HUMOR E RESISTÊNCIA INDÍGENA EM KISS OF THE FUR QUEEN (1998) DE TOMSON HIGHWAY

Detalhes bibliográficos
Autor(a) principal: CASTILHO, LETÍCIA
Data de Publicação: 2023
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações do UNICENTRO
Texto Completo: http://tede.unicentro.br:8080/jspui/handle/jspui/2010
Resumo: This dissertation analyzes the novel Kiss of the Fur Queen (1998) by Tomson Highway (1951), Canadian indigenous author. The research considers the importance of listening to indigenous voices in literature and recognizes indigenous literature as a form of resistance in the face of the long history of cultural erasure. Thus, its general objective is to provide a reading and interpretation of Highway's novel as an act of resistance. As specific objectives, we intend to discuss humor as one of the resistance strategies in the novel. For this, the trickster, a mythological figure that opposes historically constructed indigenous stereotypes, is investigated and, finally, the Cree language, the author's mother tongue, is explored and its use in this work published in English. Thus, this dissertation is structured as follows: the first chapter deals with the social, historical and cultural context in which the investigated oeuvre is inserted, approaching the issue of indigenous identity, the Indian Act, and the system of residential schools in Canada. The second chapter deals with indigenous humor, observing two main elements: the trickster and the Cree language. The third chapter focuses more heavily on Highway's novel, building on the discussions provided in the previous chapters. From this research, it is reflected that the novel works as a true act of resistance, since this important book manages to raise questions that still resonate in a country that seeks to overcome its colonial heritage. The methodology used in this research is based on a bibliographical review aiming to continue the discussions that refer to the indigenous literature of Canada. To this end, the theoretical apparatus used is based mainly on publications by authors of indigenous origin, such as King (2012; 2005; 1991), Taylor (2005), Fagan (2009, 2001), Weaver (2001), and Highway himself (2005; 2003), among others. Other theorists support the understanding of topics such as identity, language and resistance, such as Cunha (2019; 2018; 2009; 2007), Brydon (2004, 2001), Hall (2006, 1997), Bhabha (1998, 1992), Pinheiro ( 2011), Santos (2015, 2009), among others. Thus, this research interweaves theories and concepts from Cultural and Postcolonial Studies with indigenous literary criticism, an area that has been gaining prominence in literary studies in North America.
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spelling Pinheiro, Neide Garciahttp://lattes.cnpq.br/9762373144174729062.724.829-22http://lattes.cnpq.br/8066145616472710CASTILHO, LETÍCIA2023-02-28T19:23:47Z2023-01-31CASTILHO, LETÍCIA. HUMOR E RESISTÊNCIA INDÍGENA EM KISS OF THE FUR QUEEN (1998) DE TOMSON HIGHWAY. 2023. 99 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava.http://tede.unicentro.br:8080/jspui/handle/jspui/2010This dissertation analyzes the novel Kiss of the Fur Queen (1998) by Tomson Highway (1951), Canadian indigenous author. The research considers the importance of listening to indigenous voices in literature and recognizes indigenous literature as a form of resistance in the face of the long history of cultural erasure. Thus, its general objective is to provide a reading and interpretation of Highway's novel as an act of resistance. As specific objectives, we intend to discuss humor as one of the resistance strategies in the novel. For this, the trickster, a mythological figure that opposes historically constructed indigenous stereotypes, is investigated and, finally, the Cree language, the author's mother tongue, is explored and its use in this work published in English. Thus, this dissertation is structured as follows: the first chapter deals with the social, historical and cultural context in which the investigated oeuvre is inserted, approaching the issue of indigenous identity, the Indian Act, and the system of residential schools in Canada. The second chapter deals with indigenous humor, observing two main elements: the trickster and the Cree language. The third chapter focuses more heavily on Highway's novel, building on the discussions provided in the previous chapters. From this research, it is reflected that the novel works as a true act of resistance, since this important book manages to raise questions that still resonate in a country that seeks to overcome its colonial heritage. The methodology used in this research is based on a bibliographical review aiming to continue the discussions that refer to the indigenous literature of Canada. To this end, the theoretical apparatus used is based mainly on publications by authors of indigenous origin, such as King (2012; 2005; 1991), Taylor (2005), Fagan (2009, 2001), Weaver (2001), and Highway himself (2005; 2003), among others. Other theorists support the understanding of topics such as identity, language and resistance, such as Cunha (2019; 2018; 2009; 2007), Brydon (2004, 2001), Hall (2006, 1997), Bhabha (1998, 1992), Pinheiro ( 2011), Santos (2015, 2009), among others. Thus, this research interweaves theories and concepts from Cultural and Postcolonial Studies with indigenous literary criticism, an area that has been gaining prominence in literary studies in North America.Esta dissertação analisa o romance Kiss of the Fur Queen (1998) de Tomson Highway (1951), autor indígena canadense. A pesquisa considera a importância de ouvir as vozes indígenas na literatura e reconhece a literatura indígena como forma de resistência em face da longa história de apagamento cultural. Assim, tem como objetivo geral prover uma leitura e interpretação do romance de Highway como um ato de resistência. Como objetivos específicos, pretende-se discutir o humor como uma das estratégias de resistência no romance. Para isso, investiga-se o trickster, figura mitológica que se contrapõe aos estereótipos indígenas historicamente construídos e, por fim, explora-se a língua Cree, língua materna do autor, e seu uso nessa obra publicada em inglês. Assim, esta dissertação está estruturada da seguinte forma: o primeiro capítulo trata do contexto social, histórico e cultural em que a obra investigada está inserida, abordando-se a questão da identidade indígena, o Indian Act, e o sistema de escolas residenciais do Canadá. O segundo capítulo aborda o humor indígena, observando dois elementos principais: o trickster e o idioma Cree. O terceiro capítulo concentra-se com mais intensidade no romance de Highway, com base nas discussões providas nos capítulos anteriores. A partir desta pesquisa, reflete-se que o romance funciona como um verdadeiro ato de resistência, visto que esse importante livro consegue levantar questionamentos que ainda ressoam em um país que busca superar suas heranças coloniais. A metodologia empregada nesta pesquisa se fundamenta na revisão bibliográfica visando dar continuidade às discussões que se referem à literatura indígena do Canadá. Para tanto, os aparatos teóricos utilizados se baseiam principalmente em publicações de autores com origem indígena, como King (2012; 2005; 1991), Taylor (2005), Fagan (2009, 2001), Weaver (2001), e o próprio Highway (2005; 2003), entre outros. Outros teóricos dão suporte no entendimento de tópicos como identidade, língua e resistência, como Cunha (2019; 2018; 2009; 2007), Brydon (2004, 2001), Hall (2006, 1997), Bhabha (1998, 1992), Pinheiro (2011), Santos (2015, 2009), entre outros. Dessa forma, esta pesquisa entrecruza teorias e conceitos provenientes dos Estudos Culturais e pós-coloniais com o criticismo literário indígena, área que vem ganhando destaque nos estudos literários na América do Norte.Submitted by Fabiano Jucá (fjuca@unicentro.br) on 2023-02-28T19:23:47Z No. of bitstreams: 1 Dissertação - Letícia Castilho.pdf: 900218 bytes, checksum: 7f608c6692787605506b53d7bcc9c6fa (MD5)Made available in DSpace on 2023-02-28T19:23:47Z (GMT). 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dc.title.por.fl_str_mv HUMOR E RESISTÊNCIA INDÍGENA EM KISS OF THE FUR QUEEN (1998) DE TOMSON HIGHWAY
title HUMOR E RESISTÊNCIA INDÍGENA EM KISS OF THE FUR QUEEN (1998) DE TOMSON HIGHWAY
spellingShingle HUMOR E RESISTÊNCIA INDÍGENA EM KISS OF THE FUR QUEEN (1998) DE TOMSON HIGHWAY
CASTILHO, LETÍCIA
Literatura Canadense
Narrativas Indígenas
Humor
Trickster
Canadian Literature
Indigenous Narratives
Humor
Trickster
LINGUISTICA, LETRAS E ARTES
title_short HUMOR E RESISTÊNCIA INDÍGENA EM KISS OF THE FUR QUEEN (1998) DE TOMSON HIGHWAY
title_full HUMOR E RESISTÊNCIA INDÍGENA EM KISS OF THE FUR QUEEN (1998) DE TOMSON HIGHWAY
title_fullStr HUMOR E RESISTÊNCIA INDÍGENA EM KISS OF THE FUR QUEEN (1998) DE TOMSON HIGHWAY
title_full_unstemmed HUMOR E RESISTÊNCIA INDÍGENA EM KISS OF THE FUR QUEEN (1998) DE TOMSON HIGHWAY
title_sort HUMOR E RESISTÊNCIA INDÍGENA EM KISS OF THE FUR QUEEN (1998) DE TOMSON HIGHWAY
author CASTILHO, LETÍCIA
author_facet CASTILHO, LETÍCIA
author_role author
dc.contributor.advisor1.fl_str_mv Pinheiro, Neide Garcia
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/9762373144174729
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dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/8066145616472710
dc.contributor.author.fl_str_mv CASTILHO, LETÍCIA
contributor_str_mv Pinheiro, Neide Garcia
dc.subject.por.fl_str_mv Literatura Canadense
Narrativas Indígenas
Humor
Trickster
topic Literatura Canadense
Narrativas Indígenas
Humor
Trickster
Canadian Literature
Indigenous Narratives
Humor
Trickster
LINGUISTICA, LETRAS E ARTES
dc.subject.eng.fl_str_mv Canadian Literature
Indigenous Narratives
Humor
Trickster
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES
description This dissertation analyzes the novel Kiss of the Fur Queen (1998) by Tomson Highway (1951), Canadian indigenous author. The research considers the importance of listening to indigenous voices in literature and recognizes indigenous literature as a form of resistance in the face of the long history of cultural erasure. Thus, its general objective is to provide a reading and interpretation of Highway's novel as an act of resistance. As specific objectives, we intend to discuss humor as one of the resistance strategies in the novel. For this, the trickster, a mythological figure that opposes historically constructed indigenous stereotypes, is investigated and, finally, the Cree language, the author's mother tongue, is explored and its use in this work published in English. Thus, this dissertation is structured as follows: the first chapter deals with the social, historical and cultural context in which the investigated oeuvre is inserted, approaching the issue of indigenous identity, the Indian Act, and the system of residential schools in Canada. The second chapter deals with indigenous humor, observing two main elements: the trickster and the Cree language. The third chapter focuses more heavily on Highway's novel, building on the discussions provided in the previous chapters. From this research, it is reflected that the novel works as a true act of resistance, since this important book manages to raise questions that still resonate in a country that seeks to overcome its colonial heritage. The methodology used in this research is based on a bibliographical review aiming to continue the discussions that refer to the indigenous literature of Canada. To this end, the theoretical apparatus used is based mainly on publications by authors of indigenous origin, such as King (2012; 2005; 1991), Taylor (2005), Fagan (2009, 2001), Weaver (2001), and Highway himself (2005; 2003), among others. Other theorists support the understanding of topics such as identity, language and resistance, such as Cunha (2019; 2018; 2009; 2007), Brydon (2004, 2001), Hall (2006, 1997), Bhabha (1998, 1992), Pinheiro ( 2011), Santos (2015, 2009), among others. Thus, this research interweaves theories and concepts from Cultural and Postcolonial Studies with indigenous literary criticism, an area that has been gaining prominence in literary studies in North America.
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