Reflections on the clothing of the popular workers of Belém, in the first half of the 20th century, from the paintings by Carlos de Azevedo, Antonieta Feio and Andrelino Cotta
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista de Ensino em Artes, Moda e Design |
Texto Completo: | https://www.revistas.udesc.br/index.php/ensinarmode/article/view/22292 |
Resumo: | This article seeks to reflect on the ways of dressing and adorning the working women who circulated through the streets of Belém during the 20th century, using reproductions of pictorial works by artists from Pará Carlos de Azevedo, Antonieta Santos Feio and Andrelino Cotta as a support. The reproductions form the basis of the analysis of the specificities of such modes, which are crossed with textual sources from books and scientific articles. The themes of the use of images in the History of Fashion and Clothing research, decolonial fashion, the presentation of the Amazonian locus, a brief overview of women's work in the 20th century in Belém do Pará are discussed, followed by the analysis of the clothing practices of Amazonian workers, based on the categories of washerwomen, greengrocers and street vendors, and, finally, harlots. It is important to emphasize that even in the face of deprivation, these women materialized, in their clothing and body adornments, the social signs of their professions, demonstrating that the concern with appearance was also present in all layers. |
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Reflections on the clothing of the popular workers of Belém, in the first half of the 20th century, from the paintings by Carlos de Azevedo, Antonieta Feio and Andrelino CottaReflexiones sobre la vestimenta de los trabajadores populares de Belém, en la primera mitad del siglo XX, a partir de las pinturas de Carlos de Azevedo, Antonieta Feio y Andrelino CottaReflexões sobre as vestimentas das trabalhadoras populares de Belém, na primeira metade do século XX, a partir das pinturas de Carlos de Azevedo, Antonieta Feio e Andrelino CottaMulheres Trabalhadoras VestimentasAdornosWorking womenClothesOrnamentsTrabajadorasRopaAdornosThis article seeks to reflect on the ways of dressing and adorning the working women who circulated through the streets of Belém during the 20th century, using reproductions of pictorial works by artists from Pará Carlos de Azevedo, Antonieta Santos Feio and Andrelino Cotta as a support. The reproductions form the basis of the analysis of the specificities of such modes, which are crossed with textual sources from books and scientific articles. The themes of the use of images in the History of Fashion and Clothing research, decolonial fashion, the presentation of the Amazonian locus, a brief overview of women's work in the 20th century in Belém do Pará are discussed, followed by the analysis of the clothing practices of Amazonian workers, based on the categories of washerwomen, greengrocers and street vendors, and, finally, harlots. It is important to emphasize that even in the face of deprivation, these women materialized, in their clothing and body adornments, the social signs of their professions, demonstrating that the concern with appearance was also present in all layers.Este artículo busca reflexionar sobre las formas de vestir y adornar a las mujeres trabajadoras que circulaban por las calles de Belém durante el siglo XX, utilizando como soporte reproducciones de obras pictóricas de los artistas de Pará Carlos de Azevedo, Antonieta Santos Feio y Andrelino Cotta. Las reproducciones forman la base del análisis de las especificidades de tales modos, que se cruzan con fuentes textuales de libros y artículos científicos. Se discuten los temas del uso de imágenes en la investigación de la Historia de la Moda y el Traje, la moda decolonial, la presentación del locus amazónico, una breve reseña del trabajo de la mujer en el siglo XX en Belém do Pará, seguido del análisis del vestuario prácticas de los trabajadores amazónicos, a partir de las categorías de lavanderas, verduleras y vendedoras ambulantes, y, finalmente, rameras. Es importante resaltar que aún frente a las carencias, estas mujeres materializaron, en sus vestimentas y adornos corporales, los signos sociales de sus profesiones, demostrando que la preocupación por la apariencia también estaba presente en todos los estratos.O presente artigo procura refletir sobre os modos de vestir e de adornar das mulheres trabalhadoras que circulavam pelas ruas de Belém durante o século XX, utilizando como suporte reproduções de obras pictóricas, dos artistas paraenses Carlos de Azevedo, Antonieta Santos Feio e Andrelino Cotta. As reproduções configuram nas bases das análises das especificidades de tais modos, as quais são cruzadas com fontes textuais provenientes de livros e artigos científicos. São tratados os temas do uso de imagens nas pesquisas de História da Moda e da Indumentária, moda decolonial, a apresentação do locus amazônico, um breve panorama do trabalho feminino no século XX em Belém do Pará, seguido das análises das práticas vestimentares das trabalhadoras amazônicas, a partir das categorias das lavadeiras, das quitandeiras e das vendedoras ambulantes, e, por fim, das meretrizes. É importante ressaltar que mesmo diante das privações, essas mulheres materializavam, em suas vestimentas e adornos corporais, os signos sociais de suas profissões, demonstrando que a preocupação com a aparência também esteve presente em todas as camadas.Universidade do Estado de Santa Catarina2022-10-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo de convidadoapplication/pdfhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/2229210.5965/25944630632022e2292Revista de Ensino em Artes, Moda e Design; v. 6 n. 3 (2022): Dossiê Especial 16o Colóquio de Moda; 1-192594-463010.5965/25944630632022e0001reponame:Revista de Ensino em Artes, Moda e Designinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/22292/14822Copyright (c) 2022 Amanda Gatinho Teixeirahttps://creativecommons.org/licenses/by/4.0/deed.ptinfo:eu-repo/semantics/openAccessTeixeira, Amanda Gatinho2022-10-01T21:51:34Zoai:ojs.revistas.udesc.br:article/22292Revistahttps://www.revistas.udesc.br/index.php/ensinarmode/indexPUBhttps://www.revistas.udesc.br/index.php/Ensinarmode/oaireamd.ceart@udesc.br || portal.periodicos@udesc.br2594-46302594-4630opendoar:2022-10-01T21:51:34Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Reflections on the clothing of the popular workers of Belém, in the first half of the 20th century, from the paintings by Carlos de Azevedo, Antonieta Feio and Andrelino Cotta Reflexiones sobre la vestimenta de los trabajadores populares de Belém, en la primera mitad del siglo XX, a partir de las pinturas de Carlos de Azevedo, Antonieta Feio y Andrelino Cotta Reflexões sobre as vestimentas das trabalhadoras populares de Belém, na primeira metade do século XX, a partir das pinturas de Carlos de Azevedo, Antonieta Feio e Andrelino Cotta |
title |
Reflections on the clothing of the popular workers of Belém, in the first half of the 20th century, from the paintings by Carlos de Azevedo, Antonieta Feio and Andrelino Cotta |
spellingShingle |
Reflections on the clothing of the popular workers of Belém, in the first half of the 20th century, from the paintings by Carlos de Azevedo, Antonieta Feio and Andrelino Cotta Teixeira, Amanda Gatinho Mulheres Trabalhadoras Vestimentas Adornos Working women Clothes Ornaments Trabajadoras Ropa Adornos |
title_short |
Reflections on the clothing of the popular workers of Belém, in the first half of the 20th century, from the paintings by Carlos de Azevedo, Antonieta Feio and Andrelino Cotta |
title_full |
Reflections on the clothing of the popular workers of Belém, in the first half of the 20th century, from the paintings by Carlos de Azevedo, Antonieta Feio and Andrelino Cotta |
title_fullStr |
Reflections on the clothing of the popular workers of Belém, in the first half of the 20th century, from the paintings by Carlos de Azevedo, Antonieta Feio and Andrelino Cotta |
title_full_unstemmed |
Reflections on the clothing of the popular workers of Belém, in the first half of the 20th century, from the paintings by Carlos de Azevedo, Antonieta Feio and Andrelino Cotta |
title_sort |
Reflections on the clothing of the popular workers of Belém, in the first half of the 20th century, from the paintings by Carlos de Azevedo, Antonieta Feio and Andrelino Cotta |
author |
Teixeira, Amanda Gatinho |
author_facet |
Teixeira, Amanda Gatinho |
author_role |
author |
dc.contributor.author.fl_str_mv |
Teixeira, Amanda Gatinho |
dc.subject.por.fl_str_mv |
Mulheres Trabalhadoras Vestimentas Adornos Working women Clothes Ornaments Trabajadoras Ropa Adornos |
topic |
Mulheres Trabalhadoras Vestimentas Adornos Working women Clothes Ornaments Trabajadoras Ropa Adornos |
description |
This article seeks to reflect on the ways of dressing and adorning the working women who circulated through the streets of Belém during the 20th century, using reproductions of pictorial works by artists from Pará Carlos de Azevedo, Antonieta Santos Feio and Andrelino Cotta as a support. The reproductions form the basis of the analysis of the specificities of such modes, which are crossed with textual sources from books and scientific articles. The themes of the use of images in the History of Fashion and Clothing research, decolonial fashion, the presentation of the Amazonian locus, a brief overview of women's work in the 20th century in Belém do Pará are discussed, followed by the analysis of the clothing practices of Amazonian workers, based on the categories of washerwomen, greengrocers and street vendors, and, finally, harlots. It is important to emphasize that even in the face of deprivation, these women materialized, in their clothing and body adornments, the social signs of their professions, demonstrating that the concern with appearance was also present in all layers. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo de convidado |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/22292 10.5965/25944630632022e2292 |
url |
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/22292 |
identifier_str_mv |
10.5965/25944630632022e2292 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/22292/14822 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Amanda Gatinho Teixeira https://creativecommons.org/licenses/by/4.0/deed.pt info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Amanda Gatinho Teixeira https://creativecommons.org/licenses/by/4.0/deed.pt |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Revista de Ensino em Artes, Moda e Design; v. 6 n. 3 (2022): Dossiê Especial 16o Colóquio de Moda; 1-19 2594-4630 10.5965/25944630632022e0001 reponame:Revista de Ensino em Artes, Moda e Design instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Revista de Ensino em Artes, Moda e Design |
collection |
Revista de Ensino em Artes, Moda e Design |
repository.name.fl_str_mv |
Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
reamd.ceart@udesc.br || portal.periodicos@udesc.br |
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1797049142886793216 |