Perceptual insecurity and multisensory in contemporary nordic horror
Autor(a) principal: | |
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Data de Publicação: | 2023 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Rebeca (São Paulo) |
Texto Completo: | https://rebeca.socine.org.br/1/article/view/913 |
Resumo: | This article analyzes three Nordic horror feature films – Swedish Border, by Ali Abbasi (2018), Icelandic Lamb, by Valdimar Jóhannsson (2021), and Norwegian The Innocents, by Eskil Vogt (2021) – highlighting trends of contemporary cinema characterized by the insertion of elements of fantastic and/or supernatural imaginary in the construction of imagery and soundscapes that build atmospheres of contemplation and emptiness. The three films formulate a relevant frame of the way horror genre articulates ideas, values and social tensions, following a filmmaker trend to explore the entire sensory surface of the spectator’s body, which makes senses other than vision and hearing central to a new regime of spectatorship. |
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Perceptual insecurity and multisensory in contemporary nordic horrorInseguridad perceptual y multissensorialidad en el horror nórdico contemporáneoInsegurança perceptual e multissensorialidade no horror nórdico contemporâneoCinemaAnálise fílmicaHorror nórdicoMultissensorialidadeCinema contemporâneoCinemaFilm analysisNordic horrorMultisensoryCineAnálisis de películasHorror nórdicoMultisensorialidadThis article analyzes three Nordic horror feature films – Swedish Border, by Ali Abbasi (2018), Icelandic Lamb, by Valdimar Jóhannsson (2021), and Norwegian The Innocents, by Eskil Vogt (2021) – highlighting trends of contemporary cinema characterized by the insertion of elements of fantastic and/or supernatural imaginary in the construction of imagery and soundscapes that build atmospheres of contemplation and emptiness. The three films formulate a relevant frame of the way horror genre articulates ideas, values and social tensions, following a filmmaker trend to explore the entire sensory surface of the spectator’s body, which makes senses other than vision and hearing central to a new regime of spectatorship.Este artículo analiza tres largometrajes nórdicos de terror – Border, de Ali Abbasi (2018); Lamb, de Valdimar Jóhannsson (2021); y The Innocents, de Eskil Vogt (2021) – destacando tendencias del cine contemporáneo caracterizadas por la inserción de elementos del imaginario fantástico y/o sobrenatural en la construcción de imágenes y paisajes sonoros que construyen atmósferas de contemplación y vacío. Las tres películas formulan un corte relevante sobre la forma en que el género de terror articula ideas, valores y tensiones sociales, siguiendo una tendencia de los cineastas de explorar toda la superficie sensorial del cuerpo del espectador, lo que hace que otros sentidos, además de la vista y el oído, sean centrales para un nuevo régimen de espectador.O trabalho analisa três filmes de longa-metragem de horror nórdicos – o sueco Border, de Ali Abbasi (2018); o islandês Lamb, de Valdimar Jóhannsson (2021); e o norueguês The Innocents, de Eskil Vogt (2021) – destacando traços presentes em uma tendência do cinema contemporâneo que se caracteriza pela inserção de elementos do imaginário fantástico e/ou insólito na construção de paisagens imagéticas e sonoras que priorizam uma atmosfera de contemplação e vazio. Os filmes nos parecem formular um recorte relevante da forma como o gênero horror articula ideias, valores e tensões sociais dentro da produção audiovisual contemporânea, seguindo a tendência de endereçar toda a superfície sensória do corpo do espectador, explorando sentidos outros, além da visão e da audição, no regime de espectatorialidade cinematográfica.Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual2023-07-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoapplication/pdfhttps://rebeca.socine.org.br/1/article/view/91310.22475/rebeca.v12n1.913Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 12 No. 1 (2023): Rebeca 23Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 Núm. 1 (2023): Rebeca 23Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 No 1 (2023): Rebeca 23Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 12 n. 1 (2023): Rebeca 232316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/913/544Copyright (c) 2023 Laura Cánepa, Rodrigo Carreirohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCarreiro, Rodrigo Loguercio Cánepa, Laura2023-07-30T18:45:47Zoai:ojs.emnuvens.com.br:article/913Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2023-07-30T18:45:47Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false |
dc.title.none.fl_str_mv |
Perceptual insecurity and multisensory in contemporary nordic horror Inseguridad perceptual y multissensorialidad en el horror nórdico contemporáneo Insegurança perceptual e multissensorialidade no horror nórdico contemporâneo |
title |
Perceptual insecurity and multisensory in contemporary nordic horror |
spellingShingle |
Perceptual insecurity and multisensory in contemporary nordic horror Carreiro, Rodrigo Cinema Análise fílmica Horror nórdico Multissensorialidade Cinema contemporâneo Cinema Film analysis Nordic horror Multisensory Cine Análisis de películas Horror nórdico Multisensorialidad |
title_short |
Perceptual insecurity and multisensory in contemporary nordic horror |
title_full |
Perceptual insecurity and multisensory in contemporary nordic horror |
title_fullStr |
Perceptual insecurity and multisensory in contemporary nordic horror |
title_full_unstemmed |
Perceptual insecurity and multisensory in contemporary nordic horror |
title_sort |
Perceptual insecurity and multisensory in contemporary nordic horror |
author |
Carreiro, Rodrigo |
author_facet |
Carreiro, Rodrigo Loguercio Cánepa, Laura |
author_role |
author |
author2 |
Loguercio Cánepa, Laura |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Carreiro, Rodrigo Loguercio Cánepa, Laura |
dc.subject.por.fl_str_mv |
Cinema Análise fílmica Horror nórdico Multissensorialidade Cinema contemporâneo Cinema Film analysis Nordic horror Multisensory Cine Análisis de películas Horror nórdico Multisensorialidad |
topic |
Cinema Análise fílmica Horror nórdico Multissensorialidade Cinema contemporâneo Cinema Film analysis Nordic horror Multisensory Cine Análisis de películas Horror nórdico Multisensorialidad |
description |
This article analyzes three Nordic horror feature films – Swedish Border, by Ali Abbasi (2018), Icelandic Lamb, by Valdimar Jóhannsson (2021), and Norwegian The Innocents, by Eskil Vogt (2021) – highlighting trends of contemporary cinema characterized by the insertion of elements of fantastic and/or supernatural imaginary in the construction of imagery and soundscapes that build atmospheres of contemplation and emptiness. The three films formulate a relevant frame of the way horror genre articulates ideas, values and social tensions, following a filmmaker trend to explore the entire sensory surface of the spectator’s body, which makes senses other than vision and hearing central to a new regime of spectatorship. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-07-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Texto |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://rebeca.socine.org.br/1/article/view/913 10.22475/rebeca.v12n1.913 |
url |
https://rebeca.socine.org.br/1/article/view/913 |
identifier_str_mv |
10.22475/rebeca.v12n1.913 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://rebeca.socine.org.br/1/article/view/913/544 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Laura Cánepa, Rodrigo Carreiro http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Laura Cánepa, Rodrigo Carreiro http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual |
publisher.none.fl_str_mv |
Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual |
dc.source.none.fl_str_mv |
Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 12 No. 1 (2023): Rebeca 23 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 Núm. 1 (2023): Rebeca 23 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 No 1 (2023): Rebeca 23 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 12 n. 1 (2023): Rebeca 23 2316-9230 reponame:Rebeca (São Paulo) instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) instacron:SOCINE |
instname_str |
Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) |
instacron_str |
SOCINE |
institution |
SOCINE |
reponame_str |
Rebeca (São Paulo) |
collection |
Rebeca (São Paulo) |
repository.name.fl_str_mv |
Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) |
repository.mail.fl_str_mv |
rebeca@socine.org.br |
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1809730937902071808 |