Rebellion and modernity in Marcel Duchamp: a new definition of subject and artistic object
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/5451 |
Resumo: | The essay attempts to discuss the works of Marcel Duchamp in the first half of twenty century, examining his rebels proposal in the political-institutional en- vironment of his time and a specific ques- tion: the relation between Art and Concept in this production, attempting to the ways in which ones de redefinition of the artis- tic space and the artistic object conduces to propose a new notion of Art and a new notion of Artist. Such redefinition shows a significant politic value, since it situates the artist as a rebel able to question the exis- ting order and an institutional discourse that seeks to frame the art object within predictable limits. |
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Rebellion and modernity in Marcel Duchamp: a new definition of subject and artistic objectRebeldia e modernidade em Marcel Duchamp: uma redefinição do objeto e do sujeito artísticosmodern art Marcel Duchamp art and concept arte moderna Michel DuchampArte e Conceito The essay attempts to discuss the works of Marcel Duchamp in the first half of twenty century, examining his rebels proposal in the political-institutional en- vironment of his time and a specific ques- tion: the relation between Art and Concept in this production, attempting to the ways in which ones de redefinition of the artis- tic space and the artistic object conduces to propose a new notion of Art and a new notion of Artist. Such redefinition shows a significant politic value, since it situates the artist as a rebel able to question the exis- ting order and an institutional discourse that seeks to frame the art object within predictable limits.O ensaio busca esclarecer e discutir a obra de Marcel Duchamp na primeira metade do século XX, examinando sua proposta de rebeldia no contexto político-institucional de sua época e uma questão mais específica: a relação entre Arte e Conceito nesta produção artística, atentando neste caso para os modos como a redefinição do espaço artístico e do objeto artístico terminam por propor uma nova noção de Arte e uma nova noção de Artista. Tal redefinição, conforme se propõe, apresenta um significativo valor político ao situar o artista rebelde como questionador da ordem vigente e de um discurso institucional que procura enquadrar o objeto artístico dentro dos limites previstos.Universidade do Estado de Santa Catarina2014-12-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/545110.5965/2175234606122014068Palíndromo; Vol. 6 No. 12 (2014): Palíndromo nº12; 68 - 93Palíndromo; v. 6 n. 12 (2014): Palíndromo nº12; 68 - 932175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/5451/3905Copyright (c) 2014 José D'Assunção Barroshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBarros, José D'Assunção2023-03-29T13:51:18Zoai::article/5451Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-03-29T13:51:18Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Rebellion and modernity in Marcel Duchamp: a new definition of subject and artistic object Rebeldia e modernidade em Marcel Duchamp: uma redefinição do objeto e do sujeito artísticos |
title |
Rebellion and modernity in Marcel Duchamp: a new definition of subject and artistic object |
spellingShingle |
Rebellion and modernity in Marcel Duchamp: a new definition of subject and artistic object Barros, José D'Assunção modern art Marcel Duchamp art and concept arte moderna Michel Duchamp Arte e Conceito |
title_short |
Rebellion and modernity in Marcel Duchamp: a new definition of subject and artistic object |
title_full |
Rebellion and modernity in Marcel Duchamp: a new definition of subject and artistic object |
title_fullStr |
Rebellion and modernity in Marcel Duchamp: a new definition of subject and artistic object |
title_full_unstemmed |
Rebellion and modernity in Marcel Duchamp: a new definition of subject and artistic object |
title_sort |
Rebellion and modernity in Marcel Duchamp: a new definition of subject and artistic object |
author |
Barros, José D'Assunção |
author_facet |
Barros, José D'Assunção |
author_role |
author |
dc.contributor.author.fl_str_mv |
Barros, José D'Assunção |
dc.subject.por.fl_str_mv |
modern art Marcel Duchamp art and concept arte moderna Michel Duchamp Arte e Conceito |
topic |
modern art Marcel Duchamp art and concept arte moderna Michel Duchamp Arte e Conceito |
description |
The essay attempts to discuss the works of Marcel Duchamp in the first half of twenty century, examining his rebels proposal in the political-institutional en- vironment of his time and a specific ques- tion: the relation between Art and Concept in this production, attempting to the ways in which ones de redefinition of the artis- tic space and the artistic object conduces to propose a new notion of Art and a new notion of Artist. Such redefinition shows a significant politic value, since it situates the artist as a rebel able to question the exis- ting order and an institutional discourse that seeks to frame the art object within predictable limits. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-12-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/5451 10.5965/2175234606122014068 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/5451 |
identifier_str_mv |
10.5965/2175234606122014068 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/5451/3905 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2014 José D'Assunção Barros http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2014 José D'Assunção Barros http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 6 No. 12 (2014): Palíndromo nº12; 68 - 93 Palíndromo; v. 6 n. 12 (2014): Palíndromo nº12; 68 - 93 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041812636958720 |