Psycho-physical representations of Sari among indian women in 2022
Autor(a) principal: | |
---|---|
Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista de Ensino em Artes, Moda e Design |
Texto Completo: | https://www.revistas.udesc.br/index.php/ensinarmode/article/view/22404 |
Resumo: | The history of the traditional uncut Indian garment, the Sari, can be traced back to the Indus Valley Civilization, which emerged during 2800-1800 BC in northwest India. Mention of the sari evolved from śāṭikā in Sanskrit, appearing in Hindu and Páli Buddhist literature during the 6th century BC as a female garment. The study relied on a random sample of 50 women, most of whom were working women, to assess their opinions on wearing a sari and to explore the various reasons that influence the purchase intention or frequency of use among Indian women. The study concluded that among women aged from less than 25 years old to 75 years old, most find pleasure in wearing the sari in various ways. The most important aspects are fabric purity and quality, while some women worried about movement/walking and repeated use. It is important to emphasize that the participants in this study appreciated the use of the sari and did not report significant problems regarding the way of wearing it in front of spectators. While 6% of women were unable to wear a sari, 96% said they would miss their sari if it went missing. |
id |
UDESC-4_131426c79496427f48c25e8247502293 |
---|---|
oai_identifier_str |
oai::article/22404 |
network_acronym_str |
UDESC-4 |
network_name_str |
Revista de Ensino em Artes, Moda e Design |
repository_id_str |
|
spelling |
Psycho-physical representations of Sari among indian women in 2022 Representaciones Pscico-Físicas del Sari entre mujeres indias en 2022Representações psico-físicas do sári entre mulheres indianas em 2022Sari/SareeIndianHindudrapefemininityqualitytraditionSári/SareeIndianoHinduTradiçãodrapejamentofeminilidadequalidadetradiçãoSari/sareeDrapeadoIndianoHindúFeminidadTradiciónCalidad The history of the traditional uncut Indian garment, the Sari, can be traced back to the Indus Valley Civilization, which emerged during 2800-1800 BC in northwest India. Mention of the sari evolved from śāṭikā in Sanskrit, appearing in Hindu and Páli Buddhist literature during the 6th century BC as a female garment. The study relied on a random sample of 50 women, most of whom were working women, to assess their opinions on wearing a sari and to explore the various reasons that influence the purchase intention or frequency of use among Indian women. The study concluded that among women aged from less than 25 years old to 75 years old, most find pleasure in wearing the sari in various ways. The most important aspects are fabric purity and quality, while some women worried about movement/walking and repeated use. It is important to emphasize that the participants in this study appreciated the use of the sari and did not report significant problems regarding the way of wearing it in front of spectators. While 6% of women were unable to wear a sari, 96% said they would miss their sari if it went missing. La historia de la prenda india tradicional sin cortes, el sari, se remonta a una prenda similar al sari que se remonta a la civilización del valle del Indo, que surgió durante el 2800-1800 a. C. en el noroeste de la India. La mención del sari evolucionó a partir de śāṭikā en sánscrito, en la literatura budista hindú y páli durante el siglo VI a. C., como prenda femenina. El estudio se basó en una muestra aleatoria de 50 mujeres, la mayoría de ellas trabajadoras, para mapear la opinión inmediata sobre el uso de un sari y también para explorar las diferentes razones que influyen en la intención de compra o la frecuencia de uso entre las mujeres indias. El estudio concluyó que entre el grupo de edad de menos de 25 años a 75 años, la mayoría de las mujeres encuentran placer en usar el sari de varias maneras. La pureza y la calidad de la tela son los aspectos más importantes, mientras que algunas mujeres se preocuparon por el movimiento/caminar y el uso repetido. Es importante resaltar que la muestra de este estudio valoró el uso del sari y no presentó problemas significativos en cuanto a la forma de llevarlo frente a los espectadores. Si bien el 6 % de las mujeres no pudo usar un sari, el 96 % dijo que lo extrañaría si se lo perdieran. A história da vestimenta tradicional indiana não cortada, o Sári, remonta a uma vestimenta semelhante ao Sári traçada até a Civilização do Vale do Indo, que surgiu durante 2800-1800 a.C. no noroeste da Índia. A menção ao Sári evoluiu de śāṭikā no sânscrito, na literatura hindu e budista páli durante o século VI a.C., como vestimenta feminina. O estudo contou com uma amostra aleatória de 50 mulheres, a maioria delas trabalhadoras, para mapear a opinião imediata em relação ao uso de um Sári e também explorar as diferentes razões que influenciam a intenção de compra ou a frequência de uso entre as mulheres indianas. O estudo concluiu que, entre a faixa etária de menos de 25 anos a 75 anos, a maioria das mulheres sente prazer em usar o Sári de várias maneiras. A pureza do tecido e a qualidade são os aspectos mais importantes, enquanto algumas mulheres se preocuparam com o movimento/caminhada e o uso repetido. É importante ressaltar que a amostra deste estudo apreciou o uso do Sári e não apresentou problemas significativos com relação à forma de vesti-lo perante as espectadoras. Embora 6% das mulheres não tenham conseguido usar um Sári, 96% afirmaram sentir falta do Sári caso ele desaparecesse. Universidade do Estado de Santa Catarina2023-09-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/2240410.5965/25944630732023e2404Revista de Ensino em Artes, Moda e Design; v. 7 n. 3 (2023): Dossiê 13: Arte, poéticas e visibilidades da pessoa com deficiência; 1 - 262594-463010.5965/25944630732023002reponame:Revista de Ensino em Artes, Moda e Designinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/22404/15971Copyright (c) 2023 vijaykumar sallahttps://creativecommons.org/licenses/by/4.0/deed.ptinfo:eu-repo/semantics/openAccessKumar, Salla Vijay2024-02-29T12:47:14Zoai::article/22404Revistahttps://www.revistas.udesc.br/index.php/ensinarmode/indexPUBhttps://www.revistas.udesc.br/index.php/Ensinarmode/oaireamd.ceart@udesc.br || portal.periodicos@udesc.br2594-46302594-4630opendoar:2024-02-29T12:47:14Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Psycho-physical representations of Sari among indian women in 2022 Representaciones Pscico-Físicas del Sari entre mujeres indias en 2022 Representações psico-físicas do sári entre mulheres indianas em 2022 |
title |
Psycho-physical representations of Sari among indian women in 2022 |
spellingShingle |
Psycho-physical representations of Sari among indian women in 2022 Kumar, Salla Vijay Sari/Saree Indian Hindu drape femininity quality tradition Sári/Saree Indiano Hindu Tradição drapejamento feminilidade qualidade tradição Sari/saree Drapeado Indiano Hindú Feminidad Tradición Calidad |
title_short |
Psycho-physical representations of Sari among indian women in 2022 |
title_full |
Psycho-physical representations of Sari among indian women in 2022 |
title_fullStr |
Psycho-physical representations of Sari among indian women in 2022 |
title_full_unstemmed |
Psycho-physical representations of Sari among indian women in 2022 |
title_sort |
Psycho-physical representations of Sari among indian women in 2022 |
author |
Kumar, Salla Vijay |
author_facet |
Kumar, Salla Vijay |
author_role |
author |
dc.contributor.author.fl_str_mv |
Kumar, Salla Vijay |
dc.subject.por.fl_str_mv |
Sari/Saree Indian Hindu drape femininity quality tradition Sári/Saree Indiano Hindu Tradição drapejamento feminilidade qualidade tradição Sari/saree Drapeado Indiano Hindú Feminidad Tradición Calidad |
topic |
Sari/Saree Indian Hindu drape femininity quality tradition Sári/Saree Indiano Hindu Tradição drapejamento feminilidade qualidade tradição Sari/saree Drapeado Indiano Hindú Feminidad Tradición Calidad |
description |
The history of the traditional uncut Indian garment, the Sari, can be traced back to the Indus Valley Civilization, which emerged during 2800-1800 BC in northwest India. Mention of the sari evolved from śāṭikā in Sanskrit, appearing in Hindu and Páli Buddhist literature during the 6th century BC as a female garment. The study relied on a random sample of 50 women, most of whom were working women, to assess their opinions on wearing a sari and to explore the various reasons that influence the purchase intention or frequency of use among Indian women. The study concluded that among women aged from less than 25 years old to 75 years old, most find pleasure in wearing the sari in various ways. The most important aspects are fabric purity and quality, while some women worried about movement/walking and repeated use. It is important to emphasize that the participants in this study appreciated the use of the sari and did not report significant problems regarding the way of wearing it in front of spectators. While 6% of women were unable to wear a sari, 96% said they would miss their sari if it went missing. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-09-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/22404 10.5965/25944630732023e2404 |
url |
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/22404 |
identifier_str_mv |
10.5965/25944630732023e2404 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/22404/15971 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 vijaykumar salla https://creativecommons.org/licenses/by/4.0/deed.pt info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 vijaykumar salla https://creativecommons.org/licenses/by/4.0/deed.pt |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Revista de Ensino em Artes, Moda e Design; v. 7 n. 3 (2023): Dossiê 13: Arte, poéticas e visibilidades da pessoa com deficiência; 1 - 26 2594-4630 10.5965/25944630732023002 reponame:Revista de Ensino em Artes, Moda e Design instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Revista de Ensino em Artes, Moda e Design |
collection |
Revista de Ensino em Artes, Moda e Design |
repository.name.fl_str_mv |
Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
reamd.ceart@udesc.br || portal.periodicos@udesc.br |
_version_ |
1797049142672883712 |