HOMO FRAGILIS: LYGIA CLARK AND THE HETEROTANATOGRAPHIC CONFESSIONS
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
DOI: | 10.5965/2175234610212018053 |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/12230 |
Resumo: | This article proposes to reflect about the Structuring of the Self, created by Lygia Clark from what Juliano Garcia Pessanha denominates as heterotanatography, a confessional speech in which small and large deaths are printed in the record of the narratives. There seems to be a long legacy transmitted by Lygia Clark in anticipating the works of contemporary artists such as Ana Teixeira, Beth Moysés and Isabela Sielski who thematize memory and the heterotanatographic confessions in the nineties. |
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HOMO FRAGILIS: LYGIA CLARK AND THE HETEROTANATOGRAPHIC CONFESSIONSHomo Fragilis: Lygia Clark e as confissões heterotanatográficasLygia Clarkarte contemporâneaheterotanatografiaLygia Clarkcontemporary artheterotanatographyThis article proposes to reflect about the Structuring of the Self, created by Lygia Clark from what Juliano Garcia Pessanha denominates as heterotanatography, a confessional speech in which small and large deaths are printed in the record of the narratives. There seems to be a long legacy transmitted by Lygia Clark in anticipating the works of contemporary artists such as Ana Teixeira, Beth Moysés and Isabela Sielski who thematize memory and the heterotanatographic confessions in the nineties.Esse artigo propõe realizar uma reflexão acerca da Estruturação do Self, criada por Lygia Clark a partir do que Juliano Garcia Pessanha denomina como heterotanatografia, uma fala confessional na qual pequenas e grandes mortes são impressas no registro das narrativas. Parece haver um longo legado transmitido por Lygia Clark ao antecipar obras de artistas contemporâneas como Ana Teixeira, Beth Moysés e Isabela Sielski que tematizam a memória e as confissões heterotanatográficas na década de noventa.Universidade do Estado de Santa Catarina2018-07-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1223010.5965/2175234610212018053Palíndromo; Vol. 10 No. 21 (2018): Palíndromo 21; 53-75Palíndromo; v. 10 n. 21 (2018): Palíndromo 21; 53-752175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/12230/8508Copyright (c) 2018 Palíndromohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDe Martino, Marlen2020-09-09T17:37:28Zoai:ojs.revistas.udesc.br:article/12230Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2020-09-09T17:37:28Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
HOMO FRAGILIS: LYGIA CLARK AND THE HETEROTANATOGRAPHIC CONFESSIONS Homo Fragilis: Lygia Clark e as confissões heterotanatográficas |
title |
HOMO FRAGILIS: LYGIA CLARK AND THE HETEROTANATOGRAPHIC CONFESSIONS |
spellingShingle |
HOMO FRAGILIS: LYGIA CLARK AND THE HETEROTANATOGRAPHIC CONFESSIONS HOMO FRAGILIS: LYGIA CLARK AND THE HETEROTANATOGRAPHIC CONFESSIONS De Martino, Marlen Lygia Clark arte contemporânea heterotanatografia Lygia Clark contemporary art heterotanatography De Martino, Marlen Lygia Clark arte contemporânea heterotanatografia Lygia Clark contemporary art heterotanatography |
title_short |
HOMO FRAGILIS: LYGIA CLARK AND THE HETEROTANATOGRAPHIC CONFESSIONS |
title_full |
HOMO FRAGILIS: LYGIA CLARK AND THE HETEROTANATOGRAPHIC CONFESSIONS |
title_fullStr |
HOMO FRAGILIS: LYGIA CLARK AND THE HETEROTANATOGRAPHIC CONFESSIONS HOMO FRAGILIS: LYGIA CLARK AND THE HETEROTANATOGRAPHIC CONFESSIONS |
title_full_unstemmed |
HOMO FRAGILIS: LYGIA CLARK AND THE HETEROTANATOGRAPHIC CONFESSIONS HOMO FRAGILIS: LYGIA CLARK AND THE HETEROTANATOGRAPHIC CONFESSIONS |
title_sort |
HOMO FRAGILIS: LYGIA CLARK AND THE HETEROTANATOGRAPHIC CONFESSIONS |
author |
De Martino, Marlen |
author_facet |
De Martino, Marlen De Martino, Marlen |
author_role |
author |
dc.contributor.author.fl_str_mv |
De Martino, Marlen |
dc.subject.por.fl_str_mv |
Lygia Clark arte contemporânea heterotanatografia Lygia Clark contemporary art heterotanatography |
topic |
Lygia Clark arte contemporânea heterotanatografia Lygia Clark contemporary art heterotanatography |
description |
This article proposes to reflect about the Structuring of the Self, created by Lygia Clark from what Juliano Garcia Pessanha denominates as heterotanatography, a confessional speech in which small and large deaths are printed in the record of the narratives. There seems to be a long legacy transmitted by Lygia Clark in anticipating the works of contemporary artists such as Ana Teixeira, Beth Moysés and Isabela Sielski who thematize memory and the heterotanatographic confessions in the nineties. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-07-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/12230 10.5965/2175234610212018053 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/12230 |
identifier_str_mv |
10.5965/2175234610212018053 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/12230/8508 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Palíndromo http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Palíndromo http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 10 No. 21 (2018): Palíndromo 21; 53-75 Palíndromo; v. 10 n. 21 (2018): Palíndromo 21; 53-75 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1822182041625559040 |
dc.identifier.doi.none.fl_str_mv |
10.5965/2175234610212018053 |