Tônia Carrero’s Photography and her Construction as National Star trough published images at O Cruzeiro and Scena Muda (1947-1955)
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Data de Publicação: | 2019 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | ModaPalavra e-periódico |
Texto Completo: | https://www.revistas.udesc.br/index.php/modapalavra/article/view/14275 |
Resumo: | This article purpose is to establish relations between the image construction of Tônia Carrero (1922-1955) as Brazilian cinema consecrated star trough photographs published by the magazines O Cruzeiro e Scena Muda during the period of 1947 and 1955 –when the Brazilian cinematographic production was industrialized and consequently the attempt of emplacing a star system similar to the Hollywoodian way. During this period, Tônia Carrero initiated her career and starred Vera Cruz Film Production Company (Companhia Cinematográfica Vera Cruz) movies, where she interpreted roles associated with the Hollywoodian good-bad girl archetype. In her photographs published by the press, her image construction as a star was reinforced using clothes, accessories, and postures that connected her image to the glamour or the naïve eroticism of pin-up women –an element which was also used by Hollywoodian cinema in its star construction. |
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Tônia Carrero’s Photography and her Construction as National Star trough published images at O Cruzeiro and Scena Muda (1947-1955)As Fotografias de Tônia Carrero e sua Construção como Estrela Nacional através das Imagens Veiculadas em o Cruzeiro e Scena Muda (1947-1955)Tônia Carrerofotografiastar systemTônia Carrerophotographystar systemThis article purpose is to establish relations between the image construction of Tônia Carrero (1922-1955) as Brazilian cinema consecrated star trough photographs published by the magazines O Cruzeiro e Scena Muda during the period of 1947 and 1955 –when the Brazilian cinematographic production was industrialized and consequently the attempt of emplacing a star system similar to the Hollywoodian way. During this period, Tônia Carrero initiated her career and starred Vera Cruz Film Production Company (Companhia Cinematográfica Vera Cruz) movies, where she interpreted roles associated with the Hollywoodian good-bad girl archetype. In her photographs published by the press, her image construction as a star was reinforced using clothes, accessories, and postures that connected her image to the glamour or the naïve eroticism of pin-up women –an element which was also used by Hollywoodian cinema in its star construction.O objetivo deste artigo é estabelecer relações entre a construção da imagemde Tônia Carrero (1922-2018) enquanto estrela do cinema nacional através desuas fotografias divulgadas nos periódicos O Cruzeiro e Scena Muda durante operíodo de 1947 e 1955, momento da industrialização da produçãocinematográfica brasileira e consequente tentativa de emplacar um estrelismonacional aos moldes hollywoodianos. Neste período, Tônia Carrero iniciava suacarreira e estrelava filmes da Companhia Cinematográfica Vera Cruz, nos quaisinterpretando papéis associados ao arquétipo hollywoodiano da good-bad girl.Já em suas fotografias divulgadas na imprensa a construção de sua imagemcomo estrela era reforçada a partir do uso de roupas, acessórios e poses queconectavam a imagem da atriz ao glamour ou ao erotismo ingênuo das pin-ups– elementos, que eram também explorados pelo cinema hollywoodiano naconstrução da imagem de suas estrelas.Universidade do Estado de Santa Catarina2019-07-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/1427510.5965/1982615x12252019101ModaPalavra e-periódico; Vol. 12 No. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 101-170ModaPalavra e-periódico; Vol. 12 Núm. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 101-170 Modapalavra e-periódico; v. 12 n. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 101-1701982-615X10.5965/1982615x12252019reponame:ModaPalavra e-periódicoinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/14275/10178https://www.revistas.udesc.br/index.php/modapalavra/article/view/14275/10179Copyright (c) 2019 Gabriela Soares Cabral, Maria Claudia Bonadiohttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessCabral, Gabriela SoaresBonadio, Maria Claudia2023-03-20T12:10:00Zoai::article/14275Revistahttps://www.revistas.udesc.br/index.php/modapalavraPUBhttps://www.revistas.udesc.br/index.php/modapalavra/oai||modapalavra@gmail.com1982-615X1982-615Xopendoar:2023-03-20T12:10ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Tônia Carrero’s Photography and her Construction as National Star trough published images at O Cruzeiro and Scena Muda (1947-1955) As Fotografias de Tônia Carrero e sua Construção como Estrela Nacional através das Imagens Veiculadas em o Cruzeiro e Scena Muda (1947-1955) |
title |
Tônia Carrero’s Photography and her Construction as National Star trough published images at O Cruzeiro and Scena Muda (1947-1955) |
spellingShingle |
Tônia Carrero’s Photography and her Construction as National Star trough published images at O Cruzeiro and Scena Muda (1947-1955) Cabral, Gabriela Soares Tônia Carrero fotografia star system Tônia Carrero photography star system |
title_short |
Tônia Carrero’s Photography and her Construction as National Star trough published images at O Cruzeiro and Scena Muda (1947-1955) |
title_full |
Tônia Carrero’s Photography and her Construction as National Star trough published images at O Cruzeiro and Scena Muda (1947-1955) |
title_fullStr |
Tônia Carrero’s Photography and her Construction as National Star trough published images at O Cruzeiro and Scena Muda (1947-1955) |
title_full_unstemmed |
Tônia Carrero’s Photography and her Construction as National Star trough published images at O Cruzeiro and Scena Muda (1947-1955) |
title_sort |
Tônia Carrero’s Photography and her Construction as National Star trough published images at O Cruzeiro and Scena Muda (1947-1955) |
author |
Cabral, Gabriela Soares |
author_facet |
Cabral, Gabriela Soares Bonadio, Maria Claudia |
author_role |
author |
author2 |
Bonadio, Maria Claudia |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Cabral, Gabriela Soares Bonadio, Maria Claudia |
dc.subject.por.fl_str_mv |
Tônia Carrero fotografia star system Tônia Carrero photography star system |
topic |
Tônia Carrero fotografia star system Tônia Carrero photography star system |
description |
This article purpose is to establish relations between the image construction of Tônia Carrero (1922-1955) as Brazilian cinema consecrated star trough photographs published by the magazines O Cruzeiro e Scena Muda during the period of 1947 and 1955 –when the Brazilian cinematographic production was industrialized and consequently the attempt of emplacing a star system similar to the Hollywoodian way. During this period, Tônia Carrero initiated her career and starred Vera Cruz Film Production Company (Companhia Cinematográfica Vera Cruz) movies, where she interpreted roles associated with the Hollywoodian good-bad girl archetype. In her photographs published by the press, her image construction as a star was reinforced using clothes, accessories, and postures that connected her image to the glamour or the naïve eroticism of pin-up women –an element which was also used by Hollywoodian cinema in its star construction. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-07-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/modapalavra/article/view/14275 10.5965/1982615x12252019101 |
url |
https://www.revistas.udesc.br/index.php/modapalavra/article/view/14275 |
identifier_str_mv |
10.5965/1982615x12252019101 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/modapalavra/article/view/14275/10178 https://www.revistas.udesc.br/index.php/modapalavra/article/view/14275/10179 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Gabriela Soares Cabral, Maria Claudia Bonadio http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Gabriela Soares Cabral, Maria Claudia Bonadio http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
ModaPalavra e-periódico; Vol. 12 No. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 101-170 ModaPalavra e-periódico; Vol. 12 Núm. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 101-170 Modapalavra e-periódico; v. 12 n. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 101-170 1982-615X 10.5965/1982615x12252019 reponame:ModaPalavra e-periódico instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
ModaPalavra e-periódico |
collection |
ModaPalavra e-periódico |
repository.name.fl_str_mv |
ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
||modapalavra@gmail.com |
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1798321055980322816 |