GIUSEPPE PENONE: Por Uma Ontologia da Pele
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/3996 |
Resumo: | The artist Giuseppe Penone follows the traces left in the substances where he sculpts to reveal, in the sculpture, life forms that inhabit those materials. As formulated by Georges Didi-Huberman, making sculpture is to Penone, making a excavation. His work could be thought as a kind of archeology, in which, proceeding by the materical excavation he reveals overlooked worlds. The exercise that we propose here is to critically unfold the issues brought up by his archaeological work in order to proceed in a similar manner: follow the marks left in the material in which he sculpts - or excaves - to inquire, then, what is the nature of those worlds revealed by his excavations-sculpture. |
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GIUSEPPE PENONE: Por Uma Ontologia da PeleGiuseppe Penonesensuous skinGiuseppe Penonesensível peleThe artist Giuseppe Penone follows the traces left in the substances where he sculpts to reveal, in the sculpture, life forms that inhabit those materials. As formulated by Georges Didi-Huberman, making sculpture is to Penone, making a excavation. His work could be thought as a kind of archeology, in which, proceeding by the materical excavation he reveals overlooked worlds. The exercise that we propose here is to critically unfold the issues brought up by his archaeological work in order to proceed in a similar manner: follow the marks left in the material in which he sculpts - or excaves - to inquire, then, what is the nature of those worlds revealed by his excavations-sculpture.O artista Giuseppe Penone percorre os rastros deixados pelas matérias em que esculpe pera revelar, na escultura, as formas de vida que habitam estas matérias. Conforme formulou Georges Didi-Huberman, fazer escultura é então para Penone, fazer uma escavação. Seu trabalho seria pensado como uma espécie de arqueologia, na medida em que, procedendo pela escavação matérica, ele revela mundos obnubilados. O exercício que aqui propomos é desdobrar criticamente as questões trazidas à tona pelo seu trabalho arqueológico, no intuito de proceder de modo análogo, ou seja, seguir as marcas deixadas na matéria em que ele esculpe – ou escava –, para indagarmos, então, qual a natureza destes mundos revelados pelas suas escavações-escultura.Universidade do Estado de Santa Catarina2013-10-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/399610.5965/2175234605092013124Palíndromo; Vol. 5 No. 9 (2013): Palíndromo n° 9Palíndromo; v. 5 n. 9 (2013): Palíndromo n° 92175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/3996/2743Copyright (c) 2013 Marina Andrade Câmara Dayrellhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDayrell, Marina Andrade Câmara2020-09-08T15:56:05Zoai:ojs.revistas.udesc.br:article/3996Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2020-09-08T15:56:05Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
GIUSEPPE PENONE: Por Uma Ontologia da Pele |
title |
GIUSEPPE PENONE: Por Uma Ontologia da Pele |
spellingShingle |
GIUSEPPE PENONE: Por Uma Ontologia da Pele Dayrell, Marina Andrade Câmara Giuseppe Penone sensuous skin Giuseppe Penone sensível pele |
title_short |
GIUSEPPE PENONE: Por Uma Ontologia da Pele |
title_full |
GIUSEPPE PENONE: Por Uma Ontologia da Pele |
title_fullStr |
GIUSEPPE PENONE: Por Uma Ontologia da Pele |
title_full_unstemmed |
GIUSEPPE PENONE: Por Uma Ontologia da Pele |
title_sort |
GIUSEPPE PENONE: Por Uma Ontologia da Pele |
author |
Dayrell, Marina Andrade Câmara |
author_facet |
Dayrell, Marina Andrade Câmara |
author_role |
author |
dc.contributor.author.fl_str_mv |
Dayrell, Marina Andrade Câmara |
dc.subject.por.fl_str_mv |
Giuseppe Penone sensuous skin Giuseppe Penone sensível pele |
topic |
Giuseppe Penone sensuous skin Giuseppe Penone sensível pele |
description |
The artist Giuseppe Penone follows the traces left in the substances where he sculpts to reveal, in the sculpture, life forms that inhabit those materials. As formulated by Georges Didi-Huberman, making sculpture is to Penone, making a excavation. His work could be thought as a kind of archeology, in which, proceeding by the materical excavation he reveals overlooked worlds. The exercise that we propose here is to critically unfold the issues brought up by his archaeological work in order to proceed in a similar manner: follow the marks left in the material in which he sculpts - or excaves - to inquire, then, what is the nature of those worlds revealed by his excavations-sculpture. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-10-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/3996 10.5965/2175234605092013124 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/3996 |
identifier_str_mv |
10.5965/2175234605092013124 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/3996/2743 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2013 Marina Andrade Câmara Dayrell http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2013 Marina Andrade Câmara Dayrell http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 5 No. 9 (2013): Palíndromo n° 9 Palíndromo; v. 5 n. 9 (2013): Palíndromo n° 9 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041814164733952 |