After the loss of the world: Taste of Cherry and the emergency conditions of contemporary cinema

Detalhes bibliográficos
Autor(a) principal: Brandão Pinto, Eduardo
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rebeca (São Paulo)
Texto Completo: https://rebeca.socine.org.br/1/article/view/918
Resumo: This article intends to elaborate some hypotheses about the conditions of emergence of contemporary cinema (post-1980), based on a scene from Abbas Kiarostami's Taste of Cherry (1997). Firstly, we will develop the concept of 'rupture of man and the world', elaborated by Gilles Deleuze in Cinema 2 – The Time-Image. Then, we will recover the notion of cinematic 'mannerism', developed in the 1980s by Serge Daney and other authors, to show how, in this context, the problem identified by Deleuze finds a new point of exhaustion. Finally, we will return to Kiarostami's movie, to note the response of minimalist cinema or cinema of slowness to the 'loss of the world'.
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spelling After the loss of the world: Taste of Cherry and the emergency conditions of contemporary cinemaDespués de la pérdida del mundo: El Sabor de las Cerezas y las condiciones de surgimiento del cine contemporáneo Após a perda do mundo: Gosto de Cereja e as condições de emergência do cinema contemporâneoKiarostamiSlow cinemaMannerismContemporary cinemacontemporary cinemaKiarostamiCine de la lentitudManieirismoCine contemporáneoKiarostamiCinema da lentidãoManeirismoCinema contemporâneoCinema contemporâneoThis article intends to elaborate some hypotheses about the conditions of emergence of contemporary cinema (post-1980), based on a scene from Abbas Kiarostami's Taste of Cherry (1997). Firstly, we will develop the concept of 'rupture of man and the world', elaborated by Gilles Deleuze in Cinema 2 – The Time-Image. Then, we will recover the notion of cinematic 'mannerism', developed in the 1980s by Serge Daney and other authors, to show how, in this context, the problem identified by Deleuze finds a new point of exhaustion. Finally, we will return to Kiarostami's movie, to note the response of minimalist cinema or cinema of slowness to the 'loss of the world'.A partir de una escena de El sabor de las cerezas (1997) de Abbas Kiarostami, este artículo pretende elaborar algunas hipótesis sobre las condiciones de surgimiento del cine contemporáneo (post-1980). Desarrollaremos en primer lugar el concepto de 'ruptura del hombre y del mundo', elaborado por Gilles Deleuze en Cinema 2 – La imagen-tiempo. Luego, recuperaremos la noción de 'manierismo' cinematográfico, desarrollada en la década de 1980 por Serge Daney y otros autores, para mostrar cómo, en este contexto, el problema identificado por Deleuze encuentra un nuevo punto de agotamiento. Finalmente, volveremos a la película de Kiarostami, para señalar la respuesta del cine minimalista o la lentitud ante la 'pérdida del mundo'.Partindo de uma cena de Gosto de cereja (1997), de Abbas Kiarostami, este artigo pretende elaborar algumas hipóteses acerca das condições de emergência do cinema contemporâneo (pós-1980). Para isso, primeiro desenvolveremos o conceito de ‘ruptura do homem e do mundo’, elaborado por Gilles Deleuze em Cinema 2 – A Imagem-Tempo. Em seguida, recuperaremos a noção de ‘maneirismo’ cinematográfico, desenvolvida nos anos 1980 por Serge Daney e outros autores, para mostrar como, nesse contexto, o problema identificado por Deleuze encontra um novo ponto de esgotamento. Por fim, tornaremos ao filme de Kiarostami para notar a resposta do cinema minimalista ou da lentidão frente à ‘perda do mundo’.Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual2023-07-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresTextoapplication/pdfhttps://rebeca.socine.org.br/1/article/view/91810.22475/rebeca.v12n1.918Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 12 No. 1 (2023): Rebeca 23Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 Núm. 1 (2023): Rebeca 23Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 No 1 (2023): Rebeca 23Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 12 n. 1 (2023): Rebeca 232316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/918/553Copyright (c) 2023 Eduardo Brandão Pinto http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBrandão Pinto, Eduardo2023-07-30T18:45:46Zoai:ojs.emnuvens.com.br:article/918Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2023-07-30T18:45:46Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false
dc.title.none.fl_str_mv After the loss of the world: Taste of Cherry and the emergency conditions of contemporary cinema
Después de la pérdida del mundo: El Sabor de las Cerezas y las condiciones de surgimiento del cine contemporáneo
Após a perda do mundo: Gosto de Cereja e as condições de emergência do cinema contemporâneo
title After the loss of the world: Taste of Cherry and the emergency conditions of contemporary cinema
spellingShingle After the loss of the world: Taste of Cherry and the emergency conditions of contemporary cinema
Brandão Pinto, Eduardo
Kiarostami
Slow cinema
Mannerism
Contemporary cinema
contemporary cinema
Kiarostami
Cine de la lentitud
Manieirismo
Cine contemporáneo
Kiarostami
Cinema da lentidão
Maneirismo
Cinema contemporâneo
Cinema contemporâneo
title_short After the loss of the world: Taste of Cherry and the emergency conditions of contemporary cinema
title_full After the loss of the world: Taste of Cherry and the emergency conditions of contemporary cinema
title_fullStr After the loss of the world: Taste of Cherry and the emergency conditions of contemporary cinema
title_full_unstemmed After the loss of the world: Taste of Cherry and the emergency conditions of contemporary cinema
title_sort After the loss of the world: Taste of Cherry and the emergency conditions of contemporary cinema
author Brandão Pinto, Eduardo
author_facet Brandão Pinto, Eduardo
author_role author
dc.contributor.author.fl_str_mv Brandão Pinto, Eduardo
dc.subject.por.fl_str_mv Kiarostami
Slow cinema
Mannerism
Contemporary cinema
contemporary cinema
Kiarostami
Cine de la lentitud
Manieirismo
Cine contemporáneo
Kiarostami
Cinema da lentidão
Maneirismo
Cinema contemporâneo
Cinema contemporâneo
topic Kiarostami
Slow cinema
Mannerism
Contemporary cinema
contemporary cinema
Kiarostami
Cine de la lentitud
Manieirismo
Cine contemporáneo
Kiarostami
Cinema da lentidão
Maneirismo
Cinema contemporâneo
Cinema contemporâneo
description This article intends to elaborate some hypotheses about the conditions of emergence of contemporary cinema (post-1980), based on a scene from Abbas Kiarostami's Taste of Cherry (1997). Firstly, we will develop the concept of 'rupture of man and the world', elaborated by Gilles Deleuze in Cinema 2 – The Time-Image. Then, we will recover the notion of cinematic 'mannerism', developed in the 1980s by Serge Daney and other authors, to show how, in this context, the problem identified by Deleuze finds a new point of exhaustion. Finally, we will return to Kiarostami's movie, to note the response of minimalist cinema or cinema of slowness to the 'loss of the world'.
publishDate 2023
dc.date.none.fl_str_mv 2023-07-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo avaliado pelos pares
Texto
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rebeca.socine.org.br/1/article/view/918
10.22475/rebeca.v12n1.918
url https://rebeca.socine.org.br/1/article/view/918
identifier_str_mv 10.22475/rebeca.v12n1.918
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://rebeca.socine.org.br/1/article/view/918/553
dc.rights.driver.fl_str_mv Copyright (c) 2023 Eduardo Brandão Pinto
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Eduardo Brandão Pinto
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
publisher.none.fl_str_mv Socine - Sociedade Brasileira de Estudos de Cinema e Audiovisual
dc.source.none.fl_str_mv Rebeca - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 12 No. 1 (2023): Rebeca 23
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 Núm. 1 (2023): Rebeca 23
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; Vol. 12 No 1 (2023): Rebeca 23
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 12 n. 1 (2023): Rebeca 23
2316-9230
reponame:Rebeca (São Paulo)
instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron:SOCINE
instname_str Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron_str SOCINE
institution SOCINE
reponame_str Rebeca (São Paulo)
collection Rebeca (São Paulo)
repository.name.fl_str_mv Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
repository.mail.fl_str_mv rebeca@socine.org.br
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