On cinema and convergence

Detalhes bibliográficos
Autor(a) principal: Jenkins, Henry
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Rebeca (São Paulo)
Texto Completo: https://rebeca.socine.org.br/1/article/view/480
Resumo: Using Star Wars and the Marvel Extended Universe as primary examples, this essay explores the ways that transmedia storytelling practices have altered Hollywood entertainment, resulting in a stronger emphasis on world building and a more participatory relationship with its audiences. Transmedia in its contemporary form assumes a networked audience that is actively seeking out information about entertainment experiences they care about, resulting in much more extensive use of paratexts to signal what we might expect from upcoming releases, more blogs and podcasts that recap and interpret cult media texts, and more informal spaces where people can debate, pool knowledge, share their own grassroots creations, and otherwise participate in the fan phenomenon that grow up around such works. 
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spelling On cinema and convergenceTransmediafansworld-buildingcinephiliaUsing Star Wars and the Marvel Extended Universe as primary examples, this essay explores the ways that transmedia storytelling practices have altered Hollywood entertainment, resulting in a stronger emphasis on world building and a more participatory relationship with its audiences. Transmedia in its contemporary form assumes a networked audience that is actively seeking out information about entertainment experiences they care about, resulting in much more extensive use of paratexts to signal what we might expect from upcoming releases, more blogs and podcasts that recap and interpret cult media texts, and more informal spaces where people can debate, pool knowledge, share their own grassroots creations, and otherwise participate in the fan phenomenon that grow up around such works. SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual2018-05-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://rebeca.socine.org.br/1/article/view/48010.22475/rebeca.v6n1.480REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 6 No. 1 (2017): REBECA 11REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 6 Núm. 1 (2017): REBECA 11Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 6 n. 1 (2017): REBECA 112316-9230reponame:Rebeca (São Paulo)instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)instacron:SOCINEenghttps://rebeca.socine.org.br/1/article/view/480/261Copyright (c) 2018 Henry Jenkinsinfo:eu-repo/semantics/openAccessJenkins, Henry2018-05-13T23:25:14Zoai:ojs.emnuvens.com.br:article/480Revistahttps://rebeca.socine.org.br/1ONGhttps://rebeca.socine.org.br/1/oairebeca@socine.org.br2316-92302316-9230opendoar:2018-05-13T23:25:14Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)false
dc.title.none.fl_str_mv On cinema and convergence
title On cinema and convergence
spellingShingle On cinema and convergence
Jenkins, Henry
Transmedia
fans
world-building
cinephilia
title_short On cinema and convergence
title_full On cinema and convergence
title_fullStr On cinema and convergence
title_full_unstemmed On cinema and convergence
title_sort On cinema and convergence
author Jenkins, Henry
author_facet Jenkins, Henry
author_role author
dc.contributor.author.fl_str_mv Jenkins, Henry
dc.subject.por.fl_str_mv Transmedia
fans
world-building
cinephilia
topic Transmedia
fans
world-building
cinephilia
description Using Star Wars and the Marvel Extended Universe as primary examples, this essay explores the ways that transmedia storytelling practices have altered Hollywood entertainment, resulting in a stronger emphasis on world building and a more participatory relationship with its audiences. Transmedia in its contemporary form assumes a networked audience that is actively seeking out information about entertainment experiences they care about, resulting in much more extensive use of paratexts to signal what we might expect from upcoming releases, more blogs and podcasts that recap and interpret cult media texts, and more informal spaces where people can debate, pool knowledge, share their own grassroots creations, and otherwise participate in the fan phenomenon that grow up around such works. 
publishDate 2018
dc.date.none.fl_str_mv 2018-05-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://rebeca.socine.org.br/1/article/view/480
10.22475/rebeca.v6n1.480
url https://rebeca.socine.org.br/1/article/view/480
identifier_str_mv 10.22475/rebeca.v6n1.480
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://rebeca.socine.org.br/1/article/view/480/261
dc.rights.driver.fl_str_mv Copyright (c) 2018 Henry Jenkins
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Henry Jenkins
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual
publisher.none.fl_str_mv SOCINE - Sociedade Brasileira de Estudos de Cinema e Audiovisual
dc.source.none.fl_str_mv REBECA - Brazilian Journal for Cinema and Audiovisual Studies; Vol. 6 No. 1 (2017): REBECA 11
REBECA - Revista Brasileña de Estudios de Cine y Audiovisual; Vol. 6 Núm. 1 (2017): REBECA 11
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual; v. 6 n. 1 (2017): REBECA 11
2316-9230
reponame:Rebeca (São Paulo)
instname:Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron:SOCINE
instname_str Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
instacron_str SOCINE
institution SOCINE
reponame_str Rebeca (São Paulo)
collection Rebeca (São Paulo)
repository.name.fl_str_mv Rebeca (São Paulo) - Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE)
repository.mail.fl_str_mv rebeca@socine.org.br
_version_ 1809730937045385216

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