Quais fronteiras separam os homens e o que fazer para ultrapassá-las: Dom Helder Câmara e A Sinfonia de dois mundos.
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UNICAP |
Texto Completo: | http://tede2.unicap.br:8080/handle/tede/1005 |
Resumo: | In 1979, Dom Helder Camara, then Archbishop of Olinda and Recife, and the Swiss priest and conductor, Pierre Kaelin, decided to make use of a work of religious art as an instrument of awareness for the nations. In this perspective, and working in partnership, they gave life to the “Symphony of the Two Worlds”, which was first performed in March 1980 in Geneva, Switzerland and later, has continued to circulate throughout the world, having been executed forty-four times, in fourteen countries and in thirty-nine cities spread over three continents. Paradoxically, in Brazil (origin country of the text author), because of the military dictatorship, it can only be presented in 1985, after the fall of the regime, on the stages of Theater Paulo Pontes (João Pessoa) and Theater Guararapes (Recife). The research theorizes the connexion between art and religion, and its representations, and tells us the historical contexts, internal and external, in which the “Symphony of the Two Worlds” was born, so that the meanings of the verses that composes it are understood. The Master Thesis demonstrates how art and religion can be used together with the aim of disseminating, in the world, messages of hope and, at the same time, of social criticism, as in the case of the analyzed work, in which through literature and the music, Dom Helder made a synthesis of his thought, in order to clarify once again the division that, in fact, establishes boundaries between men, deriving much more from the way the richeness were distributed (Richest North vs. Poorest South), than from the then existing ideological confrontation (Capitalist West vs. Socialist East). In the arguments he wrote for the "Symphony", he reinforced his preaching throughout his life, in order to encourage the construction of a more just world in which could be implanted a culture of peace. Holdind an exploratory nature, the work required intense bibliographical research and the analysis of public documents and private archives; it was also necessary to use thematic and semi-structured interviews with historians, musicians and members of the clergy. We use the concepts of field, capital and agents, according to Pierre Bourdieu, and a little of the Theory of Social Representations in order to give theoretical basis to our study. |
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Cabral, Newton Darwin de Andrade028.147.438-99http://lattes.cnpq.br/9338652376910655Marques, Luiz Carlos Luz087.447.779-49http://lattes.cnpq.br/0026868525664989Ribeiro, Emanuela Sousa615.927.223-34http://lattes.cnpq.br/5058999330254035Libório, Luiz Alencar044.267.205-59http://lattes.cnpq.br/2889916979419619080.595.794-44http://lattes.cnpq.br/7904878976639571Silva, Cícero Williams da2018-06-20T17:54:15Z2018-06-01SILVA, Cícero Williams da. Quais fronteiras separam os homens e o que fazer para ultrapassá-las : Dom Helder Câmara e A Sinfonia de dois mundos . 2018. 119 fl. Dissertação (Mestrado) - Universidade Católica de Pernambuco. Pró-reitoria Acadêmica. Coordenação Geral de Pós-graduação. Mestrado em Ciências da Religião, 2018.http://tede2.unicap.br:8080/handle/tede/1005In 1979, Dom Helder Camara, then Archbishop of Olinda and Recife, and the Swiss priest and conductor, Pierre Kaelin, decided to make use of a work of religious art as an instrument of awareness for the nations. In this perspective, and working in partnership, they gave life to the “Symphony of the Two Worlds”, which was first performed in March 1980 in Geneva, Switzerland and later, has continued to circulate throughout the world, having been executed forty-four times, in fourteen countries and in thirty-nine cities spread over three continents. Paradoxically, in Brazil (origin country of the text author), because of the military dictatorship, it can only be presented in 1985, after the fall of the regime, on the stages of Theater Paulo Pontes (João Pessoa) and Theater Guararapes (Recife). The research theorizes the connexion between art and religion, and its representations, and tells us the historical contexts, internal and external, in which the “Symphony of the Two Worlds” was born, so that the meanings of the verses that composes it are understood. The Master Thesis demonstrates how art and religion can be used together with the aim of disseminating, in the world, messages of hope and, at the same time, of social criticism, as in the case of the analyzed work, in which through literature and the music, Dom Helder made a synthesis of his thought, in order to clarify once again the division that, in fact, establishes boundaries between men, deriving much more from the way the richeness were distributed (Richest North vs. Poorest South), than from the then existing ideological confrontation (Capitalist West vs. Socialist East). In the arguments he wrote for the "Symphony", he reinforced his preaching throughout his life, in order to encourage the construction of a more just world in which could be implanted a culture of peace. Holdind an exploratory nature, the work required intense bibliographical research and the analysis of public documents and private archives; it was also necessary to use thematic and semi-structured interviews with historians, musicians and members of the clergy. We use the concepts of field, capital and agents, according to Pierre Bourdieu, and a little of the Theory of Social Representations in order to give theoretical basis to our study.Em 1979, Dom Helder Camara, então arcebispo de Olinda e Recife, e o padre e maestro suíço, Pierre Kaelin, decidiram fazer uso de uma obra de arte religiosa como instrumento de conscientização para as nações. Em tal perspectiva, e trabalhando em parceria, eles deram vida à Sinfonia dos Dois Mundos, que foi apresentada, pela primeira vez, em março de 1980, em Genebra, na Suíça e, depois, seguiu circulando pelo mundo, tendo sido executada quarenta e quatro vezes, em quatorze países e em trinta e nove cidades espalhadas por três continentes. Paradoxalmente, no Brasil (país do autor do texto), por causa da ditadura militar, somente pôde ser apresentada em 1985, após a queda do regime, nos palcos dos Teatros Paulo Pontes (João Pessoa) e Guararapes (Recife). A pesquisa teoriza a relação entre arte e religião, e suas representações, e narra os contextos históricos, interno e externo, em que nasceu a Sinfonia dos Dois Mundos, para que sejam entendidos os significados dos versos que a compõem. A Dissertação evidencia o quanto a arte e a religião podem, juntas, ser utilizadas com o objetivo de disseminar, no mundo, mensagens de esperança e, ao mesmo tempo, de crítica social, como no caso da obra estudada, na qual, através da literatura e da música, Dom Helder fez uma síntese do seu pensamento, objetivando, mais uma vez, esclarecer ser a divisão que, de fato, estabelece fronteiras entre os homens oriunda bem mais da forma como eram distribuídas as riquezas (Norte rico X Sul pobre), que do confronto ideológico então existente (Oeste capitalista X Leste socialista). Nos argumentos que escreveu para a sinfonia, reforçou as pregações que fez ao longo de sua vida, no sentido de incentivar a construção de um mundo mais justo, no qual fosse implantada uma cultura de paz. De caráter exploratório, o trabalho requereu intensa pesquisa bibliográfica e a análise de documentos existentes em arquivos públicos e privados; também foi necessário recorrer à gravação de entrevistas temáticas e semiestruturadas, feitas com historiadores, músicos e membros do clero. Utilizamos os conceitos de campo, capital e agentes, a partir de Pierre Bourdieu, e um pouco da Teoria das Representações Sociais a fim de darmos embasamento teórico ao nosso estudo.Submitted by Biblioteca Central (biblioteca@unicap.br) on 2018-06-20T17:54:15Z No. of bitstreams: 2 cicero_williams_silva.pdf: 2139136 bytes, checksum: 75f8ee631d79db03f9e2df289332c6ce (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2018-06-20T17:54:15Z (GMT). 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dc.title.por.fl_str_mv |
Quais fronteiras separam os homens e o que fazer para ultrapassá-las: Dom Helder Câmara e A Sinfonia de dois mundos. |
title |
Quais fronteiras separam os homens e o que fazer para ultrapassá-las: Dom Helder Câmara e A Sinfonia de dois mundos. |
spellingShingle |
Quais fronteiras separam os homens e o que fazer para ultrapassá-las: Dom Helder Câmara e A Sinfonia de dois mundos. Silva, Cícero Williams da Art and religion Poor Wealth Justice Peace Dissertations Arte e religião Pobres Riqueza Justiça Paz Dissertações CIENCIAS HUMANAS::TEOLOGIA# #-2134759983998029892# #600 |
title_short |
Quais fronteiras separam os homens e o que fazer para ultrapassá-las: Dom Helder Câmara e A Sinfonia de dois mundos. |
title_full |
Quais fronteiras separam os homens e o que fazer para ultrapassá-las: Dom Helder Câmara e A Sinfonia de dois mundos. |
title_fullStr |
Quais fronteiras separam os homens e o que fazer para ultrapassá-las: Dom Helder Câmara e A Sinfonia de dois mundos. |
title_full_unstemmed |
Quais fronteiras separam os homens e o que fazer para ultrapassá-las: Dom Helder Câmara e A Sinfonia de dois mundos. |
title_sort |
Quais fronteiras separam os homens e o que fazer para ultrapassá-las: Dom Helder Câmara e A Sinfonia de dois mundos. |
author |
Silva, Cícero Williams da |
author_facet |
Silva, Cícero Williams da |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Cabral, Newton Darwin de Andrade |
dc.contributor.advisor1ID.fl_str_mv |
028.147.438-99 |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9338652376910655 |
dc.contributor.advisor-co1.fl_str_mv |
Marques, Luiz Carlos Luz |
dc.contributor.advisor-co1ID.fl_str_mv |
087.447.779-49 |
dc.contributor.advisor-co1Lattes.fl_str_mv |
http://lattes.cnpq.br/0026868525664989 |
dc.contributor.referee1.fl_str_mv |
Ribeiro, Emanuela Sousa |
dc.contributor.referee1ID.fl_str_mv |
615.927.223-34 |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/5058999330254035 |
dc.contributor.referee2.fl_str_mv |
Libório, Luiz Alencar |
dc.contributor.referee2ID.fl_str_mv |
044.267.205-59 |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/2889916979419619 |
dc.contributor.authorID.fl_str_mv |
080.595.794-44 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7904878976639571 |
dc.contributor.author.fl_str_mv |
Silva, Cícero Williams da |
contributor_str_mv |
Cabral, Newton Darwin de Andrade Marques, Luiz Carlos Luz Ribeiro, Emanuela Sousa Libório, Luiz Alencar |
dc.subject.eng.fl_str_mv |
Art and religion Poor Wealth Justice Peace Dissertations |
topic |
Art and religion Poor Wealth Justice Peace Dissertations Arte e religião Pobres Riqueza Justiça Paz Dissertações CIENCIAS HUMANAS::TEOLOGIA# #-2134759983998029892# #600 |
dc.subject.por.fl_str_mv |
Arte e religião Pobres Riqueza Justiça Paz Dissertações |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::TEOLOGIA# #-2134759983998029892# #600 |
description |
In 1979, Dom Helder Camara, then Archbishop of Olinda and Recife, and the Swiss priest and conductor, Pierre Kaelin, decided to make use of a work of religious art as an instrument of awareness for the nations. In this perspective, and working in partnership, they gave life to the “Symphony of the Two Worlds”, which was first performed in March 1980 in Geneva, Switzerland and later, has continued to circulate throughout the world, having been executed forty-four times, in fourteen countries and in thirty-nine cities spread over three continents. Paradoxically, in Brazil (origin country of the text author), because of the military dictatorship, it can only be presented in 1985, after the fall of the regime, on the stages of Theater Paulo Pontes (João Pessoa) and Theater Guararapes (Recife). The research theorizes the connexion between art and religion, and its representations, and tells us the historical contexts, internal and external, in which the “Symphony of the Two Worlds” was born, so that the meanings of the verses that composes it are understood. The Master Thesis demonstrates how art and religion can be used together with the aim of disseminating, in the world, messages of hope and, at the same time, of social criticism, as in the case of the analyzed work, in which through literature and the music, Dom Helder made a synthesis of his thought, in order to clarify once again the division that, in fact, establishes boundaries between men, deriving much more from the way the richeness were distributed (Richest North vs. Poorest South), than from the then existing ideological confrontation (Capitalist West vs. Socialist East). In the arguments he wrote for the "Symphony", he reinforced his preaching throughout his life, in order to encourage the construction of a more just world in which could be implanted a culture of peace. Holdind an exploratory nature, the work required intense bibliographical research and the analysis of public documents and private archives; it was also necessary to use thematic and semi-structured interviews with historians, musicians and members of the clergy. We use the concepts of field, capital and agents, according to Pierre Bourdieu, and a little of the Theory of Social Representations in order to give theoretical basis to our study. |
publishDate |
2018 |
dc.date.accessioned.fl_str_mv |
2018-06-20T17:54:15Z |
dc.date.issued.fl_str_mv |
2018-06-01 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
SILVA, Cícero Williams da. Quais fronteiras separam os homens e o que fazer para ultrapassá-las : Dom Helder Câmara e A Sinfonia de dois mundos . 2018. 119 fl. Dissertação (Mestrado) - Universidade Católica de Pernambuco. Pró-reitoria Acadêmica. Coordenação Geral de Pós-graduação. Mestrado em Ciências da Religião, 2018. |
dc.identifier.uri.fl_str_mv |
http://tede2.unicap.br:8080/handle/tede/1005 |
identifier_str_mv |
SILVA, Cícero Williams da. Quais fronteiras separam os homens e o que fazer para ultrapassá-las : Dom Helder Câmara e A Sinfonia de dois mundos . 2018. 119 fl. Dissertação (Mestrado) - Universidade Católica de Pernambuco. Pró-reitoria Acadêmica. Coordenação Geral de Pós-graduação. Mestrado em Ciências da Religião, 2018. |
url |
http://tede2.unicap.br:8080/handle/tede/1005 |
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por |
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por |
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Universidade Católica de Pernambuco |
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Universidade Católica de Pernambuco |
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Biblioteca Digital de Teses e Dissertações da UNICAP |
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Biblioteca Digital de Teses e Dissertações da UNICAP - Universidade Católica de Pernambuco (UNICAP) |
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biblioteca@unicap.br||biblioteca@unicap.br |
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1803085498438123520 |