Through views, worlds and rivers:: art and digital technology in Denilson Baniwa's pussanga

Detalhes bibliográficos
Autor(a) principal: Queiroz, Elisa Vieira
Data de Publicação: 2021
Outros Autores: Almeida, Débora Caroline Viana
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/19247
Resumo: The interview discusses the use of digital technology and digital media as paths for the arts, poetics and defense of the identities of native peoples. The interviewee is the artist Denilson Baniwa, an exponent of contemporary Brazilian art that uses different languages such as performance, drawings and laser projection. Its artistic production process also arises from the historical struggles of the indigenous movement in Brazil and surpasses this scenario withfictional proposals for the creation of other worlds through technology. In addition, the artist uses social networks as a channel of circulation and communication of greater reach to forge territories and identities. The interview was conducted during the covid-19 pandemic in a period of social isolation, which emphasizes the importance of access to art and digital technology inadverse times.
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spelling Through views, worlds and rivers:: art and digital technology in Denilson Baniwa's pussangaEntre vistas, mundos y ríos:: arte y tecnología digital en el pussanga de Denilson BaniwaEntre vistas, mundos e rios:: arte e tecnologia digital na pussanga de Denilson BaniwaDenilson Baniwa.Arte Contemporânea.Tecnologia.Arte Indígena.Denilson Baniwa.Contemporary Art.Technology.Indigenous Art.Denilson Baniwa.Arte Contemporáneo.Tecnología.Arte Indígena.The interview discusses the use of digital technology and digital media as paths for the arts, poetics and defense of the identities of native peoples. The interviewee is the artist Denilson Baniwa, an exponent of contemporary Brazilian art that uses different languages such as performance, drawings and laser projection. Its artistic production process also arises from the historical struggles of the indigenous movement in Brazil and surpasses this scenario withfictional proposals for the creation of other worlds through technology. In addition, the artist uses social networks as a channel of circulation and communication of greater reach to forge territories and identities. The interview was conducted during the covid-19 pandemic in a period of social isolation, which emphasizes the importance of access to art and digital technology inadverse times.La entrevista analiza el uso de la tecnología digital y los medios digitales como caminos para las artes, la poética y la defensa de las identidades de los pueblos originarios. El entrevistado es el artista Denilson Baniwa, exponente del arte brasileño contemporáneo que utiliza diferentes lenguajes como la performance, el dibujo y la proyección láser. Su proceso de producción artística también surge de las luchas históricas del movimiento indígena en Brasil y supera este escenario con propuestas ficticias para la creación de otros mundos a través de la tecnología. Además, el artista utiliza las redes sociales como canal de circulación y comunicación de mayor alcance para forjar territorios e identidades. Laentrevista se realizó durante la pandemia del covid-19 en un período de aislamiento social, lo queenfatiza la importancia del acceso al arte y la tecnología digital en tiempos adversos.A entrevista aborda o uso da tecnologia digital e das mídias digitais como caminhos para artes, poéticas e defesa das identidades dos povos originários. O entrevistado é o artista Denilson Baniwa, expoente da arte contemporânea brasileira que utiliza diversas linguagens como performance, desenhos e projeção à laser. O seu processo de produção artística também surge das lutas históricas do movimento indígena do Brasil e ultrapassa esse cenário com proposições ficcionais de criação de outros mundos mediante a tecnologia. Além disso, o artista utiliza as redes sociais como canal de circulação e comunicação de maior alcance para forjar territórios e identidades. A entrevista foi realizada durante a pandemia de covid-19 em período de isolamento social, o que enfatiza a importância do acesso à arte e à tecnologia digital em tempos adversos.Universidade do Estado de Santa Catarina2021-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1924710.5965/2175234613292021250Palíndromo; Vol. 13 No. 29 (2021): arts, technoly; 250 - 267Palíndromo; v. 13 n. 29 (2021): Dossiê Artes, tecnologias digitais e o ensino em tempos de isolamento social; 250 - 2672175-23461984-953210.5965/2175234613292021001reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/19247/12608Copyright (c) 2020 Elisa Vieira Queirózhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessQueiroz, Elisa VieiraAlmeida, Débora Caroline Viana2021-04-07T22:19:32Zoai:ojs.revistas.udesc.br:article/19247Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2021-04-07T22:19:32Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Through views, worlds and rivers:: art and digital technology in Denilson Baniwa's pussanga
Entre vistas, mundos y ríos:: arte y tecnología digital en el pussanga de Denilson Baniwa
Entre vistas, mundos e rios:: arte e tecnologia digital na pussanga de Denilson Baniwa
title Through views, worlds and rivers:: art and digital technology in Denilson Baniwa's pussanga
spellingShingle Through views, worlds and rivers:: art and digital technology in Denilson Baniwa's pussanga
Queiroz, Elisa Vieira
Denilson Baniwa.
Arte Contemporânea.
Tecnologia.
Arte Indígena.
Denilson Baniwa.
Contemporary Art.
Technology.
Indigenous Art.
Denilson Baniwa.
Arte Contemporáneo.
Tecnología.
Arte Indígena.
title_short Through views, worlds and rivers:: art and digital technology in Denilson Baniwa's pussanga
title_full Through views, worlds and rivers:: art and digital technology in Denilson Baniwa's pussanga
title_fullStr Through views, worlds and rivers:: art and digital technology in Denilson Baniwa's pussanga
title_full_unstemmed Through views, worlds and rivers:: art and digital technology in Denilson Baniwa's pussanga
title_sort Through views, worlds and rivers:: art and digital technology in Denilson Baniwa's pussanga
author Queiroz, Elisa Vieira
author_facet Queiroz, Elisa Vieira
Almeida, Débora Caroline Viana
author_role author
author2 Almeida, Débora Caroline Viana
author2_role author
dc.contributor.author.fl_str_mv Queiroz, Elisa Vieira
Almeida, Débora Caroline Viana
dc.subject.por.fl_str_mv Denilson Baniwa.
Arte Contemporânea.
Tecnologia.
Arte Indígena.
Denilson Baniwa.
Contemporary Art.
Technology.
Indigenous Art.
Denilson Baniwa.
Arte Contemporáneo.
Tecnología.
Arte Indígena.
topic Denilson Baniwa.
Arte Contemporânea.
Tecnologia.
Arte Indígena.
Denilson Baniwa.
Contemporary Art.
Technology.
Indigenous Art.
Denilson Baniwa.
Arte Contemporáneo.
Tecnología.
Arte Indígena.
description The interview discusses the use of digital technology and digital media as paths for the arts, poetics and defense of the identities of native peoples. The interviewee is the artist Denilson Baniwa, an exponent of contemporary Brazilian art that uses different languages such as performance, drawings and laser projection. Its artistic production process also arises from the historical struggles of the indigenous movement in Brazil and surpasses this scenario withfictional proposals for the creation of other worlds through technology. In addition, the artist uses social networks as a channel of circulation and communication of greater reach to forge territories and identities. The interview was conducted during the covid-19 pandemic in a period of social isolation, which emphasizes the importance of access to art and digital technology inadverse times.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/19247
10.5965/2175234613292021250
url https://www.revistas.udesc.br/index.php/palindromo/article/view/19247
identifier_str_mv 10.5965/2175234613292021250
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/19247/12608
dc.rights.driver.fl_str_mv Copyright (c) 2020 Elisa Vieira Queiróz
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Elisa Vieira Queiróz
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 13 No. 29 (2021): arts, technoly; 250 - 267
Palíndromo; v. 13 n. 29 (2021): Dossiê Artes, tecnologias digitais e o ensino em tempos de isolamento social; 250 - 267
2175-2346
1984-9532
10.5965/2175234613292021001
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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