The nymph in the tiles of Adriana Varejão

Detalhes bibliográficos
Autor(a) principal: Zortéa, Adriel Dalmolin
Data de Publicação: 2021
Outros Autores: Campos, Daniela Queiróz
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/19689
Resumo: This article focuses on the Nymph present in the works of plastic artist Adriana Varejão (1964-). Born in Rio de Janeiro, Varejão's imagery is a highlight in the contemporary artistic circuit. The images are analyzed through theorical questions articulated with the Nymph, raised by art historian Aby Warburg works, and incorporated and revisited by the works of Georges Didi-Huberman in art history. The nymphs in Varejão were singled out from three of the images present in the series Saunas e Banhos - entangled in the tiles, beloved object by the artist - through the similarities with images produced in other historical periods, also problematized as nymphs.
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spelling The nymph in the tiles of Adriana VarejãoLa nymphe dans les tuiles de Adriana VarejãoA ninfa nos azulejos de Adriana VarejãoAdriana VarejãoNinfaAzulejoArte ContemporâneaAdriana VarejãoNymphTileContemporany ArtNympheAdriana VarejãoTuilleArt contemporainThis article focuses on the Nymph present in the works of plastic artist Adriana Varejão (1964-). Born in Rio de Janeiro, Varejão's imagery is a highlight in the contemporary artistic circuit. The images are analyzed through theorical questions articulated with the Nymph, raised by art historian Aby Warburg works, and incorporated and revisited by the works of Georges Didi-Huberman in art history. The nymphs in Varejão were singled out from three of the images present in the series Saunas e Banhos - entangled in the tiles, beloved object by the artist - through the similarities with images produced in other historical periods, also problematized as nymphs.L'étude met en évidence une nymphe dans l'œuvre de l'artiste Adriana Varejão (1964-). Née à Rio de Janeiro, les images de la brésilienne Adriana Varejão se démarquent dans le circuit artistique contemporain. Les images sont analysées à partir de questions théoriques articulées avec la Nymph, formulées par l'historien de l'art Aby Warburg dans son œuvre fertile, incorporées et revisitées par l'histoire de l'art écrite par Georges Didi-Huberman. Les Nymphes en Varejão ont été indiquées dans trois de leurs images de la série Saunas e Banhos - enracinées avec la tuile, objet chère à l'artiste - basées sur des similitudes avec des images produites à d'autres époques historiques, également problématisées comme nymphes.O estudo aponta a ninfa na obra da artista plástica Adriana Varejão (1964-). Nascida no Rio de Janeiro, as imagens da brasileira Adriana Varejão destacam-se no circuito artístico contemporâneo. Analisam-se as imagens a partir de questões teóricas articuladas com a Ninfa, formuladas pelo historiador da arte Aby Warburg em sua fértil obra, incorporadas e revisitadas pela história da arte escrita por Georges Didi-Huberman. As ninfas em Varejão foram indicadas em três de suas imagens da série Saunas e Banhos – entranhadas ao azulejo, tema/objeto caro à artista – a partir de similitudes para com imagens produzidas em outros tempos históricos, também problematizadas como ninfas.Universidade do Estado de Santa Catarina2021-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1968910.5965/2175234613302021272Palíndromo; Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 272-290Palíndromo; v. 13 n. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 272-2902175-23461984-953210.5965/10.5965/2175234613302021reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/19689/12915Copyright (c) 2021 Adriel Dalmolin Zortéa, Daniela Queiróz Camposhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessZortéa, Adriel DalmolinCampos, Daniela Queiróz2021-05-01T10:37:02Zoai:ojs.revistas.udesc.br:article/19689Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2021-05-01T10:37:02Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv The nymph in the tiles of Adriana Varejão
La nymphe dans les tuiles de Adriana Varejão
A ninfa nos azulejos de Adriana Varejão
title The nymph in the tiles of Adriana Varejão
spellingShingle The nymph in the tiles of Adriana Varejão
Zortéa, Adriel Dalmolin
Adriana Varejão
Ninfa
Azulejo
Arte Contemporânea
Adriana Varejão
Nymph
Tile
Contemporany Art
Nymphe
Adriana Varejão
Tuille
Art contemporain
title_short The nymph in the tiles of Adriana Varejão
title_full The nymph in the tiles of Adriana Varejão
title_fullStr The nymph in the tiles of Adriana Varejão
title_full_unstemmed The nymph in the tiles of Adriana Varejão
title_sort The nymph in the tiles of Adriana Varejão
author Zortéa, Adriel Dalmolin
author_facet Zortéa, Adriel Dalmolin
Campos, Daniela Queiróz
author_role author
author2 Campos, Daniela Queiróz
author2_role author
dc.contributor.author.fl_str_mv Zortéa, Adriel Dalmolin
Campos, Daniela Queiróz
dc.subject.por.fl_str_mv Adriana Varejão
Ninfa
Azulejo
Arte Contemporânea
Adriana Varejão
Nymph
Tile
Contemporany Art
Nymphe
Adriana Varejão
Tuille
Art contemporain
topic Adriana Varejão
Ninfa
Azulejo
Arte Contemporânea
Adriana Varejão
Nymph
Tile
Contemporany Art
Nymphe
Adriana Varejão
Tuille
Art contemporain
description This article focuses on the Nymph present in the works of plastic artist Adriana Varejão (1964-). Born in Rio de Janeiro, Varejão's imagery is a highlight in the contemporary artistic circuit. The images are analyzed through theorical questions articulated with the Nymph, raised by art historian Aby Warburg works, and incorporated and revisited by the works of Georges Didi-Huberman in art history. The nymphs in Varejão were singled out from three of the images present in the series Saunas e Banhos - entangled in the tiles, beloved object by the artist - through the similarities with images produced in other historical periods, also problematized as nymphs.
publishDate 2021
dc.date.none.fl_str_mv 2021-05-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/19689
10.5965/2175234613302021272
url https://www.revistas.udesc.br/index.php/palindromo/article/view/19689
identifier_str_mv 10.5965/2175234613302021272
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/19689/12915
dc.rights.driver.fl_str_mv Copyright (c) 2021 Adriel Dalmolin Zortéa, Daniela Queiróz Campos
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Adriel Dalmolin Zortéa, Daniela Queiróz Campos
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 272-290
Palíndromo; v. 13 n. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 272-290
2175-2346
1984-9532
10.5965/10.5965/2175234613302021
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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