Uniting the divine and the human: a dive into the details and the symbolism of three medieval Virgins
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/21641 |
Resumo: | This paper develops a reflection on how the details can reveal the symbolisms that generate meanings in the image, and how the artists represented references to other areas of the arts in the sculpture in question. The study starts from three medieval sculptures that depict the Virgin Mary and the Child Jesus and establish dialogues about the human and divine character of Mary in Christian iconology. The Marian cult had great appeal in the Middle Ages and the chosen sculptures are works that feature different styles. One sculpture represents the humanized Virgin, the other is presented as a composite reliquary, and the last is an image of the human Mary, immersed in grief. |
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Uniting the divine and the human: a dive into the details and the symbolism of three medieval VirginsUnir le divin et l'humain : une plongée dans les détails et la symbolique de trois Vierges médiévalesUnindo o divino e o humano: um mergulho nos detalhes e simbolismos de três Virgens medievaisVirgem MariaArte MedievalEsculturaDetalhe e SimbolismoHistória da arte.Arte medieval.Virgin MaryMedieval ArtSculptureDetail and SymbolismVierge MarieArt MédiévalSculptureDétail et symbolismeThis paper develops a reflection on how the details can reveal the symbolisms that generate meanings in the image, and how the artists represented references to other areas of the arts in the sculpture in question. The study starts from three medieval sculptures that depict the Virgin Mary and the Child Jesus and establish dialogues about the human and divine character of Mary in Christian iconology. The Marian cult had great appeal in the Middle Ages and the chosen sculptures are works that feature different styles. One sculpture represents the humanized Virgin, the other is presented as a composite reliquary, and the last is an image of the human Mary, immersed in grief.Cet article développe une réflexion sur la façon dont les détails peuvent révéler les symbolismes qui génèrent des significations dans l'image, et comment les artistes ont représenté des références à d'autres domaines des arts dans la sculpture en question. L'étude part de trois sculptures médiévales qui représentent la Vierge Marie et l'Enfant Jésus, et établissent des dialogues sur le caractère humain et divin de Marie dans l'iconologie chrétienne. Le culte marial avait beaucoup d'attrait au Moyen Âge et les sculptures choisies sont des œuvres de styles différents. Une sculpture représente la Vierge humanisée, l'autre se présente comme un reliquaire composite, et la dernière est une image de la Marie humanisé, plongée dans le chagrin.Este artigo desenvolve uma reflexão sobre como os detalhes podem revelar os simbolismos que geram significados na imagem, e de como os artistas representaram referências a outras áreas das artes na escultura em questão. O estudo parte de três esculturas medievais que figuram a Virgem Maria e o Menino Jesus, e estabelecem diálogos sobre o caráter humano e divino de Maria na iconologia cristã. O culto mariano teve grande apelo no medievo e as esculturas escolhidas são obras que figuram estilos diferenciados. Uma escultura representa a Virgem humanizada, a outra apresenta-se como um relicário composto, e a última é uma imagem de Maria humanizada, imersa em dor.Universidade do Estado de Santa Catarina2022-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2164110.5965/2175234614332022162Palíndromo; Vol. 14 No. 33 (2022): A questão do detalhe na história da arte; 162 - 189Palíndromo; v. 14 n. 33 (2022): A questão do detalhe na história da arte; 162 - 1892175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/21641/14359Copyright (c) 2022 Luciane Ruschel Nascimento Garcezhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGarcez, Luciane Ruschel Nascimento2022-05-01T19:38:04Zoai:ojs.revistas.udesc.br:article/21641Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2022-05-01T19:38:04Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Uniting the divine and the human: a dive into the details and the symbolism of three medieval Virgins Unir le divin et l'humain : une plongée dans les détails et la symbolique de trois Vierges médiévales Unindo o divino e o humano: um mergulho nos detalhes e simbolismos de três Virgens medievais |
title |
Uniting the divine and the human: a dive into the details and the symbolism of three medieval Virgins |
spellingShingle |
Uniting the divine and the human: a dive into the details and the symbolism of three medieval Virgins Garcez, Luciane Ruschel Nascimento Virgem Maria Arte Medieval Escultura Detalhe e Simbolismo História da arte. Arte medieval. Virgin Mary Medieval Art Sculpture Detail and Symbolism Vierge Marie Art Médiéval Sculpture Détail et symbolisme |
title_short |
Uniting the divine and the human: a dive into the details and the symbolism of three medieval Virgins |
title_full |
Uniting the divine and the human: a dive into the details and the symbolism of three medieval Virgins |
title_fullStr |
Uniting the divine and the human: a dive into the details and the symbolism of three medieval Virgins |
title_full_unstemmed |
Uniting the divine and the human: a dive into the details and the symbolism of three medieval Virgins |
title_sort |
Uniting the divine and the human: a dive into the details and the symbolism of three medieval Virgins |
author |
Garcez, Luciane Ruschel Nascimento |
author_facet |
Garcez, Luciane Ruschel Nascimento |
author_role |
author |
dc.contributor.author.fl_str_mv |
Garcez, Luciane Ruschel Nascimento |
dc.subject.por.fl_str_mv |
Virgem Maria Arte Medieval Escultura Detalhe e Simbolismo História da arte. Arte medieval. Virgin Mary Medieval Art Sculpture Detail and Symbolism Vierge Marie Art Médiéval Sculpture Détail et symbolisme |
topic |
Virgem Maria Arte Medieval Escultura Detalhe e Simbolismo História da arte. Arte medieval. Virgin Mary Medieval Art Sculpture Detail and Symbolism Vierge Marie Art Médiéval Sculpture Détail et symbolisme |
description |
This paper develops a reflection on how the details can reveal the symbolisms that generate meanings in the image, and how the artists represented references to other areas of the arts in the sculpture in question. The study starts from three medieval sculptures that depict the Virgin Mary and the Child Jesus and establish dialogues about the human and divine character of Mary in Christian iconology. The Marian cult had great appeal in the Middle Ages and the chosen sculptures are works that feature different styles. One sculpture represents the humanized Virgin, the other is presented as a composite reliquary, and the last is an image of the human Mary, immersed in grief. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-05-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/21641 10.5965/2175234614332022162 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/21641 |
identifier_str_mv |
10.5965/2175234614332022162 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/21641/14359 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Luciane Ruschel Nascimento Garcez http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Luciane Ruschel Nascimento Garcez http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 14 No. 33 (2022): A questão do detalhe na história da arte; 162 - 189 Palíndromo; v. 14 n. 33 (2022): A questão do detalhe na história da arte; 162 - 189 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041816551292928 |