Erecting new bodies, reinventing old personas: Modern actors in Brazilian cinema

Detalhes bibliográficos
Autor(a) principal: Maciel Guimarães, Pedro
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista FAMECOS: Mídia cultura e tecnologia
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/14520
Resumo: As in other cinemas around the world, Brazilian cinema came to modernity in the late 1950s, early 1960s, when Cinema Novo shook the traditional structures of production and aesthetics of film. New narrative structures and new aesthetic forms were tried by the filmmakers. The change also affected the way the actors bodies were filmed, to make them interact with each other and with the directors. New forms of acting appeared. The traditional theater centers of the country were not enough to give the film industry its interpreters. The persona of former players is recovered and restructures by new movies. Television influences films, and it’s influenced by them. New parameters for the star system are revealed.
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spelling Erecting new bodies, reinventing old personas: Modern actors in Brazilian cinemaErigir nuevos cuerpos, reinventar personas: el actor moderno del cine brasileñoErigir novos corpos, reinventar personas: o ator moderno do cinema brasileiroFilm actorsCinema Aesthetics and HistoryBrazilian CinemaBrazilian CinemaActor de cineHistoria del cineCine brasileñoCine brasileñoAtor de cinemaHistória do CinemaCinema BrasileiroCinema BrasileiroAs in other cinemas around the world, Brazilian cinema came to modernity in the late 1950s, early 1960s, when Cinema Novo shook the traditional structures of production and aesthetics of film. New narrative structures and new aesthetic forms were tried by the filmmakers. The change also affected the way the actors bodies were filmed, to make them interact with each other and with the directors. New forms of acting appeared. The traditional theater centers of the country were not enough to give the film industry its interpreters. The persona of former players is recovered and restructures by new movies. Television influences films, and it’s influenced by them. New parameters for the star system are revealed.Así como en el cine mundial, el cine brasileño llegó a la modernidad a finales de los años 1950, principios de los años 1960, cuando el Cinema Novo sacudió las estructuras tradicionales de la producción y de la estética de las películas en Brasil. Nuevas estructuras narrativas y nuevas formas estéticas fueron experimentadas por los cineastas. El cambio alcanzó también la manera de filmar los cuerpos de los actores, de hacerlos interactuar entre sí y con los directores. Se presentam nuevas formas de interpretación. Los centros teatrales tradicionales del país ya no bastan para proporcionar al cine a sus intérpretes. La persona de antiguos actores es recuperada y trabajada por las nuevas películas. La televisión influye en el cine, es influenciada por él y surgen nuevos parámetros para el star system.Assim como no cinema mundial, o cinema brasileiro chegou à modernidade no final dos anos 1950, início dos anos 1960, quando o Cinema Novo abalou as estruturas tradicionais da produção e da estética dos filmes, no Brasil. Novas estruturas narrativas e novas formas estéticas foram experimentadas pelos cineastas. A mudança atingiu também a maneira de se filmar os corpos dos atores, de fazê-los interagir entre si e com os diretores. Surgem novas formas de interpretação. Os centros teatrais tradicionais do país já não bastam para fornecer ao cinema seus intérpretes. A persona de antigos atores é recuperada e trabalhada pelos novos filmes. A televisão influencia o cinema, é influenciada por ele e surgem novos parâmetros para o star system.Editora da PUCRS - ediPUCRS2014-06-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/1452010.15448/1980-3729.2014.1.14520Revista FAMECOS; Vol. 21 No. 1 (2014); 287-307Revista FAMECOS; Vol. 21 Núm. 1 (2014); 287-307Revista FAMECOS; v. 21 n. 1 (2014); 287-3071980-37291415-054910.15448/1980-3729.2014.1reponame:Revista FAMECOS: Mídia cultura e tecnologiainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/14520/11335Maciel Guimarães, Pedroinfo:eu-repo/semantics/openAccess2017-06-25T17:19:36Zoai:ojs.revistaseletronicas.pucrs.br:article/14520Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecosPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/oai||revistafamecos@gmail.com1980-37291980-3729opendoar:2017-06-25T17:19:36Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv Erecting new bodies, reinventing old personas: Modern actors in Brazilian cinema
Erigir nuevos cuerpos, reinventar personas: el actor moderno del cine brasileño
Erigir novos corpos, reinventar personas: o ator moderno do cinema brasileiro
title Erecting new bodies, reinventing old personas: Modern actors in Brazilian cinema
spellingShingle Erecting new bodies, reinventing old personas: Modern actors in Brazilian cinema
Maciel Guimarães, Pedro
Film actors
Cinema Aesthetics and History
Brazilian Cinema
Brazilian Cinema
Actor de cine
Historia del cine
Cine brasileño
Cine brasileño
Ator de cinema
História do Cinema
Cinema Brasileiro
Cinema Brasileiro
title_short Erecting new bodies, reinventing old personas: Modern actors in Brazilian cinema
title_full Erecting new bodies, reinventing old personas: Modern actors in Brazilian cinema
title_fullStr Erecting new bodies, reinventing old personas: Modern actors in Brazilian cinema
title_full_unstemmed Erecting new bodies, reinventing old personas: Modern actors in Brazilian cinema
title_sort Erecting new bodies, reinventing old personas: Modern actors in Brazilian cinema
author Maciel Guimarães, Pedro
author_facet Maciel Guimarães, Pedro
author_role author
dc.contributor.author.fl_str_mv Maciel Guimarães, Pedro
dc.subject.por.fl_str_mv Film actors
Cinema Aesthetics and History
Brazilian Cinema
Brazilian Cinema
Actor de cine
Historia del cine
Cine brasileño
Cine brasileño
Ator de cinema
História do Cinema
Cinema Brasileiro
Cinema Brasileiro
topic Film actors
Cinema Aesthetics and History
Brazilian Cinema
Brazilian Cinema
Actor de cine
Historia del cine
Cine brasileño
Cine brasileño
Ator de cinema
História do Cinema
Cinema Brasileiro
Cinema Brasileiro
description As in other cinemas around the world, Brazilian cinema came to modernity in the late 1950s, early 1960s, when Cinema Novo shook the traditional structures of production and aesthetics of film. New narrative structures and new aesthetic forms were tried by the filmmakers. The change also affected the way the actors bodies were filmed, to make them interact with each other and with the directors. New forms of acting appeared. The traditional theater centers of the country were not enough to give the film industry its interpreters. The persona of former players is recovered and restructures by new movies. Television influences films, and it’s influenced by them. New parameters for the star system are revealed.
publishDate 2014
dc.date.none.fl_str_mv 2014-06-03
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/14520
10.15448/1980-3729.2014.1.14520
url https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/14520
identifier_str_mv 10.15448/1980-3729.2014.1.14520
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/14520/11335
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Revista FAMECOS; Vol. 21 No. 1 (2014); 287-307
Revista FAMECOS; Vol. 21 Núm. 1 (2014); 287-307
Revista FAMECOS; v. 21 n. 1 (2014); 287-307
1980-3729
1415-0549
10.15448/1980-3729.2014.1
reponame:Revista FAMECOS: Mídia cultura e tecnologia
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str Revista FAMECOS: Mídia cultura e tecnologia
collection Revista FAMECOS: Mídia cultura e tecnologia
repository.name.fl_str_mv Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv ||revistafamecos@gmail.com
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