Intertextual reelationship between fashion and sculpture

Detalhes bibliográficos
Autor(a) principal: Ramalho e Oliveira, Sandra Regina
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista de Ensino em Artes, Moda e Design
Texto Completo: https://www.revistas.udesc.br/index.php/ensinarmode/article/view/16559
Resumo: Intertextual studies, whose object is relational phenomena between different manifestations, find theoretical bases in verbal language. Thus, investigations on vi- suality seek linguistic theories for approximations, which demand analyzes, adjust- ments. From the Bakhtinian concepts “dialogy” and “polyphony”, through Kristeva’s “intertextuality”, as well as “translation” (verbal), approached by numerous authors, Ca- labrese is an exception, as he dealt with translation in the field of visuality. Ramalho e Oliveira and Jardim Filho also exclude each other, presenting intertextual proposals in the visual field. Here, an articulation between sculpture and fashion is analyzed, amal- gamating in images of backs, naked or dressed, the curatorial concept of a show that took place in 2019, in Paris.
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spelling Intertextual reelationship between fashion and sculptureRelations intertextuelles entre mode et sculptureRelações intertextuais entre moda e esculturaintertextualidade escultura e modadorso Emile-Antoine BourdellePa-lais Gallieraintertextualité sculpture et modedosEmile-Antoine BourdellePalais Gallieraintertextuality sculpture and fashion back side Emile-Antoine BourdellePalais Galliera Intertextual studies, whose object is relational phenomena between different manifestations, find theoretical bases in verbal language. Thus, investigations on vi- suality seek linguistic theories for approximations, which demand analyzes, adjust- ments. From the Bakhtinian concepts “dialogy” and “polyphony”, through Kristeva’s “intertextuality”, as well as “translation” (verbal), approached by numerous authors, Ca- labrese is an exception, as he dealt with translation in the field of visuality. Ramalho e Oliveira and Jardim Filho also exclude each other, presenting intertextual proposals in the visual field. Here, an articulation between sculpture and fashion is analyzed, amal- gamating in images of backs, naked or dressed, the curatorial concept of a show that took place in 2019, in Paris.Les études intertextuelles, dont l’objet est les phénomènes relationnels entre différentes manifestations, trouvent des bases théoriques dans le langage verbal. Ain- si, les investigations sur la visualité recherchent des théories linguistiques pour les approximations, qui demandent des analyses, des ajustements. Des concepts bakh- tiniens « dialogie » et « polyphonie », en passant par « l’intertextualité » de Kristeva, ainsi que la « traduction » (verbale), abordée par de nombreux auteurs, Calabrese est une exception, puisqu’il a traité de la traduction dans le domaine de la visualisation.       Ramalho e Oliveira et Jardim Filho s’excluent également, présentant des propositions intertextuelles dans le domaine visuel. Ici, une articulation entre sculpture et mode est analysée, fusionnant en images de dos, nus ou habillés, le concept curatorial d’une exposition qui a eu lieu en 2019, à Paris.Os estudos intertextuais, que têm como objeto fenômenos relacionais entre manifestações diversas, encontram bases teóricas na linguagem verbal. Assim, investigações sobre a visualidade buscam teorias da linguística para aproximações, as quais demandam análises, adequações. Desde os conceitos bakhtinianos de “dialogia” e “polifonia”, passando por “intertextualidade”, de Kristeva, bem como “tradução” (verbal), abordado por inúmeros autores, Calabrese é exceção, pois ocupou-se de tradução no campo da visualidade. Ramalho e Oliveira e Jardim Filho também se excluem, apresentando propostas intertextuais no campo visual. Aqui analisa-se uma articulação entre escultura e moda, amalgamando em imagens de dorsos, nus ou vestidos, o conceito curatorial de uma mostra ocorrida em 2019, em Paris. Universidade do Estado de Santa Catarina2020-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/1655910.5965/25944630422020110Revista de Ensino em Artes, Moda e Design; v. 4 n. 2 (2020): Dossiê 6 A Modelagem integrada ao projeto de ensino; 110 - 1232594-463010.5965/25944630422020001reponame:Revista de Ensino em Artes, Moda e Designinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/16559/11500Copyright (c) 2020 Sandra Regina Ramalho e Oliveirahttps://creativecommons.org/licenses/by/4.0/deed.ptinfo:eu-repo/semantics/openAccessRamalho e Oliveira, Sandra Regina2020-06-17T20:54:06Zoai:ojs.revistas.udesc.br:article/16559Revistahttps://www.revistas.udesc.br/index.php/ensinarmode/indexPUBhttps://www.revistas.udesc.br/index.php/Ensinarmode/oaireamd.ceart@udesc.br || portal.periodicos@udesc.br2594-46302594-4630opendoar:2020-06-17T20:54:06Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Intertextual reelationship between fashion and sculpture
Relations intertextuelles entre mode et sculpture
Relações intertextuais entre moda e escultura
title Intertextual reelationship between fashion and sculpture
spellingShingle Intertextual reelationship between fashion and sculpture
Ramalho e Oliveira, Sandra Regina
intertextualidade
escultura e moda
dorso
Emile-Antoine Bourdelle
Pa-lais Galliera
intertextualité
sculpture et mode
dos
Emile-Antoine Bourdelle
Palais Galliera
intertextuality
sculpture and fashion
back side
Emile-Antoine Bourdelle
Palais Galliera
title_short Intertextual reelationship between fashion and sculpture
title_full Intertextual reelationship between fashion and sculpture
title_fullStr Intertextual reelationship between fashion and sculpture
title_full_unstemmed Intertextual reelationship between fashion and sculpture
title_sort Intertextual reelationship between fashion and sculpture
author Ramalho e Oliveira, Sandra Regina
author_facet Ramalho e Oliveira, Sandra Regina
author_role author
dc.contributor.author.fl_str_mv Ramalho e Oliveira, Sandra Regina
dc.subject.por.fl_str_mv intertextualidade
escultura e moda
dorso
Emile-Antoine Bourdelle
Pa-lais Galliera
intertextualité
sculpture et mode
dos
Emile-Antoine Bourdelle
Palais Galliera
intertextuality
sculpture and fashion
back side
Emile-Antoine Bourdelle
Palais Galliera
topic intertextualidade
escultura e moda
dorso
Emile-Antoine Bourdelle
Pa-lais Galliera
intertextualité
sculpture et mode
dos
Emile-Antoine Bourdelle
Palais Galliera
intertextuality
sculpture and fashion
back side
Emile-Antoine Bourdelle
Palais Galliera
description Intertextual studies, whose object is relational phenomena between different manifestations, find theoretical bases in verbal language. Thus, investigations on vi- suality seek linguistic theories for approximations, which demand analyzes, adjust- ments. From the Bakhtinian concepts “dialogy” and “polyphony”, through Kristeva’s “intertextuality”, as well as “translation” (verbal), approached by numerous authors, Ca- labrese is an exception, as he dealt with translation in the field of visuality. Ramalho e Oliveira and Jardim Filho also exclude each other, presenting intertextual proposals in the visual field. Here, an articulation between sculpture and fashion is analyzed, amal- gamating in images of backs, naked or dressed, the curatorial concept of a show that took place in 2019, in Paris.
publishDate 2020
dc.date.none.fl_str_mv 2020-06-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/ensinarmode/article/view/16559
10.5965/25944630422020110
url https://www.revistas.udesc.br/index.php/ensinarmode/article/view/16559
identifier_str_mv 10.5965/25944630422020110
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/ensinarmode/article/view/16559/11500
dc.rights.driver.fl_str_mv Copyright (c) 2020 Sandra Regina Ramalho e Oliveira
https://creativecommons.org/licenses/by/4.0/deed.pt
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Sandra Regina Ramalho e Oliveira
https://creativecommons.org/licenses/by/4.0/deed.pt
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Revista de Ensino em Artes, Moda e Design; v. 4 n. 2 (2020): Dossiê 6 A Modelagem integrada ao projeto de ensino; 110 - 123
2594-4630
10.5965/25944630422020001
reponame:Revista de Ensino em Artes, Moda e Design
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Revista de Ensino em Artes, Moda e Design
collection Revista de Ensino em Artes, Moda e Design
repository.name.fl_str_mv Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv reamd.ceart@udesc.br || portal.periodicos@udesc.br
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