O DISCURSO ARTÍSTICO NO BALLET: MURMÚRIOS DE PEDRO E INÊS

Detalhes bibliográficos
Autor(a) principal: Silva, Emily Smaha da
Data de Publicação: 2019
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações do UNICENTRO
Texto Completo: http://tede.unicentro.br:8080/jspui/handle/jspui/1208
Resumo: The research is inserted in the theoretical studies of Michel Pêcheux and Eni Orlandi. We present, by means of the theoretical deepening and analyses held, the relations between memory and history indicated in the dance spectacle Murmurs of Pedro and Ines, directed by Fernando Duarte, searching for the effects of senses that are constituted in / by the overlapping between the languages. For this purpose, theoretical reflections focused on the intersection between history, memory and art were held under a discursive perspective. We emphasize the importance of the notions about myth, discourse, subject and ideology for the interpretation of a materiality that is constituted by verbal and non-verbal discourses. Therefore, it was possible to reflect on the artistic discourse, pointed out by Neckel (2004), and directed to dance, considering it as a discursive materiality. Our results highlight the importance of discursive studies for understanding creative processes in dance, because, through the interweaving of languages and the formation of artistic discourse, the myth about Inês de Castro has resounded effects of meanings in which the past and the present has been resonated, thus evidencing the memory of a female figure in Portuguese culture.
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spelling Venturini, Maria Clecihttp://lattes.cnpq.br/6904278999384343052.692.329-60http://lattes.cnpq.br/1932411718974946Silva, Emily Smaha da2019-10-01T12:24:22Z2019-02-15Silva, Emily Smaha da. O DISCURSO ARTÍSTICO NO BALLET: MURMÚRIOS DE PEDRO E INÊS. 2019. 150 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava - PR.http://tede.unicentro.br:8080/jspui/handle/jspui/1208The research is inserted in the theoretical studies of Michel Pêcheux and Eni Orlandi. We present, by means of the theoretical deepening and analyses held, the relations between memory and history indicated in the dance spectacle Murmurs of Pedro and Ines, directed by Fernando Duarte, searching for the effects of senses that are constituted in / by the overlapping between the languages. For this purpose, theoretical reflections focused on the intersection between history, memory and art were held under a discursive perspective. We emphasize the importance of the notions about myth, discourse, subject and ideology for the interpretation of a materiality that is constituted by verbal and non-verbal discourses. Therefore, it was possible to reflect on the artistic discourse, pointed out by Neckel (2004), and directed to dance, considering it as a discursive materiality. Our results highlight the importance of discursive studies for understanding creative processes in dance, because, through the interweaving of languages and the formation of artistic discourse, the myth about Inês de Castro has resounded effects of meanings in which the past and the present has been resonated, thus evidencing the memory of a female figure in Portuguese culture.A pesquisa se insere nos estudos téoricos da análise de discurso provenientes, principalmente, de Michel Pêcheux e Eni Orlandi. Apresentamos por meio do aprofundamento teórico e das análises realizadas as relações entre a memória e a história tecidas no espetáculo de dança Murmúrios de Pedro e Inês, dirigido por Fernando Duarte, buscando os efeitos de sentidos que se constituem no/pelo imbricamento entre as linguagens. Para isso foram realizadas reflexões teóricas focadas no entremeio entre história, memória e arte, sob uma perpectiva discursiva. Enfatizamos a importância das noções sobre mito, discurso, sujeito e ideologia para a interpretação de uma materialidade que é constituída por discursos verbais e não-verbais. Dessa forma, coube refletir sobre o discurso artístico, apontado por Neckel (2004), direcionado à dança, considerando-a como materialidade discursiva. Nossos resultados evidenciam a importância dos estudos discursivos para a compreensão de processos criativos em dança, pois, por meio do imbricamento das linguagens e a formação do discurso artístico, o mito, sobre Inês de Castro, continua tecendo efeitos de sentidos no qual ressoam o passado e o presente, evidenciando desta forma a memória de uma figura feminina para a cultura portuguesa.Submitted by Fabiano Jucá (fjuca@unicentro.br) on 2019-10-01T12:24:22Z No. of bitstreams: 1 EMILY SMAHA DA SILVA.pdf: 3627200 bytes, checksum: b55b447c35ebff65052109791bb74fa6 (MD5)Made available in DSpace on 2019-10-01T12:24:22Z (GMT). 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dc.title.por.fl_str_mv O DISCURSO ARTÍSTICO NO BALLET: MURMÚRIOS DE PEDRO E INÊS
dc.title.alternative.eng.fl_str_mv THE ARTISTIC SPEECH IN BALLET: MURMURS OF PEDRO AND INÊS.
title O DISCURSO ARTÍSTICO NO BALLET: MURMÚRIOS DE PEDRO E INÊS
spellingShingle O DISCURSO ARTÍSTICO NO BALLET: MURMÚRIOS DE PEDRO E INÊS
Silva, Emily Smaha da
Análise de discurso
Mito
Literatura
Dança
Arte
Discourse analysis
Myth
Literature
Dance
Art
LINGUISTICA, LETRAS E ARTES
title_short O DISCURSO ARTÍSTICO NO BALLET: MURMÚRIOS DE PEDRO E INÊS
title_full O DISCURSO ARTÍSTICO NO BALLET: MURMÚRIOS DE PEDRO E INÊS
title_fullStr O DISCURSO ARTÍSTICO NO BALLET: MURMÚRIOS DE PEDRO E INÊS
title_full_unstemmed O DISCURSO ARTÍSTICO NO BALLET: MURMÚRIOS DE PEDRO E INÊS
title_sort O DISCURSO ARTÍSTICO NO BALLET: MURMÚRIOS DE PEDRO E INÊS
author Silva, Emily Smaha da
author_facet Silva, Emily Smaha da
author_role author
dc.contributor.advisor1.fl_str_mv Venturini, Maria Cleci
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/6904278999384343
dc.contributor.authorID.fl_str_mv 052.692.329-60
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/1932411718974946
dc.contributor.author.fl_str_mv Silva, Emily Smaha da
contributor_str_mv Venturini, Maria Cleci
dc.subject.por.fl_str_mv Análise de discurso
Mito
Literatura
Dança
Arte
topic Análise de discurso
Mito
Literatura
Dança
Arte
Discourse analysis
Myth
Literature
Dance
Art
LINGUISTICA, LETRAS E ARTES
dc.subject.eng.fl_str_mv Discourse analysis
Myth
Literature
Dance
Art
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES
description The research is inserted in the theoretical studies of Michel Pêcheux and Eni Orlandi. We present, by means of the theoretical deepening and analyses held, the relations between memory and history indicated in the dance spectacle Murmurs of Pedro and Ines, directed by Fernando Duarte, searching for the effects of senses that are constituted in / by the overlapping between the languages. For this purpose, theoretical reflections focused on the intersection between history, memory and art were held under a discursive perspective. We emphasize the importance of the notions about myth, discourse, subject and ideology for the interpretation of a materiality that is constituted by verbal and non-verbal discourses. Therefore, it was possible to reflect on the artistic discourse, pointed out by Neckel (2004), and directed to dance, considering it as a discursive materiality. Our results highlight the importance of discursive studies for understanding creative processes in dance, because, through the interweaving of languages and the formation of artistic discourse, the myth about Inês de Castro has resounded effects of meanings in which the past and the present has been resonated, thus evidencing the memory of a female figure in Portuguese culture.
publishDate 2019
dc.date.accessioned.fl_str_mv 2019-10-01T12:24:22Z
dc.date.issued.fl_str_mv 2019-02-15
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.citation.fl_str_mv Silva, Emily Smaha da. O DISCURSO ARTÍSTICO NO BALLET: MURMÚRIOS DE PEDRO E INÊS. 2019. 150 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava - PR.
dc.identifier.uri.fl_str_mv http://tede.unicentro.br:8080/jspui/handle/jspui/1208
identifier_str_mv Silva, Emily Smaha da. O DISCURSO ARTÍSTICO NO BALLET: MURMÚRIOS DE PEDRO E INÊS. 2019. 150 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava - PR.
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dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Unicentro::Departamento de Letras de Irati
publisher.none.fl_str_mv Universidade Estadual do Centro-Oeste
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