From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought

Detalhes bibliográficos
Autor(a) principal: Rodrigues, Leonardo
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/22155
Resumo: The article aims to suggest a significant paradigm shift taking place whitin one of the most influential theoretical models in the role of contemporary aesthetic productions and debates, namely, the notion of “relational aesthetics”, as it was conceived by the theorist and french curator Nicolas Bourriaud. It shows how in the last exhibitions curated by Bourriaud, the Anthropocene theme, that is, the new geological era in which humanity would be entering, gains a fundamental hegemony in artistic productions and aesthetic debates, and demands an expressive revision of central postulates for the consolidation of such relational aesthetics, especially with regard to the primacy of inter-human relations and the question of accelerating radicant flows.
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spelling From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thoughtDe l’esthéthique relationnelle à l’esthétique relationnant: notes sur le changemant de paradigme dans la pensée de Nicolas BourriaudDa estética relacional à estética relacionante: notas sobre a mudança de paradigma no interior do pensamento de Nicolas BourriaudEstética relacionalRadicanteAntropocenoNicolas BourriaudEstéticaArte ContemporâneaAntropologiaEstética relacional RadicanteAntropocenoNicolas BourriaudEsthéthique relationnelleRadicant AnthropocèneNicolas BourriaudThe article aims to suggest a significant paradigm shift taking place whitin one of the most influential theoretical models in the role of contemporary aesthetic productions and debates, namely, the notion of “relational aesthetics”, as it was conceived by the theorist and french curator Nicolas Bourriaud. It shows how in the last exhibitions curated by Bourriaud, the Anthropocene theme, that is, the new geological era in which humanity would be entering, gains a fundamental hegemony in artistic productions and aesthetic debates, and demands an expressive revision of central postulates for the consolidation of such relational aesthetics, especially with regard to the primacy of inter-human relations and the question of accelerating radicant flows.L’article vise à suggérer un changement de paradigme significatif qui s’opére au sein de l’un des modèles théoriques les plus influents dans les rôles des productions et des débats esthéthiques contemporains, à savoir l’idée d”esthétique relationnelle”, telle qu’elle a été conçue par le théoricien et curateur français Nicolas Bourriaud. Il montre comment, dans les dernières expositions organisées par Bourriaud, le thème de l’Anthropocène, c’est-à-dire la nouvelle ère géologique dans laquelle l’humanité entrerait, acquiert une hégémonie fondamentale dans les productions artistiques et les débats esthéthiques, et exige une révision expressive des postulats centraux pour la consolidation de cette esthéthique relationnelle, notammant au regard de la primauté des relations interhumaines et de la question de l’accélération des flux radicants.O artigo tem como objetivo sugerir uma significativa mudança de paradigma em curso no interior de um dos modelos teóricos mais influentes no rol das produções e debates estéticos na contemporaneidade, a saber, a ideia de estética relacional, tal como foi concebida pelo teórico e curador francês Nicolas Bourriaud. Mostra como nas últimas exposições com curadoria de Bourriaud, a temática do Antropoceno, isto é, a nova era geológica na qual a humanidade estaria adentrando, ganha uma hegemonia na seleção de artistas, obras e temas trabalhados, e demanda uma expressiva revisão de postulados centrais para a consolidação de tal estética relacional, especialmente no que diz respeito à primazia das relações inter-humanas e à questão da aceleração dos fluxos radicantes.Universidade do Estado de Santa Catarina2022-09-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2215510.5965/2175234614342022139Palíndromo; Vol. 14 No. 34 (2022): A terra dura: potências do sonho e arte; 139-161Palíndromo; v. 14 n. 34 (2022): A terra dura: potências do sonho e arte; 139-1612175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/22155/14701Copyright (c) 2022 Leonardo Rodrigueshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRodrigues, Leonardo2024-02-29T13:53:26Zoai::article/22155Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2024-02-29T13:53:26Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought
De l’esthéthique relationnelle à l’esthétique relationnant: notes sur le changemant de paradigme dans la pensée de Nicolas Bourriaud
Da estética relacional à estética relacionante: notas sobre a mudança de paradigma no interior do pensamento de Nicolas Bourriaud
title From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought
spellingShingle From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought
Rodrigues, Leonardo
Estética relacional
Radicante
Antropoceno
Nicolas Bourriaud
Estética
Arte Contemporânea
Antropologia
Estética relacional
Radicante
Antropoceno
Nicolas Bourriaud
Esthéthique relationnelle
Radicant
Anthropocène
Nicolas Bourriaud
title_short From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought
title_full From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought
title_fullStr From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought
title_full_unstemmed From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought
title_sort From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought
author Rodrigues, Leonardo
author_facet Rodrigues, Leonardo
author_role author
dc.contributor.author.fl_str_mv Rodrigues, Leonardo
dc.subject.por.fl_str_mv Estética relacional
Radicante
Antropoceno
Nicolas Bourriaud
Estética
Arte Contemporânea
Antropologia
Estética relacional
Radicante
Antropoceno
Nicolas Bourriaud
Esthéthique relationnelle
Radicant
Anthropocène
Nicolas Bourriaud
topic Estética relacional
Radicante
Antropoceno
Nicolas Bourriaud
Estética
Arte Contemporânea
Antropologia
Estética relacional
Radicante
Antropoceno
Nicolas Bourriaud
Esthéthique relationnelle
Radicant
Anthropocène
Nicolas Bourriaud
description The article aims to suggest a significant paradigm shift taking place whitin one of the most influential theoretical models in the role of contemporary aesthetic productions and debates, namely, the notion of “relational aesthetics”, as it was conceived by the theorist and french curator Nicolas Bourriaud. It shows how in the last exhibitions curated by Bourriaud, the Anthropocene theme, that is, the new geological era in which humanity would be entering, gains a fundamental hegemony in artistic productions and aesthetic debates, and demands an expressive revision of central postulates for the consolidation of such relational aesthetics, especially with regard to the primacy of inter-human relations and the question of accelerating radicant flows.
publishDate 2022
dc.date.none.fl_str_mv 2022-09-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/22155
10.5965/2175234614342022139
url https://www.revistas.udesc.br/index.php/palindromo/article/view/22155
identifier_str_mv 10.5965/2175234614342022139
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/22155/14701
dc.rights.driver.fl_str_mv Copyright (c) 2022 Leonardo Rodrigues
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Leonardo Rodrigues
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 14 No. 34 (2022): A terra dura: potências do sonho e arte; 139-161
Palíndromo; v. 14 n. 34 (2022): A terra dura: potências do sonho e arte; 139-161
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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