Demanding transformations. Argentine critical documentaries of the 1980s

Detalhes bibliográficos
Autor(a) principal: Campo, Javier
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Rebeca (São Paulo)
Texto Completo: https://rebeca.socine.org.br/1/article/view/865
Resumo: One of the characteristics for which Latin American cinema are highlighted is for their militant politics. But there have also been a large number of films that do not record marches or street fights, but rather silent or silenced claims. Documentaries about native indigenous communities that were traditionally considered only ethnographic. Films about ways of sowing and rural grazing that denounce the contamination of the environment. Audiovisual reviews on the cultural penetration of patriarchal models. All those new perspectives that today are frequently explored by local documentaries burst onto the scene in the 1980s. The Cine Testimonio group, Miguel Mirra, Ana Zanotti, Lorenzo Kelly and Carlos Procopiuk made contributions to ethnographic cinema from critical reflections. Likewise, Juan Schröder and Humberto Carrizo presented complaints about the negative transformation of the environment with contributions from the incipient ecology. Cine Testimonio Mujer, with Laura Búa and Silvia Chanvillard as directors, presented critical positions on parenting and patriarchy in the first documentaries made with a feminist perspective. On the other hand, the films were made from and produced in different places in Argentina.
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spelling Demanding transformations. Argentine critical documentaries of the 1980sExigiendo transformaciones. Documentales críticos argentinos de la década de 1980Exigentes transformações. Documentários críticos argentinos da década de 1980DocumentárioArgentinaDécada de 1980DocumentaryArgentina1980sDocumentalArgentinaDécada de 1980One of the characteristics for which Latin American cinema are highlighted is for their militant politics. But there have also been a large number of films that do not record marches or street fights, but rather silent or silenced claims. Documentaries about native indigenous communities that were traditionally considered only ethnographic. Films about ways of sowing and rural grazing that denounce the contamination of the environment. Audiovisual reviews on the cultural penetration of patriarchal models. All those new perspectives that today are frequently explored by local documentaries burst onto the scene in the 1980s. The Cine Testimonio group, Miguel Mirra, Ana Zanotti, Lorenzo Kelly and Carlos Procopiuk made contributions to ethnographic cinema from critical reflections. Likewise, Juan Schröder and Humberto Carrizo presented complaints about the negative transformation of the environment with contributions from the incipient ecology. Cine Testimonio Mujer, with Laura Búa and Silvia Chanvillard as directors, presented critical positions on parenting and patriarchy in the first documentaries made with a feminist perspective. On the other hand, the films were made from and produced in different places in Argentina.Una de las características por las cuales es resaltado el cine y el audiovisual latinoamericano es por su politicidad militante. Pero también se han producido gran cantidad de films que no registran marchas ni luchas callejeras, sino reclamos silenciosos o silenciados. Tal es el caso de documentales sobre comunidades originarias indígenas que tradicionalmente se consideraban solo etnográficos; films sobre modos de siembra y pastoreo rural que denunciaban la contaminación del medio ambiente y revisiones audiovisuales sobre la penetración cultural de modelos patriarcales. Todas esas nuevas perspectivas que hoy son frecuentemente transitadas por el documental local, irrumpieron en la década de 1980 en escena. El grupo Cine Testimonio, Miguel Mirra, Ana Zanotti, Lorenzo Kelly y Carlos Procopiuk hicieron aportes al cine etnográfico desde reflexiones críticas. Asimismo, Juan Schröder y Humberto Carrizo presentaron denuncias sobre la transformación negativa del medio ambiente con aportes desde la incipiente ecología. Cine Testimonio Mujer, con Laura Búa y Silvia Chanvillard como realizadoras, presentaron posturas críticas sobre crianzas y patriarcado en los primeros documentales realizados con perspectiva feminista. Por otra parte, los films se realizaron desde y se produjeron en distintos lugares de la Argentina.Uma das características pelas quais o cinema e o audiovisual latino-americanos se destaca é a sua militância política. Mas também tem havido um grande número de filmes que não registram marchas ou brigas de rua, mas sim demandas silenciosas ou silenciadas. Documentários sobre comunidades indígenas nativas que tradicionalmente eram consideradas apenas etnográficas. Filmes sobre formas de semeadura e pastoreio rural que denunciam a contaminação do meio ambiente. Resenhas audiovisuais sobre a penetração cultural dos modelos patriarcais. Todas essas novas perspectivas que hoje são frequentemente exploradas pelos documentários locais irromperam em cena na década de 1980. O grupo Cine Testimonio, Miguel Mirra, Ana Zanotti, Lorenzo Kelly e Carlos Procopiuk fizeram contribuições ao cinema etnográfico a partir de reflexões críticas. Da mesma forma, Juan Schröder e Humberto Carrizo apresentaram queixas sobre a transformação negativa do meio ambiente com contribuições da incipiente ecologia. O Cine Testimonio Mujer, com direção de Laura Búa e Silvia Chanvillard, apresentou posições críticas sobre parentalidade e patriarcado nos primeiros documentários feitos com perspectiva feminista. Por outro lado, os filmes foram feitos e produzidos em diferentes lugares da Argentina.Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual2023-01-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfhttps://rebeca.socine.org.br/1/article/view/86510.22475/rebeca.v11n2.865Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 11 No. 2 (2022): Rebeca 22Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 11 Núm. 2 (2022): Rebeca 22Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 11 No 2 (2022): Rebeca 22Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 11 n. 2 (2022): Rebeca 222316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEspahttps://rebeca.socine.org.br/1/article/view/865/526Copyright (c) 2023 Javier Campohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCampo, Javier2023-01-30T16:26:06Zoai:ojs.emnuvens.com.br:article/865Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2023-01-30T16:26:06Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false
dc.title.none.fl_str_mv Demanding transformations. Argentine critical documentaries of the 1980s
Exigiendo transformaciones. Documentales críticos argentinos de la década de 1980
Exigentes transformações. Documentários críticos argentinos da década de 1980
title Demanding transformations. Argentine critical documentaries of the 1980s
spellingShingle Demanding transformations. Argentine critical documentaries of the 1980s
Campo, Javier
Documentário
Argentina
Década de 1980
Documentary
Argentina
1980s
Documental
Argentina
Década de 1980
title_short Demanding transformations. Argentine critical documentaries of the 1980s
title_full Demanding transformations. Argentine critical documentaries of the 1980s
title_fullStr Demanding transformations. Argentine critical documentaries of the 1980s
title_full_unstemmed Demanding transformations. Argentine critical documentaries of the 1980s
title_sort Demanding transformations. Argentine critical documentaries of the 1980s
author Campo, Javier
author_facet Campo, Javier
author_role author
dc.contributor.author.fl_str_mv Campo, Javier
dc.subject.por.fl_str_mv Documentário
Argentina
Década de 1980
Documentary
Argentina
1980s
Documental
Argentina
Década de 1980
topic Documentário
Argentina
Década de 1980
Documentary
Argentina
1980s
Documental
Argentina
Década de 1980
description One of the characteristics for which Latin American cinema are highlighted is for their militant politics. But there have also been a large number of films that do not record marches or street fights, but rather silent or silenced claims. Documentaries about native indigenous communities that were traditionally considered only ethnographic. Films about ways of sowing and rural grazing that denounce the contamination of the environment. Audiovisual reviews on the cultural penetration of patriarchal models. All those new perspectives that today are frequently explored by local documentaries burst onto the scene in the 1980s. The Cine Testimonio group, Miguel Mirra, Ana Zanotti, Lorenzo Kelly and Carlos Procopiuk made contributions to ethnographic cinema from critical reflections. Likewise, Juan Schröder and Humberto Carrizo presented complaints about the negative transformation of the environment with contributions from the incipient ecology. Cine Testimonio Mujer, with Laura Búa and Silvia Chanvillard as directors, presented critical positions on parenting and patriarchy in the first documentaries made with a feminist perspective. On the other hand, the films were made from and produced in different places in Argentina.
publishDate 2023
dc.date.none.fl_str_mv 2023-01-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rebeca.socine.org.br/1/article/view/865
10.22475/rebeca.v11n2.865
url https://rebeca.socine.org.br/1/article/view/865
identifier_str_mv 10.22475/rebeca.v11n2.865
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://rebeca.socine.org.br/1/article/view/865/526
dc.rights.driver.fl_str_mv Copyright (c) 2023 Javier Campo
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Javier Campo
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
dc.source.none.fl_str_mv Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 11 No. 2 (2022): Rebeca 22
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 11 Núm. 2 (2022): Rebeca 22
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 11 No 2 (2022): Rebeca 22
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 11 n. 2 (2022): Rebeca 22
2316-9230
reponame:Rebeca (São Paulo)
instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron:SOCINE
instname_str Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron_str SOCINE
institution SOCINE
reponame_str Rebeca (São Paulo)
collection Rebeca (São Paulo)
repository.name.fl_str_mv Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
repository.mail.fl_str_mv rebeca@socine.org.br
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