Floating correspondences: the butoh and women's voice in Abya Yala

Detalhes bibliográficos
Autor(a) principal: Corradini, Sandra
Data de Publicação: 2020
Outros Autores: Mello, Simone
Tipo de documento: Artigo
Idioma: por
Título da fonte: Urdimento (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/urdimento/article/view/18097
Resumo: This article expands on the electronics correspondences exchanged with the butoh dancers Eugenia Vargas (Mexico) and Susana Reyes (Ecuador) in the midst of the worldwide coronavirus pandemic crisis. Concerns shared with the artists sought to foment self-reflections about their practices in the butoh, which are analyzed here from a theoretical interweaving inscribed in the Abya Yala-Japan transit. The approach pursues clues that allow organizing a set of ideas about the qualities and powers of the body, worked on by both, and reflecting it as a possible hypothesis evidenced by the exchange of letters. The findings corroborate the body as an expressive, intimate and mythopoetic generating place, seen as personal dance, experienced and woven from relationships that the artists establish with their own culture and ancestry in the face of foreign information.
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spelling Floating correspondences: the butoh and women's voice in Abya Yala Correspondencia flotante: el butoh en la voz de las mujeres en Abya YalaCorrespondências flutuantes: o butoh na voz das mulheres em Abya YalaButohDança pessoalMitopoética femininaMemóriaCoronavírusButohBaile personalMitopoética femeninaMemoriaCoronavirusButohPersonal danceFemale mythopoeticMemoryCoronavirusThis article expands on the electronics correspondences exchanged with the butoh dancers Eugenia Vargas (Mexico) and Susana Reyes (Ecuador) in the midst of the worldwide coronavirus pandemic crisis. Concerns shared with the artists sought to foment self-reflections about their practices in the butoh, which are analyzed here from a theoretical interweaving inscribed in the Abya Yala-Japan transit. The approach pursues clues that allow organizing a set of ideas about the qualities and powers of the body, worked on by both, and reflecting it as a possible hypothesis evidenced by the exchange of letters. The findings corroborate the body as an expressive, intimate and mythopoetic generating place, seen as personal dance, experienced and woven from relationships that the artists establish with their own culture and ancestry in the face of foreign information.Este trabajo se basa en el intercambio de correspondencia electrónica con las bailarinas de butoh Eugenia Vargas (México) y Susana Reyes (Ecuador) en medio de la crisis pandémica del coronavirus en el mundo. Las inquietudes compartidas con los artistas buscaron fomentar la autorreflexión sobre sus prácticas en el butoh, que aquí se analizan a partir de un entrelazado teórico inscrito en el tránsito Abya Yala-Japón. El enfoque persigue pistas que permitan organizar un conjunto de ideas sobre las cualidades y poderes del cuerpo, trabajadas por ambos, y reflejarlo como una posible hipótesis evidenciada por el intercambio de cartas. Los hallazgos corroboran el cuerpo como lugar expresivo, íntimo y generador de mitopoéticas, visto como una danza personal, vivida y tejida a partir de relaciones con su propia cultura y ascendencia frente a informaciones ajenas.Este trabalho parte de correspondências eletrônicas trocadas com as dançarinas de butoh Eugenia Vargas (México) e Susana Reyes (Equador) em meio à crise pandêmica do coronavírus no mundo. Inquietações compartilhadas com as artistas buscaram fomentar autorreflexões acerca de suas práticas no butoh, que são aqui analisadas a partir de um entrelaçamento teórico inscrito no trânsito Abya Yala-Japão. A abordagem persegue pistas que permitem organizar um conjunto de ideias acerca das qualidades e das potências do corpo, trabalhadas por ambas, e refleti-lo como uma possível hipótese evidenciada pela troca de cartas. Os achados corroboram o corpo como um lugar expressivo, íntimo e gerador de mitopoéticas, vistas como dança pessoal, experimentadas e tecidas a partir de relações com suas próprias culturas e ancestralidades em face da informação estrangeira.  Universidade do Estado de Santa Catarina (UDESC)2020-12-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelo paresapplication/pdfhttps://www.revistas.udesc.br/index.php/urdimento/article/view/1809710.5965/14145731033920200213Urdimento; Vol. 3 Núm. 39 (2020): Artes da cena atrás das grades ; 1-21Urdimento - Revista de Estudos em Artes Cênicas; v. 3 n. 39 (2020): Artes da cena atrás das grades ; 1-21Urdimento - Revista de Estudos em Artes Cênicas; Vol. 3 No. 39 (2020): Artes da cena atrás das grades ; 1-212358-695810.5965/1414573103392020reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/urdimento/article/view/18097/12575Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCorradini, SandraMello, Simone2020-12-30T23:13:55Zoai:ojs.revistas.udesc.br:article/18097Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2020-12-30T23:13:55Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Floating correspondences: the butoh and women's voice in Abya Yala
Correspondencia flotante: el butoh en la voz de las mujeres en Abya Yala
Correspondências flutuantes: o butoh na voz das mulheres em Abya Yala
title Floating correspondences: the butoh and women's voice in Abya Yala
spellingShingle Floating correspondences: the butoh and women's voice in Abya Yala
Corradini, Sandra
Butoh
Dança pessoal
Mitopoética feminina
Memória
Coronavírus
Butoh
Baile personal
Mitopoética femenina
Memoria
Coronavirus
Butoh
Personal dance
Female mythopoetic
Memory
Coronavirus
title_short Floating correspondences: the butoh and women's voice in Abya Yala
title_full Floating correspondences: the butoh and women's voice in Abya Yala
title_fullStr Floating correspondences: the butoh and women's voice in Abya Yala
title_full_unstemmed Floating correspondences: the butoh and women's voice in Abya Yala
title_sort Floating correspondences: the butoh and women's voice in Abya Yala
author Corradini, Sandra
author_facet Corradini, Sandra
Mello, Simone
author_role author
author2 Mello, Simone
author2_role author
dc.contributor.author.fl_str_mv Corradini, Sandra
Mello, Simone
dc.subject.por.fl_str_mv Butoh
Dança pessoal
Mitopoética feminina
Memória
Coronavírus
Butoh
Baile personal
Mitopoética femenina
Memoria
Coronavirus
Butoh
Personal dance
Female mythopoetic
Memory
Coronavirus
topic Butoh
Dança pessoal
Mitopoética feminina
Memória
Coronavírus
Butoh
Baile personal
Mitopoética femenina
Memoria
Coronavirus
Butoh
Personal dance
Female mythopoetic
Memory
Coronavirus
description This article expands on the electronics correspondences exchanged with the butoh dancers Eugenia Vargas (Mexico) and Susana Reyes (Ecuador) in the midst of the worldwide coronavirus pandemic crisis. Concerns shared with the artists sought to foment self-reflections about their practices in the butoh, which are analyzed here from a theoretical interweaving inscribed in the Abya Yala-Japan transit. The approach pursues clues that allow organizing a set of ideas about the qualities and powers of the body, worked on by both, and reflecting it as a possible hypothesis evidenced by the exchange of letters. The findings corroborate the body as an expressive, intimate and mythopoetic generating place, seen as personal dance, experienced and woven from relationships that the artists establish with their own culture and ancestry in the face of foreign information.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-23
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelo pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/18097
10.5965/14145731033920200213
url https://www.revistas.udesc.br/index.php/urdimento/article/view/18097
identifier_str_mv 10.5965/14145731033920200213
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/18097/12575
dc.rights.driver.fl_str_mv Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
dc.source.none.fl_str_mv Urdimento; Vol. 3 Núm. 39 (2020): Artes da cena atrás das grades ; 1-21
Urdimento - Revista de Estudos em Artes Cênicas; v. 3 n. 39 (2020): Artes da cena atrás das grades ; 1-21
Urdimento - Revista de Estudos em Artes Cênicas; Vol. 3 No. 39 (2020): Artes da cena atrás das grades ; 1-21
2358-6958
10.5965/1414573103392020
reponame:Urdimento (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Urdimento (Online)
collection Urdimento (Online)
repository.name.fl_str_mv Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv verareginacollaco@gmail.com
_version_ 1798042506416357376

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