oliveira, Marcos Antônio
Arte
Ciência
Descolonialidade
Art
Science
Decoloniality
Arte
Ciencia
Decolonialidad
title_short Science and Art as knowledges and knowledges as art and science: the nature of decolonized knowledges
title_full Science and Art as knowledges and knowledges as art and science: the nature of decolonized knowledges
title_fullStr Science and Art as knowledges and knowledges as art and science: the nature of decolonized knowledges
title_full_unstemmed Science and Art as knowledges and knowledges as art and science: the nature of decolonized knowledges
title_sort Science and Art as knowledges and knowledges as art and science: the nature of decolonized knowledges
author Bessa-Oliveira, Marcos Antônio
author_facet Bessa-Oliveira, Marcos Antônio
author_role author
dc.contributor.author.fl_str_mv Bessa-Oliveira, Marcos Antônio
dc.subject.por.fl_str_mv Arte
Ciência
Descolonialidade
Art
Science
Decoloniality
Arte
Ciencia
Decolonialidad
topic Arte
Ciência
Descolonialidade
Art
Science
Decoloniality
Arte
Ciencia
Decolonialidad
description The production of knowledge became coarsened with the Science of the 16th century by abandoning knowledge that would no longer be considered knowledge like Science; science as a Modern invention. Likewise, artistic-cultural productions stiffen, because of Science: in the Renaissance the artist discredited as a scientist is treated as a connoisseur of a knowledge-body of plastic technique not of reason-Modern Science. So, more than one imagines, Science and Art have always been linked as knowledge. However, this split between knowledge/know equal Science, causing disagreements between knowledge of Science and knowledge of Art, knowledge of the Body and knowledge of Reason, causes binarisms in later cultures in the West and even on the East. Thinking from there, through decolonized thinking, I will emphasize that to dumb down Modern Science no longer needs to dumb down other knowledges, discussing, from the arts, perspectives on Science and Art as knowledges and Knowledges as art and science in the different Knowledge of Areas.
publishDate 2023
dc.date.none.fl_str_mv 2023-07-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/preprint
info:eu-repo/semantics/publishedVersion
format preprint
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://preprints.scielo.org/index.php/scielo/preprint/view/6491
10.1590/SciELOPreprints.6491
url https://preprints.scielo.org/index.php/scielo/preprint/view/6491
identifier_str_mv 10.1590/SciELOPreprints.6491
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://preprints.scielo.org/index.php/scielo/article/view/6491/12349
dc.rights.driver.fl_str_mv Copyright (c) 2023 Marcos Antônio Bessa-Oliveira
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Marcos Antônio Bessa-Oliveira
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv SciELO Preprints
SciELO Preprints
SciELO Preprints
publisher.none.fl_str_mv SciELO Preprints
SciELO Preprints
SciELO Preprints
dc.source.none.fl_str_mv reponame:SciELO Preprints
instname:Scientific Electronic Library Online (SCIELO)
instacron:SCI
instname_str Scientific Electronic Library Online (SCIELO)
instacron_str SCI
institution SCI
reponame_str SciELO Preprints
collection SciELO Preprints
repository.name.fl_str_mv SciELO Preprints - Scientific Electronic Library Online (SCIELO)
repository.mail.fl_str_mv scielo.submission@scielo.org
_version_ 1797047812313055232

Registros relacionados