Hybrid variations on a documentary theme

Detalhes bibliográficos
Autor(a) principal: Stam, Robert
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rebeca (São Paulo)
Texto Completo: https://rebeca.socine.org.br/1/article/view/307
Resumo: Although often assumed to be polar opposites, documentary and fiction are in fact theoretically and practically intermeshed, just as history and fiction, also conventually seen as opposites, are symbiotically connected. Historian Hayden White argued in Metahistory that the myth/history distinction was arbitrary and of recent invention. In words that apply to film as well as to writing, White pointed out that it matters little whether the world that is conveyed to the reader/spectator is conceived to be real or imagined; the manner of making discursive sense of it through tropes and emplotment is identical (WHITE, 1973). In this article, we will examine the ways that the hybridization of documentary and fiction has been mobilized as a radical aesthetic resource.
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spelling Hybrid variations on a documentary themeAlthough often assumed to be polar opposites, documentary and fiction are in fact theoretically and practically intermeshed, just as history and fiction, also conventually seen as opposites, are symbiotically connected. Historian Hayden White argued in Metahistory that the myth/history distinction was arbitrary and of recent invention. In words that apply to film as well as to writing, White pointed out that it matters little whether the world that is conveyed to the reader/spectator is conceived to be real or imagined; the manner of making discursive sense of it through tropes and emplotment is identical (WHITE, 1973). In this article, we will examine the ways that the hybridization of documentary and fiction has been mobilized as a radical aesthetic resource.SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual2016-07-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://rebeca.socine.org.br/1/article/view/30710.22475/rebeca.v2n2.307REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 2 No. 2 (2013): REBECA 4; 22REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 2 Núm. 2 (2013): REBECA 4; 22Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 2 n. 2 (2013): REBECA 4; 222316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/307/112Copyright (c) 2016 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisualinfo:eu-repo/semantics/openAccessStam, Robert2016-07-26T13:14:03Zoai:ojs.emnuvens.com.br:article/307Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2016-07-26T13:14:03Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false
dc.title.none.fl_str_mv Hybrid variations on a documentary theme
title Hybrid variations on a documentary theme
spellingShingle Hybrid variations on a documentary theme
Stam, Robert
title_short Hybrid variations on a documentary theme
title_full Hybrid variations on a documentary theme
title_fullStr Hybrid variations on a documentary theme
title_full_unstemmed Hybrid variations on a documentary theme
title_sort Hybrid variations on a documentary theme
author Stam, Robert
author_facet Stam, Robert
author_role author
dc.contributor.author.fl_str_mv Stam, Robert
description Although often assumed to be polar opposites, documentary and fiction are in fact theoretically and practically intermeshed, just as history and fiction, also conventually seen as opposites, are symbiotically connected. Historian Hayden White argued in Metahistory that the myth/history distinction was arbitrary and of recent invention. In words that apply to film as well as to writing, White pointed out that it matters little whether the world that is conveyed to the reader/spectator is conceived to be real or imagined; the manner of making discursive sense of it through tropes and emplotment is identical (WHITE, 1973). In this article, we will examine the ways that the hybridization of documentary and fiction has been mobilized as a radical aesthetic resource.
publishDate 2016
dc.date.none.fl_str_mv 2016-07-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rebeca.socine.org.br/1/article/view/307
10.22475/rebeca.v2n2.307
url https://rebeca.socine.org.br/1/article/view/307
identifier_str_mv 10.22475/rebeca.v2n2.307
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://rebeca.socine.org.br/1/article/view/307/112
dc.rights.driver.fl_str_mv Copyright (c) 2016 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual
publisher.none.fl_str_mv SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual
dc.source.none.fl_str_mv REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 2 No. 2 (2013): REBECA 4; 22
REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 2 Núm. 2 (2013): REBECA 4; 22
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 2 n. 2 (2013): REBECA 4; 22
2316-9230
reponame:Rebeca (São Paulo)
instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron:SOCINE
instname_str Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
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institution SOCINE
reponame_str Rebeca (São Paulo)
collection Rebeca (São Paulo)
repository.name.fl_str_mv Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
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