Hybrid variations on a documentary theme
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Rebeca (São Paulo) |
Texto Completo: | https://rebeca.socine.org.br/1/article/view/307 |
Resumo: | Although often assumed to be polar opposites, documentary and fiction are in fact theoretically and practically intermeshed, just as history and fiction, also conventually seen as opposites, are symbiotically connected. Historian Hayden White argued in Metahistory that the myth/history distinction was arbitrary and of recent invention. In words that apply to film as well as to writing, White pointed out that it matters little whether the world that is conveyed to the reader/spectator is conceived to be real or imagined; the manner of making discursive sense of it through tropes and emplotment is identical (WHITE, 1973). In this article, we will examine the ways that the hybridization of documentary and fiction has been mobilized as a radical aesthetic resource. |
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Hybrid variations on a documentary themeAlthough often assumed to be polar opposites, documentary and fiction are in fact theoretically and practically intermeshed, just as history and fiction, also conventually seen as opposites, are symbiotically connected. Historian Hayden White argued in Metahistory that the myth/history distinction was arbitrary and of recent invention. In words that apply to film as well as to writing, White pointed out that it matters little whether the world that is conveyed to the reader/spectator is conceived to be real or imagined; the manner of making discursive sense of it through tropes and emplotment is identical (WHITE, 1973). In this article, we will examine the ways that the hybridization of documentary and fiction has been mobilized as a radical aesthetic resource.SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual2016-07-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://rebeca.socine.org.br/1/article/view/30710.22475/rebeca.v2n2.307REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 2 No. 2 (2013): REBECA 4; 22REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 2 Núm. 2 (2013): REBECA 4; 22Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 2 n. 2 (2013): REBECA 4; 222316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEporhttps://rebeca.socine.org.br/1/article/view/307/112Copyright (c) 2016 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisualinfo:eu-repo/semantics/openAccessStam, Robert2016-07-26T13:14:03Zoai:ojs.emnuvens.com.br:article/307Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2016-07-26T13:14:03Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false |
dc.title.none.fl_str_mv |
Hybrid variations on a documentary theme |
title |
Hybrid variations on a documentary theme |
spellingShingle |
Hybrid variations on a documentary theme Stam, Robert |
title_short |
Hybrid variations on a documentary theme |
title_full |
Hybrid variations on a documentary theme |
title_fullStr |
Hybrid variations on a documentary theme |
title_full_unstemmed |
Hybrid variations on a documentary theme |
title_sort |
Hybrid variations on a documentary theme |
author |
Stam, Robert |
author_facet |
Stam, Robert |
author_role |
author |
dc.contributor.author.fl_str_mv |
Stam, Robert |
description |
Although often assumed to be polar opposites, documentary and fiction are in fact theoretically and practically intermeshed, just as history and fiction, also conventually seen as opposites, are symbiotically connected. Historian Hayden White argued in Metahistory that the myth/history distinction was arbitrary and of recent invention. In words that apply to film as well as to writing, White pointed out that it matters little whether the world that is conveyed to the reader/spectator is conceived to be real or imagined; the manner of making discursive sense of it through tropes and emplotment is identical (WHITE, 1973). In this article, we will examine the ways that the hybridization of documentary and fiction has been mobilized as a radical aesthetic resource. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-07-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://rebeca.socine.org.br/1/article/view/307 10.22475/rebeca.v2n2.307 |
url |
https://rebeca.socine.org.br/1/article/view/307 |
identifier_str_mv |
10.22475/rebeca.v2n2.307 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://rebeca.socine.org.br/1/article/view/307/112 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual |
publisher.none.fl_str_mv |
SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual |
dc.source.none.fl_str_mv |
REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 2 No. 2 (2013): REBECA 4; 22 REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 2 Núm. 2 (2013): REBECA 4; 22 Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 2 n. 2 (2013): REBECA 4; 22 2316-9230 reponame:Rebeca (São Paulo) instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) instacron:SOCINE |
instname_str |
Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) |
instacron_str |
SOCINE |
institution |
SOCINE |
reponame_str |
Rebeca (São Paulo) |
collection |
Rebeca (São Paulo) |
repository.name.fl_str_mv |
Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) |
repository.mail.fl_str_mv |
rebeca@socine.org.br |
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1809730936655314944 |