Cities in precipice: on sensitive frontiers on and offline
Autor(a) principal: | |
---|---|
Data de Publicação: | 2020 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Urdimento (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/urdimento/article/view/18160 |
Resumo: | The authors present in this text a reflection on poetic and political forces involved in the theater scene immersed in the contingent evidenced by the pandemic of COVID-19. From the streets and theaters possible in this context, they aim to think about the cities that emerge for the time being in the imaginary experienced on the on and offline frontier, either by the processes of composition in art that were forced to migrate to the internet or by the ballast left by the media of communication in a hyperconnected world. Through the dialogue with Nestor Garcia Canclini and other thinkers of the contemporary scene, they note the fusion operated between what they call online cities and offline cities here to think about the poetic challenges that arise in the debates about time-space inside and outside the internet. What will be left of our theaters in the midst of an information pandemic? Defending an expansion of the sensitive, they leave the contemporary scene to think that other bodies and spatialities are being demanded or imposed in the midst of the turmoil of the biopolitical war that surrounds us. |
id |
UDESC-1_2d1c83d98fda98d229de9e52cbf52c41 |
---|---|
oai_identifier_str |
oai:ojs.revistas.udesc.br:article/18160 |
network_acronym_str |
UDESC-1 |
network_name_str |
Urdimento (Online) |
repository_id_str |
|
spelling |
Cities in precipice: on sensitive frontiers on and offlineCidades em precipício: das fronteiras sensíveis on e off-lineCidades OnlineCidades off-lineTeatro contemporâneoInternetOnline CitiesOffline citiesContemporary theaterInternetThe authors present in this text a reflection on poetic and political forces involved in the theater scene immersed in the contingent evidenced by the pandemic of COVID-19. From the streets and theaters possible in this context, they aim to think about the cities that emerge for the time being in the imaginary experienced on the on and offline frontier, either by the processes of composition in art that were forced to migrate to the internet or by the ballast left by the media of communication in a hyperconnected world. Through the dialogue with Nestor Garcia Canclini and other thinkers of the contemporary scene, they note the fusion operated between what they call online cities and offline cities here to think about the poetic challenges that arise in the debates about time-space inside and outside the internet. What will be left of our theaters in the midst of an information pandemic? Defending an expansion of the sensitive, they leave the contemporary scene to think that other bodies and spatialities are being demanded or imposed in the midst of the turmoil of the biopolitical war that surrounds us.Os autores apresentam neste texto uma reflexão sobre forças poéticas e políticas envolvidas na cena teatral imersa no contingente evidenciado pela pandemia da COVID-19. Das ruas e dos teatros possíveis nesse contexto, objetivam pensar acerca das cidades que por hora emergem nos imaginários vivenciados na fronteira on e offline, seja pelos processos de composição em arte que se viram forçados a migrar para a internet, seja pelo lastro deixado pelos meios de comunicação num mundo hiperconectado. Por meio do diálogo com Néstor Garcia Canclini e outros pensadores da cena contemporânea, os autores constatam o entrelaçamento entre o que aqui chamam de cidades online e cidades offline e apontam desafios poéticos que se erguem nos debates sobre o tempo-espaço dentro e fora da internet. O que restará de nossos teatros em meio a uma pandemia da informação? Defendendo uma expansão do sensível, partem da cena contemporânea para pensar que outros corpos e espacialidades estão sendo exigidos ou impostos no torvelinho da guerra biopolítica que nos circunda. Universidade do Estado de Santa Catarina (UDESC)2020-09-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/urdimento/article/view/1816010.5965/14145731023820200021Urdimento; Vol. 2 Núm. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-29Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-29Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-292358-695810.5965/1414573102382020reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/urdimento/article/view/18160/11933Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMonteiro, Altemar GomesRibeiro, Mônica Medeiros2020-09-27T02:15:50Zoai:ojs.revistas.udesc.br:article/18160Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2020-09-27T02:15:50Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Cities in precipice: on sensitive frontiers on and offline Cidades em precipício: das fronteiras sensíveis on e off-line |
title |
Cities in precipice: on sensitive frontiers on and offline |
spellingShingle |
Cities in precipice: on sensitive frontiers on and offline Monteiro, Altemar Gomes Cidades Online Cidades off-line Teatro contemporâneo Internet Online Cities Offline cities Contemporary theater Internet |
title_short |
Cities in precipice: on sensitive frontiers on and offline |
title_full |
Cities in precipice: on sensitive frontiers on and offline |
title_fullStr |
Cities in precipice: on sensitive frontiers on and offline |
title_full_unstemmed |
Cities in precipice: on sensitive frontiers on and offline |
title_sort |
Cities in precipice: on sensitive frontiers on and offline |
author |
Monteiro, Altemar Gomes |
author_facet |
Monteiro, Altemar Gomes Ribeiro, Mônica Medeiros |
author_role |
author |
author2 |
Ribeiro, Mônica Medeiros |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Monteiro, Altemar Gomes Ribeiro, Mônica Medeiros |
dc.subject.por.fl_str_mv |
Cidades Online Cidades off-line Teatro contemporâneo Internet Online Cities Offline cities Contemporary theater Internet |
topic |
Cidades Online Cidades off-line Teatro contemporâneo Internet Online Cities Offline cities Contemporary theater Internet |
description |
The authors present in this text a reflection on poetic and political forces involved in the theater scene immersed in the contingent evidenced by the pandemic of COVID-19. From the streets and theaters possible in this context, they aim to think about the cities that emerge for the time being in the imaginary experienced on the on and offline frontier, either by the processes of composition in art that were forced to migrate to the internet or by the ballast left by the media of communication in a hyperconnected world. Through the dialogue with Nestor Garcia Canclini and other thinkers of the contemporary scene, they note the fusion operated between what they call online cities and offline cities here to think about the poetic challenges that arise in the debates about time-space inside and outside the internet. What will be left of our theaters in the midst of an information pandemic? Defending an expansion of the sensitive, they leave the contemporary scene to think that other bodies and spatialities are being demanded or imposed in the midst of the turmoil of the biopolitical war that surrounds us. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-09-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/urdimento/article/view/18160 10.5965/14145731023820200021 |
url |
https://www.revistas.udesc.br/index.php/urdimento/article/view/18160 |
identifier_str_mv |
10.5965/14145731023820200021 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/urdimento/article/view/18160/11933 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina (UDESC) |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina (UDESC) |
dc.source.none.fl_str_mv |
Urdimento; Vol. 2 Núm. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-29 Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-29 Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-29 2358-6958 10.5965/1414573102382020 reponame:Urdimento (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Urdimento (Online) |
collection |
Urdimento (Online) |
repository.name.fl_str_mv |
Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
verareginacollaco@gmail.com |
_version_ |
1798042506766581760 |