EPISTEMOLOGY OF ART: THE FRUITION AND ART OBJECT
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/7308 |
Resumo: | In this article, we present a perspecti- ve on the subject / object, spectator / object ofart relations, reflected through the prism of the implications present in the meaning- making process of image reading. The men- tioned considerations are woven from the art object, translatedthrough the multiplicity of possible readings. These readings emphasize subjectivity as volition,however, expounding from paths of objective significance. To ex- plain this relationship, we firstexplain the ex- pressive character of the need for reason as part of the process that brings outmeaning, considering the extreme conceptual and real content of the multiple facets of the artob- ject, merged with critical ethical content. The second part of the thesis holds that art is delineated by a conceptual space, formed from the subjectivity that begins in the sub- ject that sets up the object. In this context, art objects point to the subjectivity of the artist and the spectator in the construction of meaning, through an elaborate creation process. The counterpart to this process is based on the objectivity of the real mate- rial object , which reverberates through the conceptual repertoire of the subject. We also bring to this context the autonomy present in the construction of conceptual significan- ce as substrate possible truths, in order to delineate significant areas. |
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EPISTEMOLOGY OF ART: THE FRUITION AND ART OBJECTEPISTEMOLOGIA DA ARTE: O FRUIDOR E O OBJETO DE ARTEepistemologyobjectivitydubjrctivityfruition art objectepistemologia objetividadesubjetividadefruição objeto de arteIn this article, we present a perspecti- ve on the subject / object, spectator / object ofart relations, reflected through the prism of the implications present in the meaning- making process of image reading. The men- tioned considerations are woven from the art object, translatedthrough the multiplicity of possible readings. These readings emphasize subjectivity as volition,however, expounding from paths of objective significance. To ex- plain this relationship, we firstexplain the ex- pressive character of the need for reason as part of the process that brings outmeaning, considering the extreme conceptual and real content of the multiple facets of the artob- ject, merged with critical ethical content. The second part of the thesis holds that art is delineated by a conceptual space, formed from the subjectivity that begins in the sub- ject that sets up the object. In this context, art objects point to the subjectivity of the artist and the spectator in the construction of meaning, through an elaborate creation process. The counterpart to this process is based on the objectivity of the real mate- rial object , which reverberates through the conceptual repertoire of the subject. We also bring to this context the autonomy present in the construction of conceptual significan- ce as substrate possible truths, in order to delineate significant areas.Por meio deste artigo, trazemos uma perspectiva da relação sujeito/objeto, frui- dor/objeto de arte1, refletida no prisma das implicações presentes no processo de cons- trução de significado da leitura de imagem. As considerações apontadas são tecidas a partir do objeto de arte, traduzidas por meio da multiplicidade de leituras possíveis, que fornecem subsídios enfatizando a subjeti- vidade como volição, porém, dissertando a partir de caminhos de significação objetivá- veis. Para explicitar esta relação, o primeiro aspecto a ser exposto diz respeito ao caráter expressivo da necessidade da razão como parte do processo que faz emergir significa- do, considerando extremos conceituais e os conteúdos de verdade das múltiplas facetas do objeto de arte, fundindo-se ao conteúdo crítico deontológico. O segundo ponto, par- te da tese sobre a qual a arte se delineia me- diante espaço conceitual, formado a partir da subjetividade que se inicia no sujeito que configura o objeto. Neste contexto, os obje- tos de arte apontam para a subjetividade do artista e do fruidor na construção de sentido, por meio de um processo imbricado de cria- ção, em que seu contraponto se apoia sobre a objetividade da realidade material do obje- to reverberada através do repertório concei- tual do sujeito. Trazemos também para este contexto a autonomia presente na cons- trução de significação conceitual enquanto substrato de verdades possíveis, com intuito de delinear campos de significação.Universidade do Estado de Santa Catarina2016-04-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/730810.5965/2175234608152016004Palíndromo; Vol. 8 No. 15 (2016): Palíndromo; 004-019Palíndromo; v. 8 n. 15 (2016): Palíndromo; 004-0192175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/7308/6310Copyright (c) 2016 Tiziana Cocchierihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCocchieri, Tiziana2023-03-24T14:37:40Zoai:ojs.revistas.udesc.br:article/7308Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-03-24T14:37:40Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
EPISTEMOLOGY OF ART: THE FRUITION AND ART OBJECT EPISTEMOLOGIA DA ARTE: O FRUIDOR E O OBJETO DE ARTE |
title |
EPISTEMOLOGY OF ART: THE FRUITION AND ART OBJECT |
spellingShingle |
EPISTEMOLOGY OF ART: THE FRUITION AND ART OBJECT Cocchieri, Tiziana epistemology objectivity dubjrctivity fruition art object epistemologia objetividade subjetividade fruição objeto de arte |
title_short |
EPISTEMOLOGY OF ART: THE FRUITION AND ART OBJECT |
title_full |
EPISTEMOLOGY OF ART: THE FRUITION AND ART OBJECT |
title_fullStr |
EPISTEMOLOGY OF ART: THE FRUITION AND ART OBJECT |
title_full_unstemmed |
EPISTEMOLOGY OF ART: THE FRUITION AND ART OBJECT |
title_sort |
EPISTEMOLOGY OF ART: THE FRUITION AND ART OBJECT |
author |
Cocchieri, Tiziana |
author_facet |
Cocchieri, Tiziana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Cocchieri, Tiziana |
dc.subject.por.fl_str_mv |
epistemology objectivity dubjrctivity fruition art object epistemologia objetividade subjetividade fruição objeto de arte |
topic |
epistemology objectivity dubjrctivity fruition art object epistemologia objetividade subjetividade fruição objeto de arte |
description |
In this article, we present a perspecti- ve on the subject / object, spectator / object ofart relations, reflected through the prism of the implications present in the meaning- making process of image reading. The men- tioned considerations are woven from the art object, translatedthrough the multiplicity of possible readings. These readings emphasize subjectivity as volition,however, expounding from paths of objective significance. To ex- plain this relationship, we firstexplain the ex- pressive character of the need for reason as part of the process that brings outmeaning, considering the extreme conceptual and real content of the multiple facets of the artob- ject, merged with critical ethical content. The second part of the thesis holds that art is delineated by a conceptual space, formed from the subjectivity that begins in the sub- ject that sets up the object. In this context, art objects point to the subjectivity of the artist and the spectator in the construction of meaning, through an elaborate creation process. The counterpart to this process is based on the objectivity of the real mate- rial object , which reverberates through the conceptual repertoire of the subject. We also bring to this context the autonomy present in the construction of conceptual significan- ce as substrate possible truths, in order to delineate significant areas. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-04-18 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/7308 10.5965/2175234608152016004 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/7308 |
identifier_str_mv |
10.5965/2175234608152016004 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/7308/6310 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Tiziana Cocchieri http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Tiziana Cocchieri http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 8 No. 15 (2016): Palíndromo; 004-019 Palíndromo; v. 8 n. 15 (2016): Palíndromo; 004-019 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041814694264833 |