The street as a performing stage and as a vocation: some reflections on street theatre in Buenos Aires

Detalhes bibliográficos
Autor(a) principal: Rindone, Francesca
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Urdimento (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/urdimento/article/view/18128
Resumo: In this article we want to introduce some reflection on colective street theatre in the city of Buenos Aires in the last years. We will draw some theorical and methodological lines to approach the concept of popular in the theatrical area, attending to cultural studies, theatrical theories and anthropology, and analyze in a second step some experiences narrated by actors of street theatre. We will also introduce briefly the story of a group which is recognized as a reference of street theatre in Buenos Aires: La Runfla, founded in 1991, who’s political and artistical activities take place in Parque Avellaneda and contributed to the revaluation of this public space. 
id UDESC-1_5bb01768e4b7f433b510de201d7ca1e9
oai_identifier_str oai:ojs.revistas.udesc.br:article/18128
network_acronym_str UDESC-1
network_name_str Urdimento (Online)
repository_id_str
spelling The street as a performing stage and as a vocation: some reflections on street theatre in Buenos AiresLa calle como espacio escénico y como vocación: algunas reflexiones sobre el teatro callejero en Buenos AiresLa calle como espacio escénico y como vocación: algunas reflexiones sobre el teatro callejero en Buenos AiresTeatro callejeroEspacio públicoPopularStreet theatrePublic spacePopularIn this article we want to introduce some reflection on colective street theatre in the city of Buenos Aires in the last years. We will draw some theorical and methodological lines to approach the concept of popular in the theatrical area, attending to cultural studies, theatrical theories and anthropology, and analyze in a second step some experiences narrated by actors of street theatre. We will also introduce briefly the story of a group which is recognized as a reference of street theatre in Buenos Aires: La Runfla, founded in 1991, who’s political and artistical activities take place in Parque Avellaneda and contributed to the revaluation of this public space. En este artículo queremos presentar algunas reflexiones acerca del teatro callejero de grupos en la ciudad de Buenos Aires en la actualidad. Se trazarán algunas líneas teórico-metodológicas para abordar la noción de popular en el ámbito teatral, atingiendo a la fuente de los estudios culturales, teatrales y antropológicos, para poder analizar en un segundo momento algunas narrativas de los protagonistas de este lenguaje teatral. Asimismo, se presentará brevemente la historia de un grupo en particular, elegido como referente en la ciudad de Buenos Aires: el grupo La Runfla, activo desde el año 1991, cuyas actividades artísticas se concentran en el Parque Avellaneda y contribuyeron a la recuperación de este espacio público.En este artículo queremos presentar algunas reflexiones acerca del teatro callejero de grupos en la ciudad de Buenos Aires en la actualidad. Se trazarán algunas líneas teórico-metodológicas para abordar la noción de popular en el ámbito teatral, atingiendo a la fuente de los estudios culturales, teatrales y antropológicos, para poder analizar en un segundo momento algunas narrativas de los protagonistas de este lenguaje teatral. Asimismo, se presentará brevemente la historia de un grupo en particular, elegido como referente en la ciudad de Buenos Aires: el grupo La Runfla, activo desde el año 1991, cuyas actividades artísticas se concentran en el Parque Avellaneda y contribuyeron a la recuperación de este espacio público.Universidade do Estado de Santa Catarina (UDESC)2020-09-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/urdimento/article/view/1812810.5965/14145731023820200011Urdimento; Vol. 2 Núm. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-23Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-23Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-232358-695810.5965/1414573102382020reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCspahttps://www.revistas.udesc.br/index.php/urdimento/article/view/18128/11922Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRindone, Francesca2020-09-27T02:15:50Zoai:ojs.revistas.udesc.br:article/18128Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2020-09-27T02:15:50Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv The street as a performing stage and as a vocation: some reflections on street theatre in Buenos Aires
La calle como espacio escénico y como vocación: algunas reflexiones sobre el teatro callejero en Buenos Aires
La calle como espacio escénico y como vocación: algunas reflexiones sobre el teatro callejero en Buenos Aires
title The street as a performing stage and as a vocation: some reflections on street theatre in Buenos Aires
spellingShingle The street as a performing stage and as a vocation: some reflections on street theatre in Buenos Aires
Rindone, Francesca
Teatro callejero
Espacio público
Popular
Street theatre
Public space
Popular
title_short The street as a performing stage and as a vocation: some reflections on street theatre in Buenos Aires
title_full The street as a performing stage and as a vocation: some reflections on street theatre in Buenos Aires
title_fullStr The street as a performing stage and as a vocation: some reflections on street theatre in Buenos Aires
title_full_unstemmed The street as a performing stage and as a vocation: some reflections on street theatre in Buenos Aires
title_sort The street as a performing stage and as a vocation: some reflections on street theatre in Buenos Aires
author Rindone, Francesca
author_facet Rindone, Francesca
author_role author
dc.contributor.author.fl_str_mv Rindone, Francesca
dc.subject.por.fl_str_mv Teatro callejero
Espacio público
Popular
Street theatre
Public space
Popular
topic Teatro callejero
Espacio público
Popular
Street theatre
Public space
Popular
description In this article we want to introduce some reflection on colective street theatre in the city of Buenos Aires in the last years. We will draw some theorical and methodological lines to approach the concept of popular in the theatrical area, attending to cultural studies, theatrical theories and anthropology, and analyze in a second step some experiences narrated by actors of street theatre. We will also introduce briefly the story of a group which is recognized as a reference of street theatre in Buenos Aires: La Runfla, founded in 1991, who’s political and artistical activities take place in Parque Avellaneda and contributed to the revaluation of this public space. 
publishDate 2020
dc.date.none.fl_str_mv 2020-09-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/18128
10.5965/14145731023820200011
url https://www.revistas.udesc.br/index.php/urdimento/article/view/18128
identifier_str_mv 10.5965/14145731023820200011
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/18128/11922
dc.rights.driver.fl_str_mv Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
dc.source.none.fl_str_mv Urdimento; Vol. 2 Núm. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-23
Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-23
Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-23
2358-6958
10.5965/1414573102382020
reponame:Urdimento (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Urdimento (Online)
collection Urdimento (Online)
repository.name.fl_str_mv Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv verareginacollaco@gmail.com
_version_ 1798042506426843136

Registros relacionados