The friendship as a way of resistance: reflections about Amista' (2021) circus play

Detalhes bibliográficos
Autor(a) principal: Negri, Francisco
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Urdimento (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/urdimento/article/view/23217
Resumo: The following work sought to develop a series of analyzes and reflections based on the circus play Amista' (2021) by Tomi Soko, in which the intimate and affective relationship of three traffic light jugglers unfolds. It was interesting to think about the political decision to create from that starting point, since tensions over money, competition between street artists and the dispute for recognition are exposed during the work. The article was structured in three axes where the political acquires specific connotations: the theme, the language and the creative process; perspectives that in turn feed each other. Doing the reverse path to the staging, we started from the visible result to delve into the initial investigation process of the work, putting in the center the question about the relationship between the bodily knowledge of the traffic light jugglers and the aforementioned axes.
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spelling The friendship as a way of resistance: reflections about Amista' (2021) circus playLa amistad como forma de resistencia: reflexiones en torno a la obra de circo Amista’ (2021) A amizade como forma de resistência: reflexões sobre a peça circense Amista' (2021)CircusStreet artPolitical artBodyCircoArte callejeroArte políticaCuerpoCircoArte de ruaArte políticaCorpo The following work sought to develop a series of analyzes and reflections based on the circus play Amista' (2021) by Tomi Soko, in which the intimate and affective relationship of three traffic light jugglers unfolds. It was interesting to think about the political decision to create from that starting point, since tensions over money, competition between street artists and the dispute for recognition are exposed during the work. The article was structured in three axes where the political acquires specific connotations: the theme, the language and the creative process; perspectives that in turn feed each other. Doing the reverse path to the staging, we started from the visible result to delve into the initial investigation process of the work, putting in the center the question about the relationship between the bodily knowledge of the traffic light jugglers and the aforementioned axes. El siguiente trabajo buscó desarrollar una serie de análisis y reflexiones a partir de la obra de circo Amista’ (2021) de Tomi Soko, en la cual se despliega la relación íntima y afectiva de tres malabaristas de semáforo. Resultó de interés pensar en torno a la decisión política de crear desde ese punto de partida, ya que se exponen durante la obra las tensiones sobre el dinero, la competencia entre artistas callejeros y la disputa por el reconocimiento. El artículo se estructuró en tres ejes donde lo político adquiere connotaciones específicas: la temática, el lenguaje y el proceso creativo; perspectivas que a su vez se retroalimentan entre sí. Haciendo el camino inverso a la puesta en escena, se partió del resultado visible para adentrarse en el proceso de investigación inicial de la obra, poniendo en el centro la pregunta por la relación entre los saberes corporales propios de los malabaristas de semáforo y los ejes mencionados. O seguinte trabalho buscou desenvolver uma série de análises e reflexões a partir da peça circense Amista' (2021) de Tomi Soko, na qual se desenrola a relação íntima e afetiva de três malabaristas de semáforos. Foi interessante pensar a decisão política de criar a partir desse ponto de partida, pois as tensões por dinheiro, a competição entre artistas de rua e a disputa por reconhecimento são expostas ao longo da obra. O artigo foi estruturado em três eixos onde o político adquire conotações específicas: o tema, a linguagem e o processo criativo; perspectivas que por sua vez se alimenta. Fazendo o caminho inverso à encenação, partimos do resultado visível para mergulhar no processo de investigação inicial da obra, colocando no centro a questão sobre a relação entre os saberes corporais dos malabaristas de semáforos e os referidos eixos. Universidade do Estado de Santa Catarina (UDESC)2023-07-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://www.revistas.udesc.br/index.php/urdimento/article/view/2321710.5965/1414573102472023e0102Urdimento: Revista de Estudos em Artes Cênicas; Vol. 2 No. 47 (2023): Artes do Palhaço, Artes do Circo, Circo-Teatro e Comicidade Popular II; 1-18Urdimento; Vol. 2 Núm. 47 (2023): Artes do Palhaço, Artes do Circo, Circo-Teatro e Comicidade Popular II; 1-18Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 47 (2023): Artes do Palhaço, Artes do Circo, Circo-Teatro e Comicidade Popular II; 1-182358-695810.5965/10.5965/1414573102472023reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCspahttps://www.revistas.udesc.br/index.php/urdimento/article/view/23217/15610https://www.revistas.udesc.br/index.php/urdimento/article/view/23217/15611Copyright (c) 2023 Urdimento: Revista de Estudos em Artes Cênicashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNegri, Francisco2024-02-29T15:05:51Zoai::article/23217Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2024-02-29T15:05:51Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv The friendship as a way of resistance: reflections about Amista' (2021) circus play
La amistad como forma de resistencia: reflexiones en torno a la obra de circo Amista’ (2021)
A amizade como forma de resistência: reflexões sobre a peça circense Amista' (2021)
title The friendship as a way of resistance: reflections about Amista' (2021) circus play
spellingShingle The friendship as a way of resistance: reflections about Amista' (2021) circus play
Negri, Francisco
Circus
Street art
Political art
Body
Circo
Arte callejero
Arte política
Cuerpo
Circo
Arte de rua
Arte política
Corpo
title_short The friendship as a way of resistance: reflections about Amista' (2021) circus play
title_full The friendship as a way of resistance: reflections about Amista' (2021) circus play
title_fullStr The friendship as a way of resistance: reflections about Amista' (2021) circus play
title_full_unstemmed The friendship as a way of resistance: reflections about Amista' (2021) circus play
title_sort The friendship as a way of resistance: reflections about Amista' (2021) circus play
author Negri, Francisco
author_facet Negri, Francisco
author_role author
dc.contributor.author.fl_str_mv Negri, Francisco
dc.subject.por.fl_str_mv Circus
Street art
Political art
Body
Circo
Arte callejero
Arte política
Cuerpo
Circo
Arte de rua
Arte política
Corpo
topic Circus
Street art
Political art
Body
Circo
Arte callejero
Arte política
Cuerpo
Circo
Arte de rua
Arte política
Corpo
description The following work sought to develop a series of analyzes and reflections based on the circus play Amista' (2021) by Tomi Soko, in which the intimate and affective relationship of three traffic light jugglers unfolds. It was interesting to think about the political decision to create from that starting point, since tensions over money, competition between street artists and the dispute for recognition are exposed during the work. The article was structured in three axes where the political acquires specific connotations: the theme, the language and the creative process; perspectives that in turn feed each other. Doing the reverse path to the staging, we started from the visible result to delve into the initial investigation process of the work, putting in the center the question about the relationship between the bodily knowledge of the traffic light jugglers and the aforementioned axes.
publishDate 2023
dc.date.none.fl_str_mv 2023-07-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/23217
10.5965/1414573102472023e0102
url https://www.revistas.udesc.br/index.php/urdimento/article/view/23217
identifier_str_mv 10.5965/1414573102472023e0102
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/23217/15610
https://www.revistas.udesc.br/index.php/urdimento/article/view/23217/15611
dc.rights.driver.fl_str_mv Copyright (c) 2023 Urdimento: Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Urdimento: Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
dc.source.none.fl_str_mv Urdimento: Revista de Estudos em Artes Cênicas; Vol. 2 No. 47 (2023): Artes do Palhaço, Artes do Circo, Circo-Teatro e Comicidade Popular II; 1-18
Urdimento; Vol. 2 Núm. 47 (2023): Artes do Palhaço, Artes do Circo, Circo-Teatro e Comicidade Popular II; 1-18
Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 47 (2023): Artes do Palhaço, Artes do Circo, Circo-Teatro e Comicidade Popular II; 1-18
2358-6958
10.5965/10.5965/1414573102472023
reponame:Urdimento (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Urdimento (Online)
collection Urdimento (Online)
repository.name.fl_str_mv Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv verareginacollaco@gmail.com
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