When fashion is not just fashion: the place of fashion in Simmel’s sociology
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista de Ensino em Artes, Moda e Design |
Texto Completo: | https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19999 |
Resumo: | Considering the references to Georg Simmel’s essay Fashion (2020) made by Crane (2006), Erner (2005), Lipovetsky (2009), and Svendsen (2010), this article discusses Simmel’s theory of fashion as a social phenomenon transcending the aspects linked to the imitation mechanism, known as trickle-down theory. In this sense, the article focuses on the references that Crane (2006) makes to Simmel’s essay since the author points out that the study on imitation would have been Simmel’s main contribution to a sociology of fashion. Her focus on the trickle-down theory isolates and displaces the aspect of imitation from other theoretical developments carried out by Simmel, such as the theoretical and methodological grounds of interaction and the forms of socialization. This displacement of Simmel’s theory ends up shading part of the critical elements that he unfolds about fashion in its ephemeral condition,typical of the author’s modernity discussion in the 19th century. |
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When fashion is not just fashion: the place of fashion in Simmel’s sociologyCuando la moda no es sólo moda: el lugar de la moda en la sociología de SimmelQuando a moda não é só moda: o lugar da moda na sociologia de SimmelSociologia da ModaSocializaçãoGeorg SimmelFashion SociologySocializationGeorg SimmelModaSocializacíonGeorg SimmelConsidering the references to Georg Simmel’s essay Fashion (2020) made by Crane (2006), Erner (2005), Lipovetsky (2009), and Svendsen (2010), this article discusses Simmel’s theory of fashion as a social phenomenon transcending the aspects linked to the imitation mechanism, known as trickle-down theory. In this sense, the article focuses on the references that Crane (2006) makes to Simmel’s essay since the author points out that the study on imitation would have been Simmel’s main contribution to a sociology of fashion. Her focus on the trickle-down theory isolates and displaces the aspect of imitation from other theoretical developments carried out by Simmel, such as the theoretical and methodological grounds of interaction and the forms of socialization. This displacement of Simmel’s theory ends up shading part of the critical elements that he unfolds about fashion in its ephemeral condition,typical of the author’s modernity discussion in the 19th century.Teniendo en cuenta las referencias que Crane (2006), Erner (2005), Lipovetsky (2009) y Svendsen (2010) hacen al ensayo La Moda (2020) de Georg Simmel, este artículo analiza la teoría de la moda de Simmel como fenómeno social que trasciende aspectos relacionados con el mecanismo de imitación, conocido como teoría del goteo. En este sentido, el artículo se centra en las referencias que Crane (2006) hace al ensayo de Simmel, ya que la autora señala que el estudio sobre la imitación habría sido la principal aportación de Simmel a uma sociología de la moda. Su enfoque en la teoría del goteo aísla y desplaza el aspecto de imitación de otros desarrollos teóricos llevados a cabo por Simmel, como los fundamentos teóricos y metodológicos de la interacción y las formas de socialización. Este desplazamiento de la teoría de Simmel acaba ensombreciendo parte de los elementos críticos que él exhibe sobre la moda en su condición efímera, propia de la discusión del autor sobre la modernidade en el siglo XIX.A partir das referências ao ensaio A moda, de Georg Simmel (2020), feitas por alguns autores estudados nos bacharelados de moda no país, (CRANE, 2006; ERNER, 2005, LIPOVETSKY, 2009; SVENDSEN, 2010), este artigo discute que na teoria simmeliana o fenômeno da moda transcende os aspectos ligados ao mecanismo de imitação, conhecido por “teoria do gotejamento” (trickle-down theory). Nesse sentido, o artigo se detém em especial nas referências que Crane (2006) faz ao ensaio de Simmel, uma vez que a autora aponta que o estudo sobre a imitação teria sido a principal contribuição de Simmel para uma sociologia da moda, isolando assim o aspecto da imitação dos demais desenvolvimentos teóricos realizados por Simmel, em especial os fundamentos teóricos e metodológicos relacionados aos contextos de interação e das formas de socialização. Esse deslocamento do texto de Simmel acaba por sombrear parte dos elementos críticos que se desdobram sobre a moda na sua condição efêmera, própria de uma modernidade discutida pelo autor no século XIX.Universidade do Estado de Santa Catarina2021-09-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo de convidadoapplication/pdfhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/1999910.5965/25944630532021010Revista de Ensino em Artes, Moda e Design; v. 5 n. 3 (2021): Edição Especial - 1o Encontro de Gt's do Colóquio de Moda; 10 - 232594-463010.5965/10.5965/25944630532021001reponame:Revista de Ensino em Artes, Moda e Designinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/19999/13342Copyright (c) 2021 Carlos Alberto Barbosahttps://creativecommons.org/licenses/by/4.0/deed.ptinfo:eu-repo/semantics/openAccessBarbosa, Carlos Alberto2024-02-29T12:41:09Zoai::article/19999Revistahttps://www.revistas.udesc.br/index.php/ensinarmode/indexPUBhttps://www.revistas.udesc.br/index.php/Ensinarmode/oaireamd.ceart@udesc.br || portal.periodicos@udesc.br2594-46302594-4630opendoar:2024-02-29T12:41:09Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
When fashion is not just fashion: the place of fashion in Simmel’s sociology Cuando la moda no es sólo moda: el lugar de la moda en la sociología de Simmel Quando a moda não é só moda: o lugar da moda na sociologia de Simmel |
title |
When fashion is not just fashion: the place of fashion in Simmel’s sociology |
spellingShingle |
When fashion is not just fashion: the place of fashion in Simmel’s sociology Barbosa, Carlos Alberto Sociologia da Moda Socialização Georg Simmel Fashion Sociology Socialization Georg Simmel Moda Socializacíon Georg Simmel |
title_short |
When fashion is not just fashion: the place of fashion in Simmel’s sociology |
title_full |
When fashion is not just fashion: the place of fashion in Simmel’s sociology |
title_fullStr |
When fashion is not just fashion: the place of fashion in Simmel’s sociology |
title_full_unstemmed |
When fashion is not just fashion: the place of fashion in Simmel’s sociology |
title_sort |
When fashion is not just fashion: the place of fashion in Simmel’s sociology |
author |
Barbosa, Carlos Alberto |
author_facet |
Barbosa, Carlos Alberto |
author_role |
author |
dc.contributor.author.fl_str_mv |
Barbosa, Carlos Alberto |
dc.subject.por.fl_str_mv |
Sociologia da Moda Socialização Georg Simmel Fashion Sociology Socialization Georg Simmel Moda Socializacíon Georg Simmel |
topic |
Sociologia da Moda Socialização Georg Simmel Fashion Sociology Socialization Georg Simmel Moda Socializacíon Georg Simmel |
description |
Considering the references to Georg Simmel’s essay Fashion (2020) made by Crane (2006), Erner (2005), Lipovetsky (2009), and Svendsen (2010), this article discusses Simmel’s theory of fashion as a social phenomenon transcending the aspects linked to the imitation mechanism, known as trickle-down theory. In this sense, the article focuses on the references that Crane (2006) makes to Simmel’s essay since the author points out that the study on imitation would have been Simmel’s main contribution to a sociology of fashion. Her focus on the trickle-down theory isolates and displaces the aspect of imitation from other theoretical developments carried out by Simmel, such as the theoretical and methodological grounds of interaction and the forms of socialization. This displacement of Simmel’s theory ends up shading part of the critical elements that he unfolds about fashion in its ephemeral condition,typical of the author’s modernity discussion in the 19th century. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-09-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo de convidado |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19999 10.5965/25944630532021010 |
url |
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19999 |
identifier_str_mv |
10.5965/25944630532021010 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19999/13342 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Carlos Alberto Barbosa https://creativecommons.org/licenses/by/4.0/deed.pt info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Carlos Alberto Barbosa https://creativecommons.org/licenses/by/4.0/deed.pt |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Revista de Ensino em Artes, Moda e Design; v. 5 n. 3 (2021): Edição Especial - 1o Encontro de Gt's do Colóquio de Moda; 10 - 23 2594-4630 10.5965/10.5965/25944630532021001 reponame:Revista de Ensino em Artes, Moda e Design instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Revista de Ensino em Artes, Moda e Design |
collection |
Revista de Ensino em Artes, Moda e Design |
repository.name.fl_str_mv |
Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
reamd.ceart@udesc.br || portal.periodicos@udesc.br |
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