The Ornament in John Ruskin's thought
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/16949 |
Resumo: | This paper aims to show and perceive the presence of the living ornament in the formation of John Ruskin's aesthetic thought. His reflections on the expressive work in architecture, manifested above all in its ornamentation, will be taken under the concept of the fantastic paradox of imperfection, which highlights the vitality and pleasure of the worker in his workshop practice. This manifestation of life and happiness could only be achieved by the communion between the manual and intellectual work of its artisans. |
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The Ornament in John Ruskin's thoughtEl adorno en el pensamiento de John RuskinO Ornamento no pensamento de John RuskinJohn RuskinArquiteturaOrnamentoImperfeiçãoJohn RuskinArchitectureOrnamentImperfectionJohn RuskinArquitecturaAdornoImperfecciónThis paper aims to show and perceive the presence of the living ornament in the formation of John Ruskin's aesthetic thought. His reflections on the expressive work in architecture, manifested above all in its ornamentation, will be taken under the concept of the fantastic paradox of imperfection, which highlights the vitality and pleasure of the worker in his workshop practice. This manifestation of life and happiness could only be achieved by the communion between the manual and intellectual work of its artisans.Este artículo pretende ressaltar y percibir la presencia del ornamento vivo en la formación del pensamiento estético de John Ruskin. Sus reflexiones sobre el expressivo trabajo en la arquitectura, manifestado especialmente en su ornamentación, serán tomadas bajo el concepto de la fantástica paradoja de la imperfección, que resalta la vitalidad y el placer del trabajador en su práctica de taller. Tal manifestación de vida y felicidad solo podría lograrse mediante la comunión entre el trabajo manual e intelectual de sus artesanos.O presente artigo pretende evidenciar e perceber a presença do ornamento vivo na formação do pensamento estético de John Ruskin. Suas reflexões sobre o trabalho expressivo na arquitetura, manifestado sobretudo em sua ornamentação, serão tomadas sob o conceito do fantástico paradoxo da imperfeição, que evidencia a vitalidade e o prazer do trabalhador em sua prática oficinal. Tal manifestação de vida e de felicidade somente poderia ser alcançada pela comunhão entre o trabalho manual e intelectual de seus artesãos.Universidade do Estado de Santa Catarina2020-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1694910.5965/2175234612272020120Palíndromo; Vol. 12 No. 27 (2020): Linha Teoria e História da Arte; 120-133Palíndromo; v. 12 n. 27 (2020): Linha Teoria e História da Arte; 120-1332175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/16949/11401Copyright (c) 2020 Eliane Baader de Limahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLima, Eliane Baader de2023-04-27T11:44:02Zoai::article/16949Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-04-27T11:44:02Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
The Ornament in John Ruskin's thought El adorno en el pensamiento de John Ruskin O Ornamento no pensamento de John Ruskin |
title |
The Ornament in John Ruskin's thought |
spellingShingle |
The Ornament in John Ruskin's thought Lima, Eliane Baader de John Ruskin Arquitetura Ornamento Imperfeição John Ruskin Architecture Ornament Imperfection John Ruskin Arquitectura Adorno Imperfección |
title_short |
The Ornament in John Ruskin's thought |
title_full |
The Ornament in John Ruskin's thought |
title_fullStr |
The Ornament in John Ruskin's thought |
title_full_unstemmed |
The Ornament in John Ruskin's thought |
title_sort |
The Ornament in John Ruskin's thought |
author |
Lima, Eliane Baader de |
author_facet |
Lima, Eliane Baader de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Lima, Eliane Baader de |
dc.subject.por.fl_str_mv |
John Ruskin Arquitetura Ornamento Imperfeição John Ruskin Architecture Ornament Imperfection John Ruskin Arquitectura Adorno Imperfección |
topic |
John Ruskin Arquitetura Ornamento Imperfeição John Ruskin Architecture Ornament Imperfection John Ruskin Arquitectura Adorno Imperfección |
description |
This paper aims to show and perceive the presence of the living ornament in the formation of John Ruskin's aesthetic thought. His reflections on the expressive work in architecture, manifested above all in its ornamentation, will be taken under the concept of the fantastic paradox of imperfection, which highlights the vitality and pleasure of the worker in his workshop practice. This manifestation of life and happiness could only be achieved by the communion between the manual and intellectual work of its artisans. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-05-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/16949 10.5965/2175234612272020120 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/16949 |
identifier_str_mv |
10.5965/2175234612272020120 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/16949/11401 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Eliane Baader de Lima http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Eliane Baader de Lima http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 12 No. 27 (2020): Linha Teoria e História da Arte; 120-133 Palíndromo; v. 12 n. 27 (2020): Linha Teoria e História da Arte; 120-133 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041812842479616 |