The censures against Claudio Tozzi’s "Guevara,alive or dead..."
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/11045 |
Resumo: | The news of Ernesto “Che” Guevara’s death incited the visual artist Claudio Tozzi to produce a series of panels in his honor. The first of these works, Guevara, alive or dead..., when exhibited at the IV Federal District Modern Art Salon in December 1967, was tagged by a right-wing group and violated by DOPS agents in an attempt to withdraw from the contest. This article proposes a speech, anchored in a phenomenological approach, on the panel in question and approaches it as a victim and witness of the State terrorism operated by the Brazilian military dictatorship (1964-1985), as well as crossed by a dynamic of projection of the Guevara’s image as a mask used by resistance to this regime. In addition, the work is analyzed from the censures it suffered: the first in the aforementioned Brasilia Salon in 1967 and the second, in an episode of self-censorship promoted by the jury, in the awarding of the prizes of the 17th Paulista Modern Art Salon. |
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The censures against Claudio Tozzi’s "Guevara,alive or dead..."As censuras contra "Guevara, vivo ou morto…" de Claudio TozziClaudio Tozzicensuraarte e mortenova figuração brasileiraapropriaçãoClaudio Tozzicensorshipart and deathbrazilian new figurationappropriationThe news of Ernesto “Che” Guevara’s death incited the visual artist Claudio Tozzi to produce a series of panels in his honor. The first of these works, Guevara, alive or dead..., when exhibited at the IV Federal District Modern Art Salon in December 1967, was tagged by a right-wing group and violated by DOPS agents in an attempt to withdraw from the contest. This article proposes a speech, anchored in a phenomenological approach, on the panel in question and approaches it as a victim and witness of the State terrorism operated by the Brazilian military dictatorship (1964-1985), as well as crossed by a dynamic of projection of the Guevara’s image as a mask used by resistance to this regime. In addition, the work is analyzed from the censures it suffered: the first in the aforementioned Brasilia Salon in 1967 and the second, in an episode of self-censorship promoted by the jury, in the awarding of the prizes of the 17th Paulista Modern Art Salon.A notícia da morte de Ernesto “Che” Guevara incitou o artista visual Claudio Tozzi a produzir uma série de painéis em sua homenagem. O primeiro desses trabalhos, Guevara, vivo ou morto…, ao ser exibido no IV Salão de Arte Moderna do Distrito Federal, em dezembro de 1967, foi pichado por um grupo de direita e violentado por agentes do DOPS na tentativa de sua retirada do certame. Este artigo propõe uma fala, ancorada em uma abordagem fenomenológica, sobre o painel em questão e o aborda como vítima e testemunha do terrorismo de Estado operado pela ditadura militar brasileira (1964-1985), assim como atravessado por uma dinâmica de projeção da imagem de Guevara como máscara vestida pela resistência a esse regime. Além disso, a obra é analisada a partir das censuras que sofreu: a primeira no já citado Salão de Brasília de 1967 e a segunda, em um episódio de autocensura promovido por parte do júri, na atribuição dos prêmios do 17º Salão Paulista de Arte Moderna.Universidade do Estado de Santa Catarina2017-12-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1104510.5965/2175234609192017043Palíndromo; Vol. 9 No. 19 (2017): PALÍNDROMO 19; 43-66Palíndromo; v. 9 n. 19 (2017): PALÍNDROMO 19; 43-662175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/11045/8499Copyright (c) 2017 Palíndromohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMedeiros, Alexandre Pedro de2018-07-24T18:52:50Zoai:ojs.revistas.udesc.br:article/11045Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2018-07-24T18:52:50Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
The censures against Claudio Tozzi’s "Guevara,alive or dead..." As censuras contra "Guevara, vivo ou morto…" de Claudio Tozzi |
title |
The censures against Claudio Tozzi’s "Guevara,alive or dead..." |
spellingShingle |
The censures against Claudio Tozzi’s "Guevara,alive or dead..." Medeiros, Alexandre Pedro de Claudio Tozzi censura arte e morte nova figuração brasileira apropriação Claudio Tozzi censorship art and death brazilian new figuration appropriation |
title_short |
The censures against Claudio Tozzi’s "Guevara,alive or dead..." |
title_full |
The censures against Claudio Tozzi’s "Guevara,alive or dead..." |
title_fullStr |
The censures against Claudio Tozzi’s "Guevara,alive or dead..." |
title_full_unstemmed |
The censures against Claudio Tozzi’s "Guevara,alive or dead..." |
title_sort |
The censures against Claudio Tozzi’s "Guevara,alive or dead..." |
author |
Medeiros, Alexandre Pedro de |
author_facet |
Medeiros, Alexandre Pedro de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Medeiros, Alexandre Pedro de |
dc.subject.por.fl_str_mv |
Claudio Tozzi censura arte e morte nova figuração brasileira apropriação Claudio Tozzi censorship art and death brazilian new figuration appropriation |
topic |
Claudio Tozzi censura arte e morte nova figuração brasileira apropriação Claudio Tozzi censorship art and death brazilian new figuration appropriation |
description |
The news of Ernesto “Che” Guevara’s death incited the visual artist Claudio Tozzi to produce a series of panels in his honor. The first of these works, Guevara, alive or dead..., when exhibited at the IV Federal District Modern Art Salon in December 1967, was tagged by a right-wing group and violated by DOPS agents in an attempt to withdraw from the contest. This article proposes a speech, anchored in a phenomenological approach, on the panel in question and approaches it as a victim and witness of the State terrorism operated by the Brazilian military dictatorship (1964-1985), as well as crossed by a dynamic of projection of the Guevara’s image as a mask used by resistance to this regime. In addition, the work is analyzed from the censures it suffered: the first in the aforementioned Brasilia Salon in 1967 and the second, in an episode of self-censorship promoted by the jury, in the awarding of the prizes of the 17th Paulista Modern Art Salon. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-12-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/11045 10.5965/2175234609192017043 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/11045 |
identifier_str_mv |
10.5965/2175234609192017043 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/11045/8499 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Palíndromo http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Palíndromo http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 9 No. 19 (2017): PALÍNDROMO 19; 43-66 Palíndromo; v. 9 n. 19 (2017): PALÍNDROMO 19; 43-66 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041814787588096 |