Image-fiction as an action strategy for possible worlds

Detalhes bibliográficos
Autor(a) principal: Bethonico, Marina Romagnoli
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/13338
Resumo: In this article, an application of the theories of possible worlds in the study of the image and its effects is proposed. After a brief introduction to this theoretical universe, we move on to the context of visual arts, in which there are not many published works on the subject. A notion of “ways of worldmaking” is developed, which emerges from an active image-fiction, established by the “fingere” of the artist. The attitude of self-denunciation of this image allows the viewer to find evidence of its manipulated quality, which ultimately allows for a cognitive change in relation to the constructions and changes that we can make in our so-called real world. After a case study, it is concluded that, like the image, reality is a manipulable matter, and the understanding of this opens up paths for the construction of new contexts in the present.
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spelling Image-fiction as an action strategy for possible worldsL’Image-fiction comme stratégie d’action pour des mondes possiblesA imagem-ficção como estratégia de ação para mundos possíveismundos possíveis imagem-ficçãofingerearte contemporâneateoria da imagempossible worlds image-fictionfingerecontemporary artimage theorymondes possible image-fictionfingereart contemporainthéorie de l’imageIn this article, an application of the theories of possible worlds in the study of the image and its effects is proposed. After a brief introduction to this theoretical universe, we move on to the context of visual arts, in which there are not many published works on the subject. A notion of “ways of worldmaking” is developed, which emerges from an active image-fiction, established by the “fingere” of the artist. The attitude of self-denunciation of this image allows the viewer to find evidence of its manipulated quality, which ultimately allows for a cognitive change in relation to the constructions and changes that we can make in our so-called real world. After a case study, it is concluded that, like the image, reality is a manipulable matter, and the understanding of this opens up paths for the construction of new contexts in the present.Dans cet article, on propose une application des théories des mondes possibles dans l’étude de l’image et de ses effets. Après une brève introduction à cet univers théorique, on passe au contexte des arts visuels, dans lequel il n’y a pas beaucoup d’ouvrages publiés sur ce sujet. On développe l’idée d’une pensée des manières de faire monde, qui émerge d’une image-fiction active, instaurée par le fingere. L’attitude d’auto-dénonciation de cette image permet au spectateur de trouver des pistes de sa qualité manipulée, ce qui permet un changement cognitif par rapport aux constructions et aux changements que nous pouvons réaliser dans notre monde dit réel. Après une étude de cas, on conclut que, comme l’image, la réalité est matière manipulable, et la compréhension de cela ouvre des voies à la construction de nouveaux contextes collectifs.Neste artigo, propõe-se uma aplicação das teorias dos mundos possíveis no estudo da imagem e de seus efeitos. Após uma breve introdução a esse universo teórico, passa-se para o contexto das artes visuais, no qual não existem ainda muitos trabalhos publicados a respeito. Desenvolve-se um pensamento dos modos de fazer mundos, que emerge de uma imagem-ficção ativa, instaurada pelo fingere. A atitude de autodenunciação dessa imagem permite ao espectador encontrar evidências de sua qualidade de manipulada, o que acaba por permitir uma mudança cognitiva em relação às construções e mudanças que podemos realizar no nosso mundo dito real. Após um estudo de caso, conclui-se que, como a imagem, a realidade é matéria manipulável, e a compreensão disso abre vias para a construção de novos contextos na atualidade.Universidade do Estado de Santa Catarina2020-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1333810.5965/2175234612272020199Palíndromo; Vol. 12 No. 27 (2020): Linha Teoria e História da Arte; 199-213Palíndromo; v. 12 n. 27 (2020): Linha Teoria e História da Arte; 199-2132175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/13338/11406Copyright (c) 2020 Palíndromohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBethonico, Marina Romagnoli2023-05-02T12:43:34Zoai::article/13338Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-05-02T12:43:34Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Image-fiction as an action strategy for possible worlds
L’Image-fiction comme stratégie d’action pour des mondes possibles
A imagem-ficção como estratégia de ação para mundos possíveis
title Image-fiction as an action strategy for possible worlds
spellingShingle Image-fiction as an action strategy for possible worlds
Bethonico, Marina Romagnoli
mundos possíveis
imagem-ficção
fingere
arte contemporânea
teoria da imagem
possible worlds
image-fiction
fingere
contemporary art
image theory
mondes possible
image-fiction
fingere
art contemporain
théorie de l’image
title_short Image-fiction as an action strategy for possible worlds
title_full Image-fiction as an action strategy for possible worlds
title_fullStr Image-fiction as an action strategy for possible worlds
title_full_unstemmed Image-fiction as an action strategy for possible worlds
title_sort Image-fiction as an action strategy for possible worlds
author Bethonico, Marina Romagnoli
author_facet Bethonico, Marina Romagnoli
author_role author
dc.contributor.author.fl_str_mv Bethonico, Marina Romagnoli
dc.subject.por.fl_str_mv mundos possíveis
imagem-ficção
fingere
arte contemporânea
teoria da imagem
possible worlds
image-fiction
fingere
contemporary art
image theory
mondes possible
image-fiction
fingere
art contemporain
théorie de l’image
topic mundos possíveis
imagem-ficção
fingere
arte contemporânea
teoria da imagem
possible worlds
image-fiction
fingere
contemporary art
image theory
mondes possible
image-fiction
fingere
art contemporain
théorie de l’image
description In this article, an application of the theories of possible worlds in the study of the image and its effects is proposed. After a brief introduction to this theoretical universe, we move on to the context of visual arts, in which there are not many published works on the subject. A notion of “ways of worldmaking” is developed, which emerges from an active image-fiction, established by the “fingere” of the artist. The attitude of self-denunciation of this image allows the viewer to find evidence of its manipulated quality, which ultimately allows for a cognitive change in relation to the constructions and changes that we can make in our so-called real world. After a case study, it is concluded that, like the image, reality is a manipulable matter, and the understanding of this opens up paths for the construction of new contexts in the present.
publishDate 2020
dc.date.none.fl_str_mv 2020-05-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/13338
10.5965/2175234612272020199
url https://www.revistas.udesc.br/index.php/palindromo/article/view/13338
identifier_str_mv 10.5965/2175234612272020199
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/13338/11406
dc.rights.driver.fl_str_mv Copyright (c) 2020 Palíndromo
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Palíndromo
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 12 No. 27 (2020): Linha Teoria e História da Arte; 199-213
Palíndromo; v. 12 n. 27 (2020): Linha Teoria e História da Arte; 199-213
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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