CARLOTA RAINHA, DE ROBERTO ATHAYDE: A HISTÓRIA PORTUGUESA NA DRAMATURGIA BRASILEIRA
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do UNICENTRO |
Texto Completo: | http://tede.unicentro.br:8080/jspui/handle/jspui/1845 |
Resumo: | The main objective of this thesis is to analyze the literary work “Carlota Rainha” (1998), by Roberto Athayde, a 20th-century play, whose theme deals with the beginning of democracy in 19th century Brazil, rescuing the Portuguese history and bringing it to our Brazilian dramaturgy. In particular, the figure of Carlota Joaquina, the protagonist of Athayde and, mainly, of the History of Brazil, recovering her image under new perspectives, since, until now, most materials about her consider her a wanton queen, as pointed out by João Felício dos Santos (2008), among many other scholars. We have selected Bertold Brecht's Epic Theater as the main contribution to the analysis since it is Brecht who establishes the basis of contemporary theater as a weapon of social criticism, a scenario in which the play, which serves as the corpus of our analysis, is inserted. In addition, we present a historical path, which permeates the story of Carlota Joaquina as queen of Portugal and Brazil, and a fictional plan, as a character created by Athayde; it was also pertinent for rescuing the history of Brazilian theater, establishing the complex scenario in which Brazilian dramaturgy permeated and had to resist as an art pursued over the years, to point out the strengthening and use of theater as a form of thinking about society critically. |
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Silva, Edson Santoshttp://lattes.cnpq.br/2855415041274093110.889.989-76http://lattes.cnpq.br/0595579639367196DITTERT, MARIANA2022-03-15T12:39:41Z2022-02-04DITTERT, MARIANA. CARLOTA RAINHA, DE ROBERTO ATHAYDE: A HISTÓRIA PORTUGUESA NA DRAMATURGIA BRASILEIRA. 2022. 93 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava.http://tede.unicentro.br:8080/jspui/handle/jspui/1845The main objective of this thesis is to analyze the literary work “Carlota Rainha” (1998), by Roberto Athayde, a 20th-century play, whose theme deals with the beginning of democracy in 19th century Brazil, rescuing the Portuguese history and bringing it to our Brazilian dramaturgy. In particular, the figure of Carlota Joaquina, the protagonist of Athayde and, mainly, of the History of Brazil, recovering her image under new perspectives, since, until now, most materials about her consider her a wanton queen, as pointed out by João Felício dos Santos (2008), among many other scholars. We have selected Bertold Brecht's Epic Theater as the main contribution to the analysis since it is Brecht who establishes the basis of contemporary theater as a weapon of social criticism, a scenario in which the play, which serves as the corpus of our analysis, is inserted. In addition, we present a historical path, which permeates the story of Carlota Joaquina as queen of Portugal and Brazil, and a fictional plan, as a character created by Athayde; it was also pertinent for rescuing the history of Brazilian theater, establishing the complex scenario in which Brazilian dramaturgy permeated and had to resist as an art pursued over the years, to point out the strengthening and use of theater as a form of thinking about society critically.Esta dissertação tem como objetivo principal analisar a obra Carlota Rainha (1998), de Roberto Athayde, uma peça do século XX, cuja temática trata do início da democracia no Brasil do século XIX, resgatando a história portuguesa e trazendo até a nossa dramaturgia brasileira. Em especial, a figura de Carlota Joaquina, protagonista de Athayde e, principalmente, da História do Brasil, recuperando sua imagem sob novos olhares. Até o presente, a maioria dos materiais a seu respeito consideram-na como rainha devassa, como aponta João Felício dos Santos (2008), dentre muitos outros estudiosos. Selecionamos o teatro épico de Bertold Brecht como aporte principal de análise, uma vez que é Brecht quem instaura a base do teatro contemporâneo como arma de crítica social, cenário no qual se insere a peça que serve de corpus de nossa análise. Além disso, apresentamos um percurso histórico que perpassa a história de Carlota Joaquina, enquanto rainha de Portugal e do Brasil, e um plano ficcional, enquanto personagem de Athayde. Fez-se pertinente, ainda, resgatar a história do teatro brasileiro, situando o complexo cenário referente à dramaturgia brasileira, que teve de resistir enquanto uma arte perseguida ao longo dos anos, para apontar o fortalecimento e o uso do teatro como uma forma de pensar a sociedade de forma crítica.Submitted by Fabiano Jucá (fjuca@unicentro.br) on 2022-03-15T12:39:41Z No. of bitstreams: 1 DISSERTAÇÃO - Mariana Dittert.pdf: 2021663 bytes, checksum: 48639d7743bb70ef1a69a92a40e7fb97 (MD5)Made available in DSpace on 2022-03-15T12:39:41Z (GMT). No. of bitstreams: 1 DISSERTAÇÃO - Mariana Dittert.pdf: 2021663 bytes, checksum: 48639d7743bb70ef1a69a92a40e7fb97 (MD5) Previous issue date: 2022-02-04Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede.unicentro.br:8080/jspui/retrieve/7993/DISSERTA%c3%87%c3%83O%20-%20Mariana%20Dittert.pdf.jpgporUniversidade Estadual do Centro-OestePrograma de Pós-Graduação em Letras (Mestrado)UNICENTROBrasilUnicentro::Departamento de Ciências Humanas, Letras e ArtesCarlota JoaquinaTeatro épicoHistóriaDramaturgiaRoberto AthaydeCarlota JoaquinaEpic TheaterHistoryDramaturgyRoberto AthaydeCIENCIAS HUMANAS::EDUCACAOCARLOTA RAINHA, DE ROBERTO ATHAYDE: A HISTÓRIA PORTUGUESA NA DRAMATURGIA BRASILEIRAinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-36790127027910392826006006006004271042743852231756-2403458189103523672075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do UNICENTROinstname:Universidade Estadual do Centro-Oeste (UNICENTRO)instacron:UNICENTROTHUMBNAILDISSERTAÇÃO - Mariana Dittert.pdf.jpgDISSERTAÇÃO - Mariana Dittert.pdf.jpgimage/jpeg2170http://localhost:8080/tede/bitstream/jspui/1845/4/DISSERTA%C3%87%C3%83O+-+Mariana+Dittert.pdf.jpg4e84c4cf273965d67f0f92f91979ce3eMD54TEXTDISSERTAÇÃO - Mariana Dittert.pdf.txtDISSERTAÇÃO - Mariana Dittert.pdf.txttext/plain210307http://localhost:8080/tede/bitstream/jspui/1845/3/DISSERTA%C3%87%C3%83O+-+Mariana+Dittert.pdf.txt5246b6df07bb6ab3dcf8e3df7f47be97MD53ORIGINALDISSERTAÇÃO - Mariana Dittert.pdfDISSERTAÇÃO - Mariana Dittert.pdfapplication/pdf2021663http://localhost:8080/tede/bitstream/jspui/1845/2/DISSERTA%C3%87%C3%83O+-+Mariana+Dittert.pdf48639d7743bb70ef1a69a92a40e7fb97MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82003http://localhost:8080/tede/bitstream/jspui/1845/1/license.txt6544a715df32d52b08aa3def94c4dddeMD51jspui/18452022-03-16 01:00:07.85oai:localhost: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede.unicentro.br:8080/jspui/PUBhttp://tede.unicentro.br/tde_oai/oai3.phprepositorio@unicentro.br||fabianoqueiroz@yahoo.com.bropendoar:2022-03-16T04:00:07Biblioteca Digital de Teses e Dissertações do UNICENTRO - Universidade Estadual do Centro-Oeste (UNICENTRO)false |
dc.title.por.fl_str_mv |
CARLOTA RAINHA, DE ROBERTO ATHAYDE: A HISTÓRIA PORTUGUESA NA DRAMATURGIA BRASILEIRA |
title |
CARLOTA RAINHA, DE ROBERTO ATHAYDE: A HISTÓRIA PORTUGUESA NA DRAMATURGIA BRASILEIRA |
spellingShingle |
CARLOTA RAINHA, DE ROBERTO ATHAYDE: A HISTÓRIA PORTUGUESA NA DRAMATURGIA BRASILEIRA DITTERT, MARIANA Carlota Joaquina Teatro épico História Dramaturgia Roberto Athayde Carlota Joaquina Epic Theater History Dramaturgy Roberto Athayde CIENCIAS HUMANAS::EDUCACAO |
title_short |
CARLOTA RAINHA, DE ROBERTO ATHAYDE: A HISTÓRIA PORTUGUESA NA DRAMATURGIA BRASILEIRA |
title_full |
CARLOTA RAINHA, DE ROBERTO ATHAYDE: A HISTÓRIA PORTUGUESA NA DRAMATURGIA BRASILEIRA |
title_fullStr |
CARLOTA RAINHA, DE ROBERTO ATHAYDE: A HISTÓRIA PORTUGUESA NA DRAMATURGIA BRASILEIRA |
title_full_unstemmed |
CARLOTA RAINHA, DE ROBERTO ATHAYDE: A HISTÓRIA PORTUGUESA NA DRAMATURGIA BRASILEIRA |
title_sort |
CARLOTA RAINHA, DE ROBERTO ATHAYDE: A HISTÓRIA PORTUGUESA NA DRAMATURGIA BRASILEIRA |
author |
DITTERT, MARIANA |
author_facet |
DITTERT, MARIANA |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Silva, Edson Santos |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2855415041274093 |
dc.contributor.authorID.fl_str_mv |
110.889.989-76 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/0595579639367196 |
dc.contributor.author.fl_str_mv |
DITTERT, MARIANA |
contributor_str_mv |
Silva, Edson Santos |
dc.subject.por.fl_str_mv |
Carlota Joaquina Teatro épico História Dramaturgia Roberto Athayde |
topic |
Carlota Joaquina Teatro épico História Dramaturgia Roberto Athayde Carlota Joaquina Epic Theater History Dramaturgy Roberto Athayde CIENCIAS HUMANAS::EDUCACAO |
dc.subject.eng.fl_str_mv |
Carlota Joaquina Epic Theater History Dramaturgy Roberto Athayde |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::EDUCACAO |
description |
The main objective of this thesis is to analyze the literary work “Carlota Rainha” (1998), by Roberto Athayde, a 20th-century play, whose theme deals with the beginning of democracy in 19th century Brazil, rescuing the Portuguese history and bringing it to our Brazilian dramaturgy. In particular, the figure of Carlota Joaquina, the protagonist of Athayde and, mainly, of the History of Brazil, recovering her image under new perspectives, since, until now, most materials about her consider her a wanton queen, as pointed out by João Felício dos Santos (2008), among many other scholars. We have selected Bertold Brecht's Epic Theater as the main contribution to the analysis since it is Brecht who establishes the basis of contemporary theater as a weapon of social criticism, a scenario in which the play, which serves as the corpus of our analysis, is inserted. In addition, we present a historical path, which permeates the story of Carlota Joaquina as queen of Portugal and Brazil, and a fictional plan, as a character created by Athayde; it was also pertinent for rescuing the history of Brazilian theater, establishing the complex scenario in which Brazilian dramaturgy permeated and had to resist as an art pursued over the years, to point out the strengthening and use of theater as a form of thinking about society critically. |
publishDate |
2022 |
dc.date.accessioned.fl_str_mv |
2022-03-15T12:39:41Z |
dc.date.issued.fl_str_mv |
2022-02-04 |
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dc.identifier.citation.fl_str_mv |
DITTERT, MARIANA. CARLOTA RAINHA, DE ROBERTO ATHAYDE: A HISTÓRIA PORTUGUESA NA DRAMATURGIA BRASILEIRA. 2022. 93 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava. |
dc.identifier.uri.fl_str_mv |
http://tede.unicentro.br:8080/jspui/handle/jspui/1845 |
identifier_str_mv |
DITTERT, MARIANA. CARLOTA RAINHA, DE ROBERTO ATHAYDE: A HISTÓRIA PORTUGUESA NA DRAMATURGIA BRASILEIRA. 2022. 93 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava. |
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