CENA DE INTERIOR II AND QUEERMUSEU: CARTOGRAPHY OF THE DIFFERENCES IN BRAZILIAN ART SILENCED AT PORTO ALEGRE (2017)
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Data de Publicação: | 2019 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/12341 |
Resumo: | This article intende to present the diferente narratives produced about Adriana Varejão ‘s “Cena de Interior II (1994)”, which was part of the exibition “Queermuseu: Cartografias da Diferença na Arte Brasileira” inaugurated and closed in 2017, in space Santander Cultural (Porto Alegre). Using studies on image, history and visual culture, this article analyzes the different narratives that this work provided in some of the exhibitions. Thinking that objects in a state of exposure accumulate discourses from different expository contexts (such as a film narrative), there is a network of (non-neutral) choices that are not exhausted in curatorial discourse. In this way, we can affirm that the same image can suffer different interpretations according to the exhibition space in which it is, as well as from the central theme of the exhibitions in which the work is present. Focusing on the specific study of the narrative produced by the work in the exhibition “Queermuseu”, we evidenced the attacks of the conservative groups, which led to its closure (silencing). |
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CENA DE INTERIOR II AND QUEERMUSEU: CARTOGRAPHY OF THE DIFFERENCES IN BRAZILIAN ART SILENCED AT PORTO ALEGRE (2017)CENA DE INTERIOR II Y QUEERMUSEU: CARTOGRAFÍAS DE LAS DIFERENCIAS EN EL ARTE BRASILEÑA SILENCIADAS EN PORTO ALEGRE (2017)Cena de interior II e Queermuseu: cartografias das diferenças na arte brasileira silenciadas em Porto Alegre (2017)cultural history of imagescontemporary artart expositionhistória cultural das imagensarte contemporâneaexposição de artehistoria cultural de las imágenesarte contemporaneoexposición de arteThis article intende to present the diferente narratives produced about Adriana Varejão ‘s “Cena de Interior II (1994)”, which was part of the exibition “Queermuseu: Cartografias da Diferença na Arte Brasileira” inaugurated and closed in 2017, in space Santander Cultural (Porto Alegre). Using studies on image, history and visual culture, this article analyzes the different narratives that this work provided in some of the exhibitions. Thinking that objects in a state of exposure accumulate discourses from different expository contexts (such as a film narrative), there is a network of (non-neutral) choices that are not exhausted in curatorial discourse. In this way, we can affirm that the same image can suffer different interpretations according to the exhibition space in which it is, as well as from the central theme of the exhibitions in which the work is present. Focusing on the specific study of the narrative produced by the work in the exhibition “Queermuseu”, we evidenced the attacks of the conservative groups, which led to its closure (silencing).En este artículo se pretende pre-sentar diferentes narrativas producidas sobre y a partir de la obra “Cena de Interior II (1994)”, de Adriana Varejão, que componía la exposición “Queermuseu: Cartografias da Diferença na Arte Brasileira” inaugurada en 2017, en el espacio Santander Cultural (Porto Alegre). Combinando estudios sobre imagen, historia y cultura visual, este artículo analiza las distintas narrativas que esa obra provocó en algunas exposiciones. Pensando que los objetos en exposición acumulan discursos a partir de diferentes contextos (como una narrativa fílmica), hay una red de selecciones (no neutras) que no se agota en el discurso curatorial. De esta forma, podemos afirmar que la misma imagen puede sufrir varias interpretaciones de acuerdo con el espacio expositivo, así como a partir del tema central de las exposiciones. Centrándose en el estudio específico de la narrativa producida por la obra en la exposición “Queermuseu”, evidenciamos los ataques de los grupos conservadores, que llevaron a su cierre (silenciamiento).Este artigo pretende apresentar diferentes narrativas produzidas sobre e a partir da obra "Cena de Interior II (1994)", de Adriana Varejão, que compunha a exposição "Queermuseu: Cartografias da Diferença na Arte Brasileira" inaugurada em 2017, no espaço Santander Cultural (Porto Alegre). Mesclando estudos sobre imagem, história e cultura visual, este artigo analisa as distintas narrativas que essa obra provocou em algumas exposições. Pensando que os objetos em exposição acumulam discursos a partir de diferentes contextos (como uma narrativa fílmica), há uma rede de escolhas (não neutras) que não se esgotam no discurso curatorial. Dessa forma, podemos afirmar que a mesma imagem pode sofrer várias interpretações de acordo com o espaço expositivo, bem como a partir do tema central das exposições. Centrando no estudo específico da narrativa produzida pela obra na exposição "Queermuseu", evidenciamos os ataques dos grupos conservadores, que levaram ao seu fechamento (silenciamento).Universidade do Estado de Santa Catarina2019-09-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1234110.5965/2175234611252019246Palíndromo; Vol. 11 No. 25 (2019): Pesquisa em Arte e Arte Educação; 246-265Palíndromo; v. 11 n. 25 (2019): Pesquisa em Arte e Arte Educação; 246-2652175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/12341/10452Copyright (c) 2019 Palíndromohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSilva, Eduardo Cristiano Hass daSilva, Bárbara Virgínia Groff da2023-04-11T12:58:18Zoai::article/12341Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-04-11T12:58:18Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
CENA DE INTERIOR II AND QUEERMUSEU: CARTOGRAPHY OF THE DIFFERENCES IN BRAZILIAN ART SILENCED AT PORTO ALEGRE (2017) CENA DE INTERIOR II Y QUEERMUSEU: CARTOGRAFÍAS DE LAS DIFERENCIAS EN EL ARTE BRASILEÑA SILENCIADAS EN PORTO ALEGRE (2017) Cena de interior II e Queermuseu: cartografias das diferenças na arte brasileira silenciadas em Porto Alegre (2017) |
title |
CENA DE INTERIOR II AND QUEERMUSEU: CARTOGRAPHY OF THE DIFFERENCES IN BRAZILIAN ART SILENCED AT PORTO ALEGRE (2017) |
spellingShingle |
CENA DE INTERIOR II AND QUEERMUSEU: CARTOGRAPHY OF THE DIFFERENCES IN BRAZILIAN ART SILENCED AT PORTO ALEGRE (2017) Silva, Eduardo Cristiano Hass da cultural history of images contemporary art art exposition história cultural das imagens arte contemporânea exposição de arte historia cultural de las imágenes arte contemporaneo exposición de arte |
title_short |
CENA DE INTERIOR II AND QUEERMUSEU: CARTOGRAPHY OF THE DIFFERENCES IN BRAZILIAN ART SILENCED AT PORTO ALEGRE (2017) |
title_full |
CENA DE INTERIOR II AND QUEERMUSEU: CARTOGRAPHY OF THE DIFFERENCES IN BRAZILIAN ART SILENCED AT PORTO ALEGRE (2017) |
title_fullStr |
CENA DE INTERIOR II AND QUEERMUSEU: CARTOGRAPHY OF THE DIFFERENCES IN BRAZILIAN ART SILENCED AT PORTO ALEGRE (2017) |
title_full_unstemmed |
CENA DE INTERIOR II AND QUEERMUSEU: CARTOGRAPHY OF THE DIFFERENCES IN BRAZILIAN ART SILENCED AT PORTO ALEGRE (2017) |
title_sort |
CENA DE INTERIOR II AND QUEERMUSEU: CARTOGRAPHY OF THE DIFFERENCES IN BRAZILIAN ART SILENCED AT PORTO ALEGRE (2017) |
author |
Silva, Eduardo Cristiano Hass da |
author_facet |
Silva, Eduardo Cristiano Hass da Silva, Bárbara Virgínia Groff da |
author_role |
author |
author2 |
Silva, Bárbara Virgínia Groff da |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Silva, Eduardo Cristiano Hass da Silva, Bárbara Virgínia Groff da |
dc.subject.por.fl_str_mv |
cultural history of images contemporary art art exposition história cultural das imagens arte contemporânea exposição de arte historia cultural de las imágenes arte contemporaneo exposición de arte |
topic |
cultural history of images contemporary art art exposition história cultural das imagens arte contemporânea exposição de arte historia cultural de las imágenes arte contemporaneo exposición de arte |
description |
This article intende to present the diferente narratives produced about Adriana Varejão ‘s “Cena de Interior II (1994)”, which was part of the exibition “Queermuseu: Cartografias da Diferença na Arte Brasileira” inaugurated and closed in 2017, in space Santander Cultural (Porto Alegre). Using studies on image, history and visual culture, this article analyzes the different narratives that this work provided in some of the exhibitions. Thinking that objects in a state of exposure accumulate discourses from different expository contexts (such as a film narrative), there is a network of (non-neutral) choices that are not exhausted in curatorial discourse. In this way, we can affirm that the same image can suffer different interpretations according to the exhibition space in which it is, as well as from the central theme of the exhibitions in which the work is present. Focusing on the specific study of the narrative produced by the work in the exhibition “Queermuseu”, we evidenced the attacks of the conservative groups, which led to its closure (silencing). |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-09-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/12341 10.5965/2175234611252019246 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/12341 |
identifier_str_mv |
10.5965/2175234611252019246 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/12341/10452 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Palíndromo http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Palíndromo http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 11 No. 25 (2019): Pesquisa em Arte e Arte Educação; 246-265 Palíndromo; v. 11 n. 25 (2019): Pesquisa em Arte e Arte Educação; 246-265 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041812682047488 |