A teaching to come: perspectives in fabulation
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/22758 |
Resumo: | How to build a teaching path in a narrative in which fabulation and literature break through writing, crossing not only the text, but also the experiences in contemporary art-education? Even if the search for answers is what moves a research, in this text, it moves the desire to fable in the path between being and feeling teacher. This is composed do not seek to establish truths, nor to name events, stories, teachers, and students. However, they aim to create a teaching in Visual Arts always to come. In this relationship, being a teacher marks a state in suspension, in a paused movement, while feeling a teacher aligned a movement, breaking with the linearity of training and deriving in narrative possibilities. Such things are explored with the sharing of narratives by some teachers in the State of Santa Catarina. Although located in a wide geographic location, these educators make it possible to create becomings close to the teaching practice in a classroom, whether here or there. Fabulating a teaching in arts consists of narratives, singular and collective, as it speaks to a people to come, in a minor language, always in motion. In this conception, the teachers’ speeches shared in this text do not gain a name or surname, but a space to talk about the reality of teaching, in a kind of foreign language, in such a way that it can reach the fabulation in the interstices of language. |
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A teaching to come: perspectives in fabulationUna enseñanza por venir: perspectivas en la fabulaciónUma docência por vir: perspectivas em fabulaçãoFabulaçãoFormação docenteSer/estar docenteArtes VisuaisFabulationTeacher trainingBeing/feeling a teacherVisual ArtsFabulaciónFormación de profesoresSer/sentirse maestroArtes VisualesHow to build a teaching path in a narrative in which fabulation and literature break through writing, crossing not only the text, but also the experiences in contemporary art-education? Even if the search for answers is what moves a research, in this text, it moves the desire to fable in the path between being and feeling teacher. This is composed do not seek to establish truths, nor to name events, stories, teachers, and students. However, they aim to create a teaching in Visual Arts always to come. In this relationship, being a teacher marks a state in suspension, in a paused movement, while feeling a teacher aligned a movement, breaking with the linearity of training and deriving in narrative possibilities. Such things are explored with the sharing of narratives by some teachers in the State of Santa Catarina. Although located in a wide geographic location, these educators make it possible to create becomings close to the teaching practice in a classroom, whether here or there. Fabulating a teaching in arts consists of narratives, singular and collective, as it speaks to a people to come, in a minor language, always in motion. In this conception, the teachers’ speeches shared in this text do not gain a name or surname, but a space to talk about the reality of teaching, in a kind of foreign language, in such a way that it can reach the fabulation in the interstices of language.¿Cómo construir un camino didáctico en una narrativa en la que la fabulación y la literatura se abren paso a través de la escritura, cruzando no sólo el texto, sino también las experiencias en la educación artística contemporánea? Si bien la búsqueda de respuestas es lo que mueve una investigación, en esta escritura mueve el deseo de fabular en el camino entre ser y sentirse docente, que no buscan establecer verdades, ni nombrar hechos, historias, maestros y alumnos. Sin embargo, pretenden crear una enseñanza en Artes Visuales siempre por venir. En esta relación, ser docente marca un estado en suspensión, en un movimiento pausado, mientras se siente docente alineado con un movimiento, rompiendo con la linealidad de la formación y derivando en posibilidades narrativas. Tales cosas son exploradas en el diálogo con el intercambio de narraciones de algunos maestros en el Estado de Santa Catarina. Aunque ubicados en una amplia ubicación geográfica, estos educadores permiten crear devenires cercanos a la práctica docente en un aula, ya sea aquí o allá. Fabular una enseñanza en artes consiste en narrativas, singulares y colectivas, como habla a un pueblo por venir, en una lengua menor, siempre en movimiento. En esta concepción, los discursos de los docentes compartidos en este texto no ganan un nombre o apellido, sino un espacio para hablar de la realidad de la enseñanza, en una especie de lengua extranjera, de tal manera que pueda llegar a la fabulación en el intersticios del linguaje.Como construir um percurso docente em uma narrativa em que a fabulação e a literatura irrompem escrita afora, atravessando não só o texto, mas também as vivências em arte educação contemporânea? Mesmo que a procura por respostas seja o que move uma pesquisa, nesta escrita, move o desejo de fabular no percurso entre o ser e o estar docente, que não procuram estabelecer verdades, nem nomear acontecimentos, causos, docentes e escolares, mas visam criar uma docência em Artes Visuais sempre por vir. Nesta relação, o ser docente marca um estado em suspensão, em movimento de pausa, enquanto o estar docente alinhava um movimento, rompe com a linearidade da formação e deriva em possibilidades narrativas, exploradas com o compartilhamento de narrativas de algumas professoras e professores do estado de Santa Catarina, que, embora situados em um amplo local geográfico, possibilitam criar devires próximos ao exercício docente em uma sala de aula, seja aqui ou acolá. Fabular uma docência em artes consiste de narrativas, singulares e coletivas, pois fala a um povo por vir, em uma língua menor, sempre em movimento. Nessa concepção, as falas dos docentes compartilhadas no texto não ganham nome ou sobrenome, mas sim um espaço para falar sobre a realidade da docência, em uma espécie de língua estrangeira, de tal modo que possa alcançar a fabulação nos interstícios da linguagem.Universidade do Estado de Santa Catarina2023-02-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2275810.5965/2175234615352023095Palíndromo; Vol. 15 No. 35 (2023): A prática artística como pesquisa em educação; 95-112Palíndromo; v. 15 n. 35 (2023): A prática artística como pesquisa em educação; 95-1122175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/22758/15179Copyright (c) 2023 Carolina Ramos Nuneshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNunes, Carolina Ramos2023-02-01T18:03:52Zoai:ojs.revistas.udesc.br:article/22758Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-02-01T18:03:52Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
A teaching to come: perspectives in fabulation Una enseñanza por venir: perspectivas en la fabulación Uma docência por vir: perspectivas em fabulação |
title |
A teaching to come: perspectives in fabulation |
spellingShingle |
A teaching to come: perspectives in fabulation Nunes, Carolina Ramos Fabulação Formação docente Ser/estar docente Artes Visuais Fabulation Teacher training Being/feeling a teacher Visual Arts Fabulación Formación de profesores Ser/sentirse maestro Artes Visuales |
title_short |
A teaching to come: perspectives in fabulation |
title_full |
A teaching to come: perspectives in fabulation |
title_fullStr |
A teaching to come: perspectives in fabulation |
title_full_unstemmed |
A teaching to come: perspectives in fabulation |
title_sort |
A teaching to come: perspectives in fabulation |
author |
Nunes, Carolina Ramos |
author_facet |
Nunes, Carolina Ramos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Nunes, Carolina Ramos |
dc.subject.por.fl_str_mv |
Fabulação Formação docente Ser/estar docente Artes Visuais Fabulation Teacher training Being/feeling a teacher Visual Arts Fabulación Formación de profesores Ser/sentirse maestro Artes Visuales |
topic |
Fabulação Formação docente Ser/estar docente Artes Visuais Fabulation Teacher training Being/feeling a teacher Visual Arts Fabulación Formación de profesores Ser/sentirse maestro Artes Visuales |
description |
How to build a teaching path in a narrative in which fabulation and literature break through writing, crossing not only the text, but also the experiences in contemporary art-education? Even if the search for answers is what moves a research, in this text, it moves the desire to fable in the path between being and feeling teacher. This is composed do not seek to establish truths, nor to name events, stories, teachers, and students. However, they aim to create a teaching in Visual Arts always to come. In this relationship, being a teacher marks a state in suspension, in a paused movement, while feeling a teacher aligned a movement, breaking with the linearity of training and deriving in narrative possibilities. Such things are explored with the sharing of narratives by some teachers in the State of Santa Catarina. Although located in a wide geographic location, these educators make it possible to create becomings close to the teaching practice in a classroom, whether here or there. Fabulating a teaching in arts consists of narratives, singular and collective, as it speaks to a people to come, in a minor language, always in motion. In this conception, the teachers’ speeches shared in this text do not gain a name or surname, but a space to talk about the reality of teaching, in a kind of foreign language, in such a way that it can reach the fabulation in the interstices of language. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-02-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/22758 10.5965/2175234615352023095 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/22758 |
identifier_str_mv |
10.5965/2175234615352023095 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/22758/15179 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Carolina Ramos Nunes http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Carolina Ramos Nunes http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 15 No. 35 (2023): A prática artística como pesquisa em educação; 95-112 Palíndromo; v. 15 n. 35 (2023): A prática artística como pesquisa em educação; 95-112 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
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1797041816612110336 |