Between now and yore: the history-writing in Eduardo Coutinho’s cinema

Detalhes bibliográficos
Autor(a) principal: Mesquita, Cláudia Cardoso
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/24255
Resumo: Eduardo Coutinho’s contemporary cinema is marked by the interview as a dramatic form, as well as the register of the ongoing encounter between the director and his interviewees. However, this “art of the present”, as called by Consuelo Lins, implies a rarer, denser history-writing project. This paper explores this dimension of his work by comparing two lms that are 20 years apart in their making: Twenty years later (1984) and Metalworkers (2004). Their similarities and differences allow us to note, between past and present, mutual insights that Coutinho’s diachronic gesture brings about, which hypothetically constitutes “the present as history”.
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spelling Between now and yore: the history-writing in Eduardo Coutinho’s cinemaEntre agora e outrora: a escrita da história no cinema de Eduardo Coutinhocinema documentárioEduardo CoutinhohistóriaCabra marcado para morrerPeõesEduardo CoutinhodocumentaryhistoryTwenty years laterMetalworkersEduardo Coutinho’s contemporary cinema is marked by the interview as a dramatic form, as well as the register of the ongoing encounter between the director and his interviewees. However, this “art of the present”, as called by Consuelo Lins, implies a rarer, denser history-writing project. This paper explores this dimension of his work by comparing two lms that are 20 years apart in their making: Twenty years later (1984) and Metalworkers (2004). Their similarities and differences allow us to note, between past and present, mutual insights that Coutinho’s diachronic gesture brings about, which hypothetically constitutes “the present as history”.A cinematografia contemporânea de Eduardo Coutinho é marcada pela centralidade da entrevista como forma dramática e pelo registro do encontro presente entre o diretor e os sujeitos filmados. “Arte do presente” (2002), na expressão de Consuelo Lins, esse cinema abriga, entretanto, um projeto mais raro, mas muito denso, de escrita da história. Propomos investigá-lo a partir do cotejo entre dois documentários históricos separados por 20 anos - Cabra marcado para morrer (1984) e Peões (2004) -, ensaiando ainda aproximações entre esta cinematografia e a concepção de história defendida por Walter Benjamin em suas teses (BENJAMIN apud LÖWY, 2015).PEPG COS-PUC-SP2015-11-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/24255Galaxia; No. 31 (2016)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 31 (2016)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/24255/19077Mesquita, Cláudia Cardosoinfo:eu-repo/semantics/openAccess2024-05-15T14:01:16Zoai:ojs.pkp.sfu.ca:article/24255Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2024-05-15T14:01:16Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Between now and yore: the history-writing in Eduardo Coutinho’s cinema
Entre agora e outrora: a escrita da história no cinema de Eduardo Coutinho
title Between now and yore: the history-writing in Eduardo Coutinho’s cinema
spellingShingle Between now and yore: the history-writing in Eduardo Coutinho’s cinema
Mesquita, Cláudia Cardoso
cinema documentário
Eduardo Coutinho
história
Cabra marcado para morrer
Peões
Eduardo Coutinho
documentary
history
Twenty years later
Metalworkers
title_short Between now and yore: the history-writing in Eduardo Coutinho’s cinema
title_full Between now and yore: the history-writing in Eduardo Coutinho’s cinema
title_fullStr Between now and yore: the history-writing in Eduardo Coutinho’s cinema
title_full_unstemmed Between now and yore: the history-writing in Eduardo Coutinho’s cinema
title_sort Between now and yore: the history-writing in Eduardo Coutinho’s cinema
author Mesquita, Cláudia Cardoso
author_facet Mesquita, Cláudia Cardoso
author_role author
dc.contributor.author.fl_str_mv Mesquita, Cláudia Cardoso
dc.subject.por.fl_str_mv cinema documentário
Eduardo Coutinho
história
Cabra marcado para morrer
Peões
Eduardo Coutinho
documentary
history
Twenty years later
Metalworkers
topic cinema documentário
Eduardo Coutinho
história
Cabra marcado para morrer
Peões
Eduardo Coutinho
documentary
history
Twenty years later
Metalworkers
description Eduardo Coutinho’s contemporary cinema is marked by the interview as a dramatic form, as well as the register of the ongoing encounter between the director and his interviewees. However, this “art of the present”, as called by Consuelo Lins, implies a rarer, denser history-writing project. This paper explores this dimension of his work by comparing two lms that are 20 years apart in their making: Twenty years later (1984) and Metalworkers (2004). Their similarities and differences allow us to note, between past and present, mutual insights that Coutinho’s diachronic gesture brings about, which hypothetically constitutes “the present as history”.
publishDate 2015
dc.date.none.fl_str_mv 2015-11-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/24255
url https://revistas.pucsp.br/index.php/galaxia/article/view/24255
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/24255/19077
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 31 (2016)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 31 (2016)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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