Not I: Rosalind Krauss and Jasper John's ironies

Detalhes bibliográficos
Autor(a) principal: Friques, Manoel Silvestre
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/16333
Resumo: The text proposes a reading of Rosalind Krauss’ two essays on the work of the painter Jasper Johns. It starts from Krauss’ antithetical perspectives on Johns’ paintings. On the one hand, Krauss analyzes some pictures under a greenbergian perspective. On the other hand, she recovers duchampian affiliation to investigate Johns’ pictorial tactics. The question that arises runs as follows: to what extent is this second axis of analysis complementary to the first? The suggested answer is found in the play “Not I” by the playwright – and one of Johns’ partner – Samuel Beckett.
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spelling Not I: Rosalind Krauss and Jasper John's ironiesPas moi: Rosalind Krauss et les ironies de Jasper JohnsNão eu: Rosalind Krauss e as ironias de Jasper JohnsPintura ModernistaRosalind KraussJasper JohnsCrítica de ArteArte Contemporânea.Modernist Painting Rosalind KraussJasper JohnsArt CriticismContemporary artPeinture ModernisteRosalind KraussJasper JohnsCritique d’artArt ContemporainThe text proposes a reading of Rosalind Krauss’ two essays on the work of the painter Jasper Johns. It starts from Krauss’ antithetical perspectives on Johns’ paintings. On the one hand, Krauss analyzes some pictures under a greenbergian perspective. On the other hand, she recovers duchampian affiliation to investigate Johns’ pictorial tactics. The question that arises runs as follows: to what extent is this second axis of analysis complementary to the first? The suggested answer is found in the play “Not I” by the playwright – and one of Johns’ partner – Samuel Beckett.Le texte propose une lecture des deux écrits de la critique nord-américaine Rosalind Krauss sur l’œuvre du peintre Jasper Johns. Nous partons des perspectives antithétiques de l’auteur sur les peintures de Johns. D’un côté, Krauss analyse des peintures sous la clé greenbergienne. D’autre côté, elle retrouve l’affiliation duchampienne pour enquêter sur la tactique picturale de Johns. La question ici est la suivante: dans quelle mesure ce deuxième axe d’analyse est-il complémentaire du premier? La réponse se trouve dans la pièce «Pa Moi» de l’auteur dramatique – et l’un des partenaires de Johns – Samuel Beckett.O texto propõe uma leitura dos dois escritos da crítica estadunidense Rosalind Krauss sobre a obra do pintor Jasper Johns. Para tal, parte-se das perspectivas antitéticas da autora sobre os quadros de Johns. De um lado, Krauss analisa alguns quadros sob a chave greenbergiana. De outro lado, a autora recupera a filiação duchampiana para investigar as táticas pictóricas de Johns. A indagação que surge daí é a seguinte: em que medida que este segundo eixo de análise é complementar ao primeiro? A resposta sugerida é encontrada no texto “Não Eu”, do dramaturgo – e um dos parceiros de Johns – Samuel Beckett.Universidade do Estado de Santa Catarina2021-09-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1633310.5965/2175234613312021248Palíndromo; Vol. 13 No. 31 (2021): Escritas de artista e outras proposições ; 248-267Palíndromo; v. 13 n. 31 (2021): Escritas de artista e outras proposições ; 248-2672175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/16333/13295Copyright (c) 2021 Manoel Silvestre Friqueshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFriques, Manoel Silvestre2024-02-29T12:49:55Zoai::article/16333Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2024-02-29T12:49:55Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Not I: Rosalind Krauss and Jasper John's ironies
Pas moi: Rosalind Krauss et les ironies de Jasper Johns
Não eu: Rosalind Krauss e as ironias de Jasper Johns
title Not I: Rosalind Krauss and Jasper John's ironies
spellingShingle Not I: Rosalind Krauss and Jasper John's ironies
Friques, Manoel Silvestre
Pintura Modernista
Rosalind Krauss
Jasper Johns
Crítica de Arte
Arte Contemporânea.
Modernist Painting
Rosalind Krauss
Jasper Johns
Art Criticism
Contemporary art
Peinture Moderniste
Rosalind Krauss
Jasper Johns
Critique d’art
Art Contemporain
title_short Not I: Rosalind Krauss and Jasper John's ironies
title_full Not I: Rosalind Krauss and Jasper John's ironies
title_fullStr Not I: Rosalind Krauss and Jasper John's ironies
title_full_unstemmed Not I: Rosalind Krauss and Jasper John's ironies
title_sort Not I: Rosalind Krauss and Jasper John's ironies
author Friques, Manoel Silvestre
author_facet Friques, Manoel Silvestre
author_role author
dc.contributor.author.fl_str_mv Friques, Manoel Silvestre
dc.subject.por.fl_str_mv Pintura Modernista
Rosalind Krauss
Jasper Johns
Crítica de Arte
Arte Contemporânea.
Modernist Painting
Rosalind Krauss
Jasper Johns
Art Criticism
Contemporary art
Peinture Moderniste
Rosalind Krauss
Jasper Johns
Critique d’art
Art Contemporain
topic Pintura Modernista
Rosalind Krauss
Jasper Johns
Crítica de Arte
Arte Contemporânea.
Modernist Painting
Rosalind Krauss
Jasper Johns
Art Criticism
Contemporary art
Peinture Moderniste
Rosalind Krauss
Jasper Johns
Critique d’art
Art Contemporain
description The text proposes a reading of Rosalind Krauss’ two essays on the work of the painter Jasper Johns. It starts from Krauss’ antithetical perspectives on Johns’ paintings. On the one hand, Krauss analyzes some pictures under a greenbergian perspective. On the other hand, she recovers duchampian affiliation to investigate Johns’ pictorial tactics. The question that arises runs as follows: to what extent is this second axis of analysis complementary to the first? The suggested answer is found in the play “Not I” by the playwright – and one of Johns’ partner – Samuel Beckett.
publishDate 2021
dc.date.none.fl_str_mv 2021-09-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/16333
10.5965/2175234613312021248
url https://www.revistas.udesc.br/index.php/palindromo/article/view/16333
identifier_str_mv 10.5965/2175234613312021248
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/16333/13295
dc.rights.driver.fl_str_mv Copyright (c) 2021 Manoel Silvestre Friques
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Manoel Silvestre Friques
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 13 No. 31 (2021): Escritas de artista e outras proposições ; 248-267
Palíndromo; v. 13 n. 31 (2021): Escritas de artista e outras proposições ; 248-267
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
_version_ 1797041812797390848

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