Not I: Rosalind Krauss and Jasper John's ironies
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/16333 |
Resumo: | The text proposes a reading of Rosalind Krauss’ two essays on the work of the painter Jasper Johns. It starts from Krauss’ antithetical perspectives on Johns’ paintings. On the one hand, Krauss analyzes some pictures under a greenbergian perspective. On the other hand, she recovers duchampian affiliation to investigate Johns’ pictorial tactics. The question that arises runs as follows: to what extent is this second axis of analysis complementary to the first? The suggested answer is found in the play “Not I” by the playwright – and one of Johns’ partner – Samuel Beckett. |
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Not I: Rosalind Krauss and Jasper John's ironiesPas moi: Rosalind Krauss et les ironies de Jasper JohnsNão eu: Rosalind Krauss e as ironias de Jasper JohnsPintura ModernistaRosalind KraussJasper JohnsCrítica de ArteArte Contemporânea.Modernist Painting Rosalind KraussJasper JohnsArt CriticismContemporary artPeinture ModernisteRosalind KraussJasper JohnsCritique d’artArt ContemporainThe text proposes a reading of Rosalind Krauss’ two essays on the work of the painter Jasper Johns. It starts from Krauss’ antithetical perspectives on Johns’ paintings. On the one hand, Krauss analyzes some pictures under a greenbergian perspective. On the other hand, she recovers duchampian affiliation to investigate Johns’ pictorial tactics. The question that arises runs as follows: to what extent is this second axis of analysis complementary to the first? The suggested answer is found in the play “Not I” by the playwright – and one of Johns’ partner – Samuel Beckett.Le texte propose une lecture des deux écrits de la critique nord-américaine Rosalind Krauss sur l’œuvre du peintre Jasper Johns. Nous partons des perspectives antithétiques de l’auteur sur les peintures de Johns. D’un côté, Krauss analyse des peintures sous la clé greenbergienne. D’autre côté, elle retrouve l’affiliation duchampienne pour enquêter sur la tactique picturale de Johns. La question ici est la suivante: dans quelle mesure ce deuxième axe d’analyse est-il complémentaire du premier? La réponse se trouve dans la pièce «Pa Moi» de l’auteur dramatique – et l’un des partenaires de Johns – Samuel Beckett.O texto propõe uma leitura dos dois escritos da crítica estadunidense Rosalind Krauss sobre a obra do pintor Jasper Johns. Para tal, parte-se das perspectivas antitéticas da autora sobre os quadros de Johns. De um lado, Krauss analisa alguns quadros sob a chave greenbergiana. De outro lado, a autora recupera a filiação duchampiana para investigar as táticas pictóricas de Johns. A indagação que surge daí é a seguinte: em que medida que este segundo eixo de análise é complementar ao primeiro? A resposta sugerida é encontrada no texto “Não Eu”, do dramaturgo – e um dos parceiros de Johns – Samuel Beckett.Universidade do Estado de Santa Catarina2021-09-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1633310.5965/2175234613312021248Palíndromo; Vol. 13 No. 31 (2021): Escritas de artista e outras proposições ; 248-267Palíndromo; v. 13 n. 31 (2021): Escritas de artista e outras proposições ; 248-2672175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/16333/13295Copyright (c) 2021 Manoel Silvestre Friqueshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFriques, Manoel Silvestre2021-09-01T14:19:50Zoai:ojs.revistas.udesc.br:article/16333Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2021-09-01T14:19:50Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Not I: Rosalind Krauss and Jasper John's ironies Pas moi: Rosalind Krauss et les ironies de Jasper Johns Não eu: Rosalind Krauss e as ironias de Jasper Johns |
title |
Not I: Rosalind Krauss and Jasper John's ironies |
spellingShingle |
Not I: Rosalind Krauss and Jasper John's ironies Friques, Manoel Silvestre Pintura Modernista Rosalind Krauss Jasper Johns Crítica de Arte Arte Contemporânea. Modernist Painting Rosalind Krauss Jasper Johns Art Criticism Contemporary art Peinture Moderniste Rosalind Krauss Jasper Johns Critique d’art Art Contemporain |
title_short |
Not I: Rosalind Krauss and Jasper John's ironies |
title_full |
Not I: Rosalind Krauss and Jasper John's ironies |
title_fullStr |
Not I: Rosalind Krauss and Jasper John's ironies |
title_full_unstemmed |
Not I: Rosalind Krauss and Jasper John's ironies |
title_sort |
Not I: Rosalind Krauss and Jasper John's ironies |
author |
Friques, Manoel Silvestre |
author_facet |
Friques, Manoel Silvestre |
author_role |
author |
dc.contributor.author.fl_str_mv |
Friques, Manoel Silvestre |
dc.subject.por.fl_str_mv |
Pintura Modernista Rosalind Krauss Jasper Johns Crítica de Arte Arte Contemporânea. Modernist Painting Rosalind Krauss Jasper Johns Art Criticism Contemporary art Peinture Moderniste Rosalind Krauss Jasper Johns Critique d’art Art Contemporain |
topic |
Pintura Modernista Rosalind Krauss Jasper Johns Crítica de Arte Arte Contemporânea. Modernist Painting Rosalind Krauss Jasper Johns Art Criticism Contemporary art Peinture Moderniste Rosalind Krauss Jasper Johns Critique d’art Art Contemporain |
description |
The text proposes a reading of Rosalind Krauss’ two essays on the work of the painter Jasper Johns. It starts from Krauss’ antithetical perspectives on Johns’ paintings. On the one hand, Krauss analyzes some pictures under a greenbergian perspective. On the other hand, she recovers duchampian affiliation to investigate Johns’ pictorial tactics. The question that arises runs as follows: to what extent is this second axis of analysis complementary to the first? The suggested answer is found in the play “Not I” by the playwright – and one of Johns’ partner – Samuel Beckett. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-09-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/16333 10.5965/2175234613312021248 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/16333 |
identifier_str_mv |
10.5965/2175234613312021248 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/16333/13295 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Manoel Silvestre Friques http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Manoel Silvestre Friques http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 13 No. 31 (2021): Escritas de artista e outras proposições ; 248-267 Palíndromo; v. 13 n. 31 (2021): Escritas de artista e outras proposições ; 248-267 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041815942070272 |