Cities in precipice: on sensitive frontiers on and offline

Detalhes bibliográficos
Autor(a) principal: Monteiro, Altemar Gomes
Data de Publicação: 2020
Outros Autores: Ribeiro, Mônica Medeiros
Tipo de documento: Artigo
Idioma: por
Título da fonte: Urdimento (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/urdimento/article/view/18160
Resumo: The authors present in this text a reflection on poetic and political forces involved in the theater scene immersed in the contingent evidenced by the pandemic of COVID-19. From the streets and theaters possible in this context, they aim to think about the cities that emerge for the time being in the imaginary experienced on the on and offline frontier, either by the processes of composition in art that were forced to migrate to the internet or by the ballast left by the media of communication in a hyperconnected world. Through the dialogue with Nestor Garcia Canclini and other thinkers of the contemporary scene, they note the fusion operated between what they call online cities and offline cities here to think about the poetic challenges that arise in the debates about time-space inside and outside the internet. What will be left of our theaters in the midst of an information pandemic? Defending an expansion of the sensitive, they leave the contemporary scene to think that other bodies and spatialities are being demanded or imposed in the midst of the turmoil of the biopolitical war that surrounds us.
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spelling Cities in precipice: on sensitive frontiers on and offlineCidades em precipício: das fronteiras sensíveis on e off-lineCidades OnlineCidades off-lineTeatro contemporâneoInternetOnline CitiesOffline citiesContemporary theaterInternetThe authors present in this text a reflection on poetic and political forces involved in the theater scene immersed in the contingent evidenced by the pandemic of COVID-19. From the streets and theaters possible in this context, they aim to think about the cities that emerge for the time being in the imaginary experienced on the on and offline frontier, either by the processes of composition in art that were forced to migrate to the internet or by the ballast left by the media of communication in a hyperconnected world. Through the dialogue with Nestor Garcia Canclini and other thinkers of the contemporary scene, they note the fusion operated between what they call online cities and offline cities here to think about the poetic challenges that arise in the debates about time-space inside and outside the internet. What will be left of our theaters in the midst of an information pandemic? Defending an expansion of the sensitive, they leave the contemporary scene to think that other bodies and spatialities are being demanded or imposed in the midst of the turmoil of the biopolitical war that surrounds us.Os autores apresentam neste texto uma reflexão sobre forças poéticas e políticas envolvidas na cena teatral imersa no contingente evidenciado pela pandemia da COVID-19. Das ruas e dos teatros possíveis nesse contexto, objetivam pensar acerca das cidades que por hora emergem nos imaginários vivenciados na fronteira on e offline, seja pelos processos de composição em arte que se viram forçados a migrar para a internet, seja pelo lastro deixado pelos meios de comunicação num mundo hiperconectado. Por meio do diálogo com Néstor Garcia Canclini e outros pensadores da cena contemporânea, os autores constatam o entrelaçamento entre o que aqui chamam de cidades online e cidades offline e apontam desafios poéticos que se erguem nos debates sobre o tempo-espaço dentro e fora da internet. O que restará de nossos teatros em meio a uma pandemia da informação? Defendendo uma expansão do sensível, partem da cena contemporânea para pensar que outros corpos e espacialidades estão sendo exigidos ou impostos no torvelinho da guerra biopolítica que nos circunda.  Universidade do Estado de Santa Catarina (UDESC)2020-09-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/urdimento/article/view/1816010.5965/14145731023820200021Urdimento; Vol. 2 Núm. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-29Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-29Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-292358-695810.5965/1414573102382020reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/urdimento/article/view/18160/11933Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMonteiro, Altemar GomesRibeiro, Mônica Medeiros2020-09-27T02:15:50Zoai:ojs.revistas.udesc.br:article/18160Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2020-09-27T02:15:50Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Cities in precipice: on sensitive frontiers on and offline
Cidades em precipício: das fronteiras sensíveis on e off-line
title Cities in precipice: on sensitive frontiers on and offline
spellingShingle Cities in precipice: on sensitive frontiers on and offline
Monteiro, Altemar Gomes
Cidades Online
Cidades off-line
Teatro contemporâneo
Internet
Online Cities
Offline cities
Contemporary theater
Internet
title_short Cities in precipice: on sensitive frontiers on and offline
title_full Cities in precipice: on sensitive frontiers on and offline
title_fullStr Cities in precipice: on sensitive frontiers on and offline
title_full_unstemmed Cities in precipice: on sensitive frontiers on and offline
title_sort Cities in precipice: on sensitive frontiers on and offline
author Monteiro, Altemar Gomes
author_facet Monteiro, Altemar Gomes
Ribeiro, Mônica Medeiros
author_role author
author2 Ribeiro, Mônica Medeiros
author2_role author
dc.contributor.author.fl_str_mv Monteiro, Altemar Gomes
Ribeiro, Mônica Medeiros
dc.subject.por.fl_str_mv Cidades Online
Cidades off-line
Teatro contemporâneo
Internet
Online Cities
Offline cities
Contemporary theater
Internet
topic Cidades Online
Cidades off-line
Teatro contemporâneo
Internet
Online Cities
Offline cities
Contemporary theater
Internet
description The authors present in this text a reflection on poetic and political forces involved in the theater scene immersed in the contingent evidenced by the pandemic of COVID-19. From the streets and theaters possible in this context, they aim to think about the cities that emerge for the time being in the imaginary experienced on the on and offline frontier, either by the processes of composition in art that were forced to migrate to the internet or by the ballast left by the media of communication in a hyperconnected world. Through the dialogue with Nestor Garcia Canclini and other thinkers of the contemporary scene, they note the fusion operated between what they call online cities and offline cities here to think about the poetic challenges that arise in the debates about time-space inside and outside the internet. What will be left of our theaters in the midst of an information pandemic? Defending an expansion of the sensitive, they leave the contemporary scene to think that other bodies and spatialities are being demanded or imposed in the midst of the turmoil of the biopolitical war that surrounds us.
publishDate 2020
dc.date.none.fl_str_mv 2020-09-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/18160
10.5965/14145731023820200021
url https://www.revistas.udesc.br/index.php/urdimento/article/view/18160
identifier_str_mv 10.5965/14145731023820200021
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/18160/11933
dc.rights.driver.fl_str_mv Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
dc.source.none.fl_str_mv Urdimento; Vol. 2 Núm. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-29
Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-29
Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-29
2358-6958
10.5965/1414573102382020
reponame:Urdimento (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
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instname_str Universidade do Estado de Santa Catarina (UDESC)
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reponame_str Urdimento (Online)
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