Contemporary subaltern Brazilian cinema: Violence and subjectivities in Arábia and A vizinhança do tigre
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2023 |
| Outros Autores: | |
| Tipo de documento: | Artigo |
| Idioma: | por |
| Título da fonte: | Rebeca (São Paulo) |
| Texto Completo: | https://rebeca.socine.org.br/1/article/view/924 |
Resumo: | The article dives into the constructions of violence and its connections with prison and drug dealing in Brazilian cinema produced in 2010, in a historical perspective with films about the theme realeased in the late 1990s and beginning of the 2000s. The chosen timeframe encompasses a reconfiguration in the places of speech in Brazilian cinema in the years of 2010, made possible by the changes in cultural policies and in the funding of cinema in the 2000s. From this reconfiguration, it is possible to identify a change in the look into the violence suffered in the poor parts of the country and in jail when compared with the movies produced during the Retomada and Post-Retomada periods in Brazilian cinema. Therefore, we elected Arábia (2017), by Affonso Uchoa and João Dumans, and A vizinhança do tigre (2014), by Affonso Uchoa, as main corpus of the compared analysis with Carandiru (2003), by Hector Babenco, and Noticias de uma guerra particular (1999), by João Moreira Salles and Kátia Lund. Targetting the historical parallel, we use the genealogical method elaborated by Michel Foucault (2016), which offers categories for the analysis inside and outside of the film, articulating the micro record of audiovisual work with its conditions of historical and political possibilities. Through the analysis of the films, we conclude that Arábia and A vizinhança do tigre untie themselves from the violence appeal given to the poor parts of the country in the decade before, showing, instead, the life strategies of the characters before the violent structuring of power, having the day to day struggle to survive and the chance to dream about other possible worlds as the central theme of the films. |
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Contemporary subaltern Brazilian cinema: Violence and subjectivities in Arábia and A vizinhança do tigre Cine subalterno brasileño contemporáneo: Violencia y subjetividades em Arábia y A vizinhança do tigre Cinéma brésilien subalterne contemporain : Violence et subjectivités en Arábia et A vizinhança do tigreCinema brasileiro subalterno contemporâneo: Violência e subjetividades em Arábia e A vizinhança do tigreBrazilian cinemaViolenceSubalternitiesPeripheral youthContemporary Brazilian cinemaCine brasileñoViolenciaSubalternidadJuventud periféricaCine brasileño contemporáneoCinéma brésilienViolenceSubalternitéJeunesse périphériqueCinéma brésilien contemporainCinema brasileiroViolênciasSubalternidadesJuventudes periféricasCinema brasileiro contemporâneoThe article dives into the constructions of violence and its connections with prison and drug dealing in Brazilian cinema produced in 2010, in a historical perspective with films about the theme realeased in the late 1990s and beginning of the 2000s. The chosen timeframe encompasses a reconfiguration in the places of speech in Brazilian cinema in the years of 2010, made possible by the changes in cultural policies and in the funding of cinema in the 2000s. From this reconfiguration, it is possible to identify a change in the look into the violence suffered in the poor parts of the country and in jail when compared with the movies produced during the Retomada and Post-Retomada periods in Brazilian cinema. Therefore, we elected Arábia (2017), by Affonso Uchoa and João Dumans, and A vizinhança do tigre (2014), by Affonso Uchoa, as main corpus of the compared analysis with Carandiru (2003), by Hector Babenco, and Noticias de uma guerra particular (1999), by João Moreira Salles and Kátia Lund. Targetting the historical parallel, we use the genealogical method elaborated by Michel Foucault (2016), which offers categories for the analysis inside and outside of the film, articulating the micro record of audiovisual work with its conditions of historical and political possibilities. Through the analysis of the films, we conclude that Arábia and A vizinhança do tigre untie themselves from the violence appeal given to the poor parts of the country in the decade before, showing, instead, the life strategies of the characters before the violent structuring of power, having the day to day struggle to survive and the chance to dream about other possible worlds as the central theme of the films.El artículo se centra en las construcciones de la violencia y sus relaciones con la prisión y el narcotráfico en el cine brasileño producido en 2010, en una perspectiva histórica, con películas sobre el tema estrenadas a fines de la década de 1990 y principios de 2000. A partir de la reconfiguración de los lugares de discurso en el cine brasileño en la década de 2010, posibilitado por el cambio en las políticas culturales y el financiamiento del cine en la década de 2000, es posible identificar un cambio de perspectiva sobre la violencia en la periferia y en la prisión cuando se compara con las películas producidas en la reanudación y post-reanudación del cine brasileño. Para ello, elegimos Arábia (2017), de Affonso Uchoa y João Dumans, y A vizinhança do tigre (2014), de Affonso Uchoa, como corpus principal del análisis comparativo con Carandiru (2003), de Héctor Babenco, y Notícias de uma Guerra particular (1999), de João Moreira Salles y Kátia Lund. Ante el paralelo histórico propuesto, utilizamos el método genealógico desarrollado por Michel Foucault (2016), que ofrece categorías para el análisis del interior y exterior del film, articulando el micro registro del audiovisual con sus condiciones histórico-políticas de posibilidad. A través del análisis de las películas, concluimos que Arábia y A vizinhança do tigre se desprenden del llamado a la violencia dado a la periferia en la década anterior, para abordar las estrategias de vida de los personajes frente a la estructuración violenta de poder, teniendo la lucha que se libra a diario por sobrevivir y la posibilidad de soñar con otros mundos posibles, el tema central de las películas. L'article porte sur les constructions de la violence et ses relations avec la prison et le trafic de drogue dans le cinéma brésilien produit en 2010, dans une perspective comparative avec des films sur le sujet sortis à la fin des années 1990 et au début des années 2000. Partant de la reconfiguration des lieux de discours dans le cinéma brésilien des années 2010, rendu possible par le changement des politiques culturelles et du financement du cinéma dans les années 2000, il est possible d'identifier un changement de perspective sur la violence dans la périphérie et en prison par rapport aux films produits dans la reprise et post-reprise du cinéma brésilien. Pour cela, nous avons choisi Arabia (2017), d'Affonso Uchoa et João Dumans, et A vizinhança do tigre (2014), d'Affonso Uchoa, comme corpus principal de l'analyse comparative avec Carandiru (2003), d'Hector Babenco, et Notícias de uma Guerra particular (1999), de João Moreira Salles et Kátia Lund. Au vu du parallèle historique proposé, nous utilisons la méthode généalogique développée par Michel Foucault (2016), qui propose des catégories pour l'analyse de l'intérieur et de l'extérieur du film, articulant le micro-enregistrement de l'audiovisuel avec ses conditions historico-politiques de possibilité. A travers l'analyse des films, nous concluons que Arábia et A vizinhança do tigre se détachent de l'attrait de la violence donné à la périphérie dans la décennie précédente, pour traiter des stratégies de vie des personnages face à la structuration violente de le pouvoir, la lutte quotidienne pour survivre et la possibilité de rêver à d'autres mondes possibles, thème central des films.O artigo se debruça sobre as construções da violência e suas relações com o presídio e o tráfico de drogas no cinema brasileiro produzido em 2010, em uma perspectiva histórica com os filmes sobre o tema lançados no final da década de 1990 e início dos anos 2000. Partindo da reconfiguração nos lugares de fala no cinema brasileiro nos anos 2010, tornado possível pela mudança nas políticas culturais e de financiamento ao cinema nos anos 2000, é possível identificar uma mudança de olhar sobre a violência na periferia e no presídio quando comparados aos filmes produzidos na Retomada e Pós-retomada do cinema brasileiro. Para tanto, elegemos Arábia (2017), de Affonso Uchoa e João Dumans, e A vizinhança do tigre (2014), de Affonso Uchoa, como corpus principal da analise comparada com Carandiru (2003), de Hector Babenco, e Notícias de uma guerra particular (1999), de João Moreira Salles e Kátia Lund. Tendo em vista o paralelo histórico proposto, utilizamos o método genealógico elaborado por Michel Foucault (2016), o qual oferece categorias para a análise do dentro e fora do filme, articulando o registro micro do audiovisual com suas condições de possibilidade histórico-políticas. Através da análise dos filmes, concluímos que Arábia e A vizinhança do tigre se desvinculam do apelo da violência dado à periferia na década anterior, para tratar das estratégias de vida dos personagens diante da estruturação violenta do poder, tendo na luta travada cotidianamente para sobreviver e a possibilidade de sonhar com outros mundos possíveis a temática central dos filmes.Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual2023-07-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextotexteTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://rebeca.socine.org.br/1/article/view/92410.22475/rebeca.v12n1.924Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 12 No. 1 (2023): Rebeca 23Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 Núm. 1 (2023): Rebeca 23Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 No 1 (2023): Rebeca 23Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 12 n. 1 (2023): Rebeca 232316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/924/540Copyright (c) 2023 Caio Olympio da Rocha, Mauricio Matoshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMatos da Rocha, Caio OlympioMatos dos Santos Pereira, Mauricio2023-07-30T18:45:44Zoai:ojs.emnuvens.com.br:article/924Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2023-07-30T18:45:44Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false |
| dc.title.none.fl_str_mv |
Contemporary subaltern Brazilian cinema: Violence and subjectivities in Arábia and A vizinhança do tigre Cine subalterno brasileño contemporáneo: Violencia y subjetividades em Arábia y A vizinhança do tigre Cinéma brésilien subalterne contemporain : Violence et subjectivités en Arábia et A vizinhança do tigre Cinema brasileiro subalterno contemporâneo: Violência e subjetividades em Arábia e A vizinhança do tigre |
| title |
Contemporary subaltern Brazilian cinema: Violence and subjectivities in Arábia and A vizinhança do tigre |
| spellingShingle |
Contemporary subaltern Brazilian cinema: Violence and subjectivities in Arábia and A vizinhança do tigre Matos da Rocha, Caio Olympio Brazilian cinema Violence Subalternities Peripheral youth Contemporary Brazilian cinema Cine brasileño Violencia Subalternidad Juventud periférica Cine brasileño contemporáneo Cinéma brésilien Violence Subalternité Jeunesse périphérique Cinéma brésilien contemporain Cinema brasileiro Violências Subalternidades Juventudes periféricas Cinema brasileiro contemporâneo |
| title_short |
Contemporary subaltern Brazilian cinema: Violence and subjectivities in Arábia and A vizinhança do tigre |
| title_full |
Contemporary subaltern Brazilian cinema: Violence and subjectivities in Arábia and A vizinhança do tigre |
| title_fullStr |
Contemporary subaltern Brazilian cinema: Violence and subjectivities in Arábia and A vizinhança do tigre |
| title_full_unstemmed |
Contemporary subaltern Brazilian cinema: Violence and subjectivities in Arábia and A vizinhança do tigre |
| title_sort |
Contemporary subaltern Brazilian cinema: Violence and subjectivities in Arábia and A vizinhança do tigre |
| author |
Matos da Rocha, Caio Olympio |
| author_facet |
Matos da Rocha, Caio Olympio Matos dos Santos Pereira, Mauricio |
| author_role |
author |
| author2 |
Matos dos Santos Pereira, Mauricio |
| author2_role |
author |
| dc.contributor.author.fl_str_mv |
Matos da Rocha, Caio Olympio Matos dos Santos Pereira, Mauricio |
| dc.subject.por.fl_str_mv |
Brazilian cinema Violence Subalternities Peripheral youth Contemporary Brazilian cinema Cine brasileño Violencia Subalternidad Juventud periférica Cine brasileño contemporáneo Cinéma brésilien Violence Subalternité Jeunesse périphérique Cinéma brésilien contemporain Cinema brasileiro Violências Subalternidades Juventudes periféricas Cinema brasileiro contemporâneo |
| topic |
Brazilian cinema Violence Subalternities Peripheral youth Contemporary Brazilian cinema Cine brasileño Violencia Subalternidad Juventud periférica Cine brasileño contemporáneo Cinéma brésilien Violence Subalternité Jeunesse périphérique Cinéma brésilien contemporain Cinema brasileiro Violências Subalternidades Juventudes periféricas Cinema brasileiro contemporâneo |
| description |
The article dives into the constructions of violence and its connections with prison and drug dealing in Brazilian cinema produced in 2010, in a historical perspective with films about the theme realeased in the late 1990s and beginning of the 2000s. The chosen timeframe encompasses a reconfiguration in the places of speech in Brazilian cinema in the years of 2010, made possible by the changes in cultural policies and in the funding of cinema in the 2000s. From this reconfiguration, it is possible to identify a change in the look into the violence suffered in the poor parts of the country and in jail when compared with the movies produced during the Retomada and Post-Retomada periods in Brazilian cinema. Therefore, we elected Arábia (2017), by Affonso Uchoa and João Dumans, and A vizinhança do tigre (2014), by Affonso Uchoa, as main corpus of the compared analysis with Carandiru (2003), by Hector Babenco, and Noticias de uma guerra particular (1999), by João Moreira Salles and Kátia Lund. Targetting the historical parallel, we use the genealogical method elaborated by Michel Foucault (2016), which offers categories for the analysis inside and outside of the film, articulating the micro record of audiovisual work with its conditions of historical and political possibilities. Through the analysis of the films, we conclude that Arábia and A vizinhança do tigre untie themselves from the violence appeal given to the poor parts of the country in the decade before, showing, instead, the life strategies of the characters before the violent structuring of power, having the day to day struggle to survive and the chance to dream about other possible worlds as the central theme of the films. |
| publishDate |
2023 |
| dc.date.none.fl_str_mv |
2023-07-30 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion texto texte Texto info:eu-repo/semantics/other |
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article |
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publishedVersion |
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https://rebeca.socine.org.br/1/article/view/924 10.22475/rebeca.v12n1.924 |
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https://rebeca.socine.org.br/1/article/view/924 |
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10.22475/rebeca.v12n1.924 |
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por |
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por |
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https://rebeca.socine.org.br/1/article/view/924/540 |
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Copyright (c) 2023 Caio Olympio da Rocha, Mauricio Matos http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
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Copyright (c) 2023 Caio Olympio da Rocha, Mauricio Matos http://creativecommons.org/licenses/by/4.0 |
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openAccess |
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Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual |
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Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual |
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Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 12 No. 1 (2023): Rebeca 23 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 Núm. 1 (2023): Rebeca 23 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 No 1 (2023): Rebeca 23 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 12 n. 1 (2023): Rebeca 23 2316-9230 reponame:Rebeca (São Paulo) instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) instacron:SOCINE |
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Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) |
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SOCINE |
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SOCINE |
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Rebeca (São Paulo) |
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Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) |
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