From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/22155 |
Resumo: | The article aims to suggest a significant paradigm shift taking place whitin one of the most influential theoretical models in the role of contemporary aesthetic productions and debates, namely, the notion of “relational aesthetics”, as it was conceived by the theorist and french curator Nicolas Bourriaud. It shows how in the last exhibitions curated by Bourriaud, the Anthropocene theme, that is, the new geological era in which humanity would be entering, gains a fundamental hegemony in artistic productions and aesthetic debates, and demands an expressive revision of central postulates for the consolidation of such relational aesthetics, especially with regard to the primacy of inter-human relations and the question of accelerating radicant flows. |
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From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thoughtDe l’esthéthique relationnelle à l’esthétique relationnant: notes sur le changemant de paradigme dans la pensée de Nicolas BourriaudDa estética relacional à estética relacionante: notas sobre a mudança de paradigma no interior do pensamento de Nicolas BourriaudEstética relacionalRadicanteAntropocenoNicolas BourriaudEstéticaArte ContemporâneaAntropologiaEstética relacional RadicanteAntropocenoNicolas BourriaudEsthéthique relationnelleRadicant AnthropocèneNicolas BourriaudThe article aims to suggest a significant paradigm shift taking place whitin one of the most influential theoretical models in the role of contemporary aesthetic productions and debates, namely, the notion of “relational aesthetics”, as it was conceived by the theorist and french curator Nicolas Bourriaud. It shows how in the last exhibitions curated by Bourriaud, the Anthropocene theme, that is, the new geological era in which humanity would be entering, gains a fundamental hegemony in artistic productions and aesthetic debates, and demands an expressive revision of central postulates for the consolidation of such relational aesthetics, especially with regard to the primacy of inter-human relations and the question of accelerating radicant flows.L’article vise à suggérer un changement de paradigme significatif qui s’opére au sein de l’un des modèles théoriques les plus influents dans les rôles des productions et des débats esthéthiques contemporains, à savoir l’idée d”esthétique relationnelle”, telle qu’elle a été conçue par le théoricien et curateur français Nicolas Bourriaud. Il montre comment, dans les dernières expositions organisées par Bourriaud, le thème de l’Anthropocène, c’est-à-dire la nouvelle ère géologique dans laquelle l’humanité entrerait, acquiert une hégémonie fondamentale dans les productions artistiques et les débats esthéthiques, et exige une révision expressive des postulats centraux pour la consolidation de cette esthéthique relationnelle, notammant au regard de la primauté des relations interhumaines et de la question de l’accélération des flux radicants.O artigo tem como objetivo sugerir uma significativa mudança de paradigma em curso no interior de um dos modelos teóricos mais influentes no rol das produções e debates estéticos na contemporaneidade, a saber, a ideia de estética relacional, tal como foi concebida pelo teórico e curador francês Nicolas Bourriaud. Mostra como nas últimas exposições com curadoria de Bourriaud, a temática do Antropoceno, isto é, a nova era geológica na qual a humanidade estaria adentrando, ganha uma hegemonia na seleção de artistas, obras e temas trabalhados, e demanda uma expressiva revisão de postulados centrais para a consolidação de tal estética relacional, especialmente no que diz respeito à primazia das relações inter-humanas e à questão da aceleração dos fluxos radicantes.Universidade do Estado de Santa Catarina2022-09-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2215510.5965/2175234614342022139Palíndromo; Vol. 14 No. 34 (2022): A terra dura: potências do sonho e arte; 139-161Palíndromo; v. 14 n. 34 (2022): A terra dura: potências do sonho e arte; 139-1612175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/22155/14701Copyright (c) 2022 Leonardo Rodrigueshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRodrigues, Leonardo2022-09-01T19:33:57Zoai:ojs.revistas.udesc.br:article/22155Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2022-09-01T19:33:57Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought De l’esthéthique relationnelle à l’esthétique relationnant: notes sur le changemant de paradigme dans la pensée de Nicolas Bourriaud Da estética relacional à estética relacionante: notas sobre a mudança de paradigma no interior do pensamento de Nicolas Bourriaud |
title |
From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought |
spellingShingle |
From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought Rodrigues, Leonardo Estética relacional Radicante Antropoceno Nicolas Bourriaud Estética Arte Contemporânea Antropologia Estética relacional Radicante Antropoceno Nicolas Bourriaud Esthéthique relationnelle Radicant Anthropocène Nicolas Bourriaud |
title_short |
From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought |
title_full |
From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought |
title_fullStr |
From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought |
title_full_unstemmed |
From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought |
title_sort |
From relational aesthetics to relationant aesthetics: notes on the paradigm changing in Nicolas Bourriaud’s thought |
author |
Rodrigues, Leonardo |
author_facet |
Rodrigues, Leonardo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rodrigues, Leonardo |
dc.subject.por.fl_str_mv |
Estética relacional Radicante Antropoceno Nicolas Bourriaud Estética Arte Contemporânea Antropologia Estética relacional Radicante Antropoceno Nicolas Bourriaud Esthéthique relationnelle Radicant Anthropocène Nicolas Bourriaud |
topic |
Estética relacional Radicante Antropoceno Nicolas Bourriaud Estética Arte Contemporânea Antropologia Estética relacional Radicante Antropoceno Nicolas Bourriaud Esthéthique relationnelle Radicant Anthropocène Nicolas Bourriaud |
description |
The article aims to suggest a significant paradigm shift taking place whitin one of the most influential theoretical models in the role of contemporary aesthetic productions and debates, namely, the notion of “relational aesthetics”, as it was conceived by the theorist and french curator Nicolas Bourriaud. It shows how in the last exhibitions curated by Bourriaud, the Anthropocene theme, that is, the new geological era in which humanity would be entering, gains a fundamental hegemony in artistic productions and aesthetic debates, and demands an expressive revision of central postulates for the consolidation of such relational aesthetics, especially with regard to the primacy of inter-human relations and the question of accelerating radicant flows. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-09-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/22155 10.5965/2175234614342022139 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/22155 |
identifier_str_mv |
10.5965/2175234614342022139 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/22155/14701 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Leonardo Rodrigues http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Leonardo Rodrigues http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 14 No. 34 (2022): A terra dura: potências do sonho e arte; 139-161 Palíndromo; v. 14 n. 34 (2022): A terra dura: potências do sonho e arte; 139-161 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
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1797041814137470976 |