The origins’ recovery of Potuguese and Brazilian design’s from the parallel themes between the productions’ chronological phases by Aloisio Magalhães and Raul Cunca

Detalhes bibliográficos
Autor(a) principal: Martin, Geovana
Data de Publicação: 2024
Outros Autores: Pinheiro, Olimpio José, Carvalho, Carla Paoliello de Lucena
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista de Ensino em Artes, Moda e Design
Texto Completo: https://www.revistas.udesc.br/index.php/ensinarmode/article/view/24745
Resumo: This paper introduce the conceptual gaps in the history and theory of Brazilian design from a comprehensive view that searches for relationships between past and present ancestry on the Aloisio Magalhães and Raul Cunca’s productions. We observe if, after more than five hundred years of discovery of Brazil and around two hundred years after the political rupture between Brazil and Portugal, there still be be a relative approximation between the productions of the Brazilian designer Aloisio Magalhães (from 1975 to 1982) in contrast to Portuguese designer Raul Cunca (from 2012 to 2020). Although both chronologies of the prestigious designers are located in different contexts and far from the pre-independence period, would it be possible to observe similarities between the phases “Dimension of Culture” by Aloisio Magalhães and “To Inhabit the land” by Raul Cunca? Can we observe some relationships of identity and belonging between these designers? The analysis of similarities between these particular identities of these productions perhaps can show a broad orientation towards the relatively common origins of Brazilian and Portuguese design.
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spelling The origins’ recovery of Potuguese and Brazilian design’s from the parallel themes between the productions’ chronological phases by Aloisio Magalhães and Raul CuncaLa recuperación de las raíces del diseño brasileño y português a través de paralelos temáticos entre las fases cronológicas de Aloisio Magalhães y Raul CuncaO resgate das raízes do design brasileiro e português a partir do paralelismo temático entre as fases cronológicas de produção de Aloisio Magalhães e Raul Cuncadesign/artehistória e teoria do designtécnica/tecnologiaBrail/PortugalAloisio Magalhães/Raul Cuncadesign/arthistory and theory of designtechnique/technologyBrazil/PortugalAloisio Magalhães/Raul Cuncadiseño/artehistoria y teoría del diseñotécnica/tecnologíaBrasil/PortugalAloisio Magalhães/Raul CuncaThis paper introduce the conceptual gaps in the history and theory of Brazilian design from a comprehensive view that searches for relationships between past and present ancestry on the Aloisio Magalhães and Raul Cunca’s productions. We observe if, after more than five hundred years of discovery of Brazil and around two hundred years after the political rupture between Brazil and Portugal, there still be be a relative approximation between the productions of the Brazilian designer Aloisio Magalhães (from 1975 to 1982) in contrast to Portuguese designer Raul Cunca (from 2012 to 2020). Although both chronologies of the prestigious designers are located in different contexts and far from the pre-independence period, would it be possible to observe similarities between the phases “Dimension of Culture” by Aloisio Magalhães and “To Inhabit the land” by Raul Cunca? Can we observe some relationships of identity and belonging between these designers? The analysis of similarities between these particular identities of these productions perhaps can show a broad orientation towards the relatively common origins of Brazilian and Portuguese design.Este artículo presenta las brechas conceptuales de la historia y teoría del diseño brasileño desde una perspectiva más amplia. En las relaciones entre el pasado y el presente, se busca rastrear registros de ascendencia en las obras de Aloisio Magalhães y Raul Cunca. Observamos si después de poco más de quinientos años de descubrimiento del Brasil y alrededor de doscientos años después de la ruptura política entre Brasil y Portugal, todavía podría haber una relativa aproximación entre las producciones del diseñador brasileño Aloisio Magalhães (entre 1975 y 1982) y el diseñador Raul Cunca (entre 2012 y 2020). ¿Aunque ambos diseñadores destacados pueden siturase en contextos distintos y distantes del periodo antes de la independencia, sería posible observar paralelos entre las fases “Dimensión de la Cultura” de Aloisio Maglhães y la “Habitar la tierra” de Raul Cunca? ¿Se podrían examinar bajo interrelaciones de búsqueda de identidad y pertenencia? El análisis de semejanza entre las dos identidades particulares de estas obras quizá pueda proporcionar una orientación más amplia acerca de las raíces relativamente comunes del diseño brasileño y portugués.Este artigo apresenta as lacunas conceituais da história e teoria do design brasileiro a partir de uma visão mais alargada, que busca nas relações entre passado e presente os registros de ancestralidade nas obras de Aloisio Magalhães e Raul Cunca. Procuramos observar se após pouco mais de quinhentos anos e de cerca de duzentos anos após a ruptura política entre Brasil e Portugal, ainda poderia haver uma relativa aproximação entre as obras do designer brasileiro Aloisio Magalhães (entre 1975 e 1982), e as obras do designer português Raul Cunca (entre 2012 e 2020). Embora se apresentem em contextos distintos e afastadas do período pré-independentista, seria possível observar paralelismos entre as fases “Dimensão da Cultura” de Aloisio Magalhães e a “Habitar a terra” de Raul Cunca? Seria possível observá-las sob inter-relações de busca de identidade e pertencimento? A análise de similaridades entre as identidades particulares destas obras talvez possa evidenciar uma orientação mais ampla sobre as raízes relativamente comuns do design brasileiro e português.Universidade do Estado de Santa Catarina2024-02-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/2474510.5965/25944630812024e4745Revista de Ensino em Artes, Moda e Design; v. 8 n. 1 (2024): Dossiê 14: O ensino das Artes Visuais na atualidade; 1 - 292594-463010.5965/10.5965.25944630812024e0001reponame:Revista de Ensino em Artes, Moda e Designinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/24745/16664Copyright (c) 2024 Geovana Martin, Olympio Pinheiro, Carla Paoliellohttps://creativecommons.org/licenses/by/4.0/deed.ptinfo:eu-repo/semantics/openAccessMartin, GeovanaPinheiro, Olimpio JoséCarvalho, Carla Paoliello de Lucena2024-03-15T14:57:25Zoai::article/24745Revistahttps://www.revistas.udesc.br/index.php/ensinarmode/indexPUBhttps://www.revistas.udesc.br/index.php/Ensinarmode/oaireamd.ceart@udesc.br || portal.periodicos@udesc.br2594-46302594-4630opendoar:2024-03-15T14:57:25Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv The origins’ recovery of Potuguese and Brazilian design’s from the parallel themes between the productions’ chronological phases by Aloisio Magalhães and Raul Cunca
La recuperación de las raíces del diseño brasileño y português a través de paralelos temáticos entre las fases cronológicas de Aloisio Magalhães y Raul Cunca
O resgate das raízes do design brasileiro e português a partir do paralelismo temático entre as fases cronológicas de produção de Aloisio Magalhães e Raul Cunca
title The origins’ recovery of Potuguese and Brazilian design’s from the parallel themes between the productions’ chronological phases by Aloisio Magalhães and Raul Cunca
spellingShingle The origins’ recovery of Potuguese and Brazilian design’s from the parallel themes between the productions’ chronological phases by Aloisio Magalhães and Raul Cunca
Martin, Geovana
design/arte
história e teoria do design
técnica/tecnologia
Brail/Portugal
Aloisio Magalhães/Raul Cunca
design/art
history and theory of design
technique/technology
Brazil/Portugal
Aloisio Magalhães/Raul Cunca
diseño/arte
historia y teoría del diseño
técnica/tecnología
Brasil/Portugal
Aloisio Magalhães/Raul Cunca
title_short The origins’ recovery of Potuguese and Brazilian design’s from the parallel themes between the productions’ chronological phases by Aloisio Magalhães and Raul Cunca
title_full The origins’ recovery of Potuguese and Brazilian design’s from the parallel themes between the productions’ chronological phases by Aloisio Magalhães and Raul Cunca
title_fullStr The origins’ recovery of Potuguese and Brazilian design’s from the parallel themes between the productions’ chronological phases by Aloisio Magalhães and Raul Cunca
title_full_unstemmed The origins’ recovery of Potuguese and Brazilian design’s from the parallel themes between the productions’ chronological phases by Aloisio Magalhães and Raul Cunca
title_sort The origins’ recovery of Potuguese and Brazilian design’s from the parallel themes between the productions’ chronological phases by Aloisio Magalhães and Raul Cunca
author Martin, Geovana
author_facet Martin, Geovana
Pinheiro, Olimpio José
Carvalho, Carla Paoliello de Lucena
author_role author
author2 Pinheiro, Olimpio José
Carvalho, Carla Paoliello de Lucena
author2_role author
author
dc.contributor.author.fl_str_mv Martin, Geovana
Pinheiro, Olimpio José
Carvalho, Carla Paoliello de Lucena
dc.subject.por.fl_str_mv design/arte
história e teoria do design
técnica/tecnologia
Brail/Portugal
Aloisio Magalhães/Raul Cunca
design/art
history and theory of design
technique/technology
Brazil/Portugal
Aloisio Magalhães/Raul Cunca
diseño/arte
historia y teoría del diseño
técnica/tecnología
Brasil/Portugal
Aloisio Magalhães/Raul Cunca
topic design/arte
história e teoria do design
técnica/tecnologia
Brail/Portugal
Aloisio Magalhães/Raul Cunca
design/art
history and theory of design
technique/technology
Brazil/Portugal
Aloisio Magalhães/Raul Cunca
diseño/arte
historia y teoría del diseño
técnica/tecnología
Brasil/Portugal
Aloisio Magalhães/Raul Cunca
description This paper introduce the conceptual gaps in the history and theory of Brazilian design from a comprehensive view that searches for relationships between past and present ancestry on the Aloisio Magalhães and Raul Cunca’s productions. We observe if, after more than five hundred years of discovery of Brazil and around two hundred years after the political rupture between Brazil and Portugal, there still be be a relative approximation between the productions of the Brazilian designer Aloisio Magalhães (from 1975 to 1982) in contrast to Portuguese designer Raul Cunca (from 2012 to 2020). Although both chronologies of the prestigious designers are located in different contexts and far from the pre-independence period, would it be possible to observe similarities between the phases “Dimension of Culture” by Aloisio Magalhães and “To Inhabit the land” by Raul Cunca? Can we observe some relationships of identity and belonging between these designers? The analysis of similarities between these particular identities of these productions perhaps can show a broad orientation towards the relatively common origins of Brazilian and Portuguese design.
publishDate 2024
dc.date.none.fl_str_mv 2024-02-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/ensinarmode/article/view/24745
10.5965/25944630812024e4745
url https://www.revistas.udesc.br/index.php/ensinarmode/article/view/24745
identifier_str_mv 10.5965/25944630812024e4745
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/ensinarmode/article/view/24745/16664
dc.rights.driver.fl_str_mv Copyright (c) 2024 Geovana Martin, Olympio Pinheiro, Carla Paoliello
https://creativecommons.org/licenses/by/4.0/deed.pt
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Geovana Martin, Olympio Pinheiro, Carla Paoliello
https://creativecommons.org/licenses/by/4.0/deed.pt
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Revista de Ensino em Artes, Moda e Design; v. 8 n. 1 (2024): Dossiê 14: O ensino das Artes Visuais na atualidade; 1 - 29
2594-4630
10.5965/10.5965.25944630812024e0001
reponame:Revista de Ensino em Artes, Moda e Design
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Revista de Ensino em Artes, Moda e Design
collection Revista de Ensino em Artes, Moda e Design
repository.name.fl_str_mv Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv reamd.ceart@udesc.br || portal.periodicos@udesc.br
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