Archive images as a filmic gesture by Eduardo Coutinho

Detalhes bibliográficos
Autor(a) principal: Souza Vieira, Marcelo Dídimo
Data de Publicação: 2024
Outros Autores: Vitorino Sampaio Passos, Luana
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rebeca (São Paulo)
DOI: 10.22475/rebeca.v12n2.969
Texto Completo: https://rebeca.socine.org.br/1/article/view/969
Resumo: This article is dedicated to analyzing the presence and behavior of archival images in the movie Peões (2004), by Eduardo Coutinho. We start from the assumption that even though they are not the central filmic element for which the director gained notoriety, the archival images are not present in the work in an arbitrary way. Rather, they pulsate in each sequence in which they appear, demonstrating they are part of the modus operandi of the director known for the encounters and conversations he established with publicly unknown people. Our objective is to reveal the methods and procedures specifically used in Peões that suggest the ways in which the film sought to bring cinema and history together based on the testimony and experience of the anonymous people involved in the great workers' strikes in the ABC region of São Paulo between 1979 and 1980. Therefore, we analyze the scenes of which the archives are a part of, paying particular attention to their materiality and narrative constitution as a trace of the particular and collective experience. We understand the archives as fundamental Coutinian filmic gestures, which far from signifying just a chapter in his career, prove to be an aesthetic and ethical choice of the director, who builds unique senses of memory.
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spelling Archive images as a filmic gesture by Eduardo CoutinhoImágenes de archivo como gesto fílmico de Eduardo CoutinhoAs imagens de arquivo como gesto fílmico de Eduardo CoutinhoArchival imagesEduardo CoutinhoPeõesStrikeArchive imagesEduardo CoutinhoPeõesStrikeImágenes de archivoEduardo CoutinhoPeõesHuelgaImágenes de archivoEduardo CoutinhoPeõesHuelgaImagens de ArquivoEduardo CoutinhoPeõesGreveImagens de arquivoEduardo CoutinhoPeõesGreveThis article is dedicated to analyzing the presence and behavior of archival images in the movie Peões (2004), by Eduardo Coutinho. We start from the assumption that even though they are not the central filmic element for which the director gained notoriety, the archival images are not present in the work in an arbitrary way. Rather, they pulsate in each sequence in which they appear, demonstrating they are part of the modus operandi of the director known for the encounters and conversations he established with publicly unknown people. Our objective is to reveal the methods and procedures specifically used in Peões that suggest the ways in which the film sought to bring cinema and history together based on the testimony and experience of the anonymous people involved in the great workers' strikes in the ABC region of São Paulo between 1979 and 1980. Therefore, we analyze the scenes of which the archives are a part of, paying particular attention to their materiality and narrative constitution as a trace of the particular and collective experience. We understand the archives as fundamental Coutinian filmic gestures, which far from signifying just a chapter in his career, prove to be an aesthetic and ethical choice of the director, who builds unique senses of memory.Este artículo está dedicado a analizar la presencia y el comportamiento de las imágenes de archivo en la película Peões (2004), de Eduardo Coutinho. Partimos del supuesto de que si bien estas no son el elemento fílmico central por el que el director ganó notoriedad, las imágenes de archivo no están presentes en la obra de manera arbitraria, sino que pulsan en cada secuencia en la que aparecen, demostrando parte del modus operandi del director consagrado, por los encuentros y conversaciones que entablaba con personas públicamente desconocidas. Nuestro objetivo es revelar los métodos y procedimientos utilizados específicamente en Peões que sugieran las formas en que la película buscó unir cine e historia a partir del testimonio y la experiencia de las personas anónimas involucradas en las grandes huelgas de trabajadores en la región del ABC de São Paulo que transcurrió entre 1979 y 1980. Por ello, analizamos los escenarios de los que forman parte los archivos, prestando especial atención a su materialidad y constitución narrativa como huella de la experiencia particular y colectiva, llegando a entender los archivos mismos como Gestos fílmicos fundamentalmente coutinianos, que lejos de ser solo un capítulo en su trayectoria, resultan ser una elección estética y ética del director que construye sentidos únicos de la memoria.Este artigo se dedica a analisar a presença e o comportamento das imagens de arquivo no filme Peões (2004), de Eduardo Coutinho. Partimos do pressuposto de que mesmo não sendo o elemento fílmico central pelo qual o diretor ganhou notoriedade, as imagens de arquivo não estão presentes na obra de forma arbitrária, mas pulsam em cada sequência em que aparecem, demonstrando-se parte do modus operandi do diretor consagrado pelos encontros e conversas que estabelecia com pessoas publicamente desconhecidas. Nosso objetivo é desvendar quais os métodos e procedimentos utilizados especificamente em Peões que sugerem as formas com que o filme buscou aproximar cinema e história a partir do testemunho e da experiência dos anônimos envolvidos nas grandes greves operárias do ABC paulista entre 1979 e 1980. Para isso, analisamos as cenas das quais os arquivos fazem parte, dando atenção particular à sua materialidade e constituição narrativa como rastro da experiência particular e coletiva, terminando por entender os próprios arquivos como gestos fílmicos fundamentalmente coutinianos, que longe de significarem somente um capítulo em sua trajetória, demonstram serem uma escolha estética e ética do diretor, que constrói sentidos singulares de memória.Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual2024-01-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoTexteTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://rebeca.socine.org.br/1/article/view/96910.22475/rebeca.v12n2.969Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 12 No. 2 (2023): Rebeca 24Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 Núm. 2 (2023): Rebeca 24Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 No 2 (2023): Rebeca 24Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 12 n. 2 (2023): Rebeca 242316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/969/605Copyright (c) 2023 Marcelo Dídimo Souza Vieira, Luana Vitorino Sampaio Passoshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSouza Vieira, Marcelo Dídimo Vitorino Sampaio Passos, Luana2024-01-18T20:28:15Zoai:ojs.emnuvens.com.br:article/969Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2024-01-18T20:28:15Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false
dc.title.none.fl_str_mv Archive images as a filmic gesture by Eduardo Coutinho
Imágenes de archivo como gesto fílmico de Eduardo Coutinho
As imagens de arquivo como gesto fílmico de Eduardo Coutinho
title Archive images as a filmic gesture by Eduardo Coutinho
spellingShingle Archive images as a filmic gesture by Eduardo Coutinho
Archive images as a filmic gesture by Eduardo Coutinho
Souza Vieira, Marcelo Dídimo
Archival images
Eduardo Coutinho
Peões
Strike
Archive images
Eduardo Coutinho
Peões
Strike
Imágenes de archivo
Eduardo Coutinho
Peões
Huelga
Imágenes de archivo
Eduardo Coutinho
Peões
Huelga
Imagens de Arquivo
Eduardo Coutinho
Peões
Greve
Imagens de arquivo
Eduardo Coutinho
Peões
Greve
Souza Vieira, Marcelo Dídimo
Archival images
Eduardo Coutinho
Peões
Strike
Archive images
Eduardo Coutinho
Peões
Strike
Imágenes de archivo
Eduardo Coutinho
Peões
Huelga
Imágenes de archivo
Eduardo Coutinho
Peões
Huelga
Imagens de Arquivo
Eduardo Coutinho
Peões
Greve
Imagens de arquivo
Eduardo Coutinho
Peões
Greve
title_short Archive images as a filmic gesture by Eduardo Coutinho
title_full Archive images as a filmic gesture by Eduardo Coutinho
title_fullStr Archive images as a filmic gesture by Eduardo Coutinho
Archive images as a filmic gesture by Eduardo Coutinho
title_full_unstemmed Archive images as a filmic gesture by Eduardo Coutinho
Archive images as a filmic gesture by Eduardo Coutinho
title_sort Archive images as a filmic gesture by Eduardo Coutinho
author Souza Vieira, Marcelo Dídimo
author_facet Souza Vieira, Marcelo Dídimo
Souza Vieira, Marcelo Dídimo
Vitorino Sampaio Passos, Luana
Vitorino Sampaio Passos, Luana
author_role author
author2 Vitorino Sampaio Passos, Luana
author2_role author
dc.contributor.author.fl_str_mv Souza Vieira, Marcelo Dídimo
Vitorino Sampaio Passos, Luana
dc.subject.por.fl_str_mv Archival images
Eduardo Coutinho
Peões
Strike
Archive images
Eduardo Coutinho
Peões
Strike
Imágenes de archivo
Eduardo Coutinho
Peões
Huelga
Imágenes de archivo
Eduardo Coutinho
Peões
Huelga
Imagens de Arquivo
Eduardo Coutinho
Peões
Greve
Imagens de arquivo
Eduardo Coutinho
Peões
Greve
topic Archival images
Eduardo Coutinho
Peões
Strike
Archive images
Eduardo Coutinho
Peões
Strike
Imágenes de archivo
Eduardo Coutinho
Peões
Huelga
Imágenes de archivo
Eduardo Coutinho
Peões
Huelga
Imagens de Arquivo
Eduardo Coutinho
Peões
Greve
Imagens de arquivo
Eduardo Coutinho
Peões
Greve
description This article is dedicated to analyzing the presence and behavior of archival images in the movie Peões (2004), by Eduardo Coutinho. We start from the assumption that even though they are not the central filmic element for which the director gained notoriety, the archival images are not present in the work in an arbitrary way. Rather, they pulsate in each sequence in which they appear, demonstrating they are part of the modus operandi of the director known for the encounters and conversations he established with publicly unknown people. Our objective is to reveal the methods and procedures specifically used in Peões that suggest the ways in which the film sought to bring cinema and history together based on the testimony and experience of the anonymous people involved in the great workers' strikes in the ABC region of São Paulo between 1979 and 1980. Therefore, we analyze the scenes of which the archives are a part of, paying particular attention to their materiality and narrative constitution as a trace of the particular and collective experience. We understand the archives as fundamental Coutinian filmic gestures, which far from signifying just a chapter in his career, prove to be an aesthetic and ethical choice of the director, who builds unique senses of memory.
publishDate 2024
dc.date.none.fl_str_mv 2024-01-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
Texte
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rebeca.socine.org.br/1/article/view/969
10.22475/rebeca.v12n2.969
url https://rebeca.socine.org.br/1/article/view/969
identifier_str_mv 10.22475/rebeca.v12n2.969
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://rebeca.socine.org.br/1/article/view/969/605
dc.rights.driver.fl_str_mv Copyright (c) 2023 Marcelo Dídimo Souza Vieira, Luana Vitorino Sampaio Passos
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Marcelo Dídimo Souza Vieira, Luana Vitorino Sampaio Passos
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
dc.source.none.fl_str_mv Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 12 No. 2 (2023): Rebeca 24
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 Núm. 2 (2023): Rebeca 24
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 No 2 (2023): Rebeca 24
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 12 n. 2 (2023): Rebeca 24
2316-9230
reponame:Rebeca (São Paulo)
instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron:SOCINE
instname_str Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron_str SOCINE
institution SOCINE
reponame_str Rebeca (São Paulo)
collection Rebeca (São Paulo)
repository.name.fl_str_mv Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
repository.mail.fl_str_mv rebeca@socine.org.br
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dc.identifier.doi.none.fl_str_mv 10.22475/rebeca.v12n2.969

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