Female Emancipation and the sixty fashion of three visionaries: Pierre Cardin, André Courrèges and Paco Rabanne

Detalhes bibliográficos
Autor(a) principal: Ypiranga, Maria Teresa Lopes
Data de Publicação: 2023
Outros Autores: Barros Neto, Dionísio Tito de
Tipo de documento: Artigo
Idioma: por
Título da fonte: ModaPalavra e-periódico
Texto Completo: https://www.revistas.udesc.br/index.php/modapalavra/article/view/22509
Resumo: This work exposes how stylists’ aesthetic productions, entitled: the three visionaries, legitimized the 1960’s fashion decade or appearance regime, and how they, in line with the historical context of the time, acted as agents in the process of female emancipation, the from the concept of Visual Discourse of Lopes, M.T. (2014). We talk about how fashion aroused the processes of women’s emancipation, also highlighting the change in the line of modesty with the use of the mini essay, expanding this aspect to an understanding of it as a struggle for the will to truth (Foucault [(1970)) 203)] that empowered women and the female body of that period.
id UDSC-2_b8933637acdd44635b33863ee9763646
oai_identifier_str oai::article/22509
network_acronym_str UDSC-2
network_name_str ModaPalavra e-periódico
repository_id_str
spelling Female Emancipation and the sixty fashion of three visionaries: Pierre Cardin, André Courrèges and Paco RabanneLa emacipación feminina y la moda sesenta de las tres visionarias: Pierre Cardin, André Courrèges and Paco RabanneEmancipação feminina e a moda sessentinha dos três visionários: Pierre Cardin, André Courreges e Paco Rabanneemancipação femininadiscurso visualmoda - 1960female emancipationvisual discoursefashion - 1960emancipación femeninadiscurso visualmoda - 1960This work exposes how stylists’ aesthetic productions, entitled: the three visionaries, legitimized the 1960’s fashion decade or appearance regime, and how they, in line with the historical context of the time, acted as agents in the process of female emancipation, the from the concept of Visual Discourse of Lopes, M.T. (2014). We talk about how fashion aroused the processes of women’s emancipation, also highlighting the change in the line of modesty with the use of the mini essay, expanding this aspect to an understanding of it as a struggle for the will to truth (Foucault [(1970)) 203)] that empowered women and the female body of that period.Este trabajo expone cómo las producciones estéticas de los estilistas, tituladas: las tres visionarias, legitimaron el régimen de apariencia de la década de 1960 como fenómeno de la moda, y cómo ellos, en consonancia con el contexto histórico de la época, actuaron como agentes en el proceso de emancipación. femenino, desde el concepto de Discurso Visual de Lopes, M.T. (2014). Hablamos también de cómo la moda suscitó los procesos emancipatorios de las mujeres, destacando el cambio en la línea del pudor con el uso de la minifalda, ampliando este aspecto para entenderlo como una lucha por una voluntad de verdad (Foucault [(1970) 2013)] que empoderó a la mujer y al cuerpo femenino de la época.O presente artigo tem como objetivo demonstrar como as produções estéticas dos estilistas intitulados “os três visionários” legitimaram o regime de aparência da década de 1960 enquanto fenômeno de moda, e como eles, em consonância com o contexto histórico da época, atuaram como agentes no processo de emancipação feminina, a  partir do conceito de Discurso Visual de Lopes (2014). Destaca-se a alteração da linha do pudor com o uso da minissaia, por meio da qual a moda suscitou processos emancipatórios das mulheres, ampliando esse aspecto para o entendimento do mesmo como uma luta por uma vontade de verdade Foucault (2013) que empoderou a mulher e o corpo feminino do referido período.Universidade do Estado de Santa Catarina2023-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/epub+ziptext/htmlhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/2250910.5965/1982615x16382023065ModaPalavra e-periódico; Vol. 16 No. 38 (2023): Artes, Moda e Cultura Visual; 65-118ModaPalavra e-periódico; Vol. 16 Núm. 38 (2023): Artes, Moda e Cultura Visual; 65-118 Modapalavra e-periódico; v. 16 n. 38 (2023): Artes, Moda e Cultura Visual; 65-1181982-615X10.5965/1982615x16382023reponame:ModaPalavra e-periódicoinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/22509/15132https://www.revistas.udesc.br/index.php/modapalavra/article/view/22509/15133https://www.revistas.udesc.br/index.php/modapalavra/article/view/22509/15146Copyright (c) 2022 Maria Teresa Lopes Ypiranga, Dionísio Tito de Barros Netohttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessYpiranga, Maria Teresa LopesBarros Neto, Dionísio Tito de2024-02-29T11:46:12Zoai::article/22509Revistahttps://www.revistas.udesc.br/index.php/modapalavraPUBhttps://www.revistas.udesc.br/index.php/modapalavra/oai||modapalavra@gmail.com1982-615X1982-615Xopendoar:2024-02-29T11:46:12ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Female Emancipation and the sixty fashion of three visionaries: Pierre Cardin, André Courrèges and Paco Rabanne
La emacipación feminina y la moda sesenta de las tres visionarias: Pierre Cardin, André Courrèges and Paco Rabanne
Emancipação feminina e a moda sessentinha dos três visionários: Pierre Cardin, André Courreges e Paco Rabanne
title Female Emancipation and the sixty fashion of three visionaries: Pierre Cardin, André Courrèges and Paco Rabanne
spellingShingle Female Emancipation and the sixty fashion of three visionaries: Pierre Cardin, André Courrèges and Paco Rabanne
Ypiranga, Maria Teresa Lopes
emancipação feminina
discurso visual
moda - 1960
female emancipation
visual discourse
fashion - 1960
emancipación femenina
discurso visual
moda - 1960
title_short Female Emancipation and the sixty fashion of three visionaries: Pierre Cardin, André Courrèges and Paco Rabanne
title_full Female Emancipation and the sixty fashion of three visionaries: Pierre Cardin, André Courrèges and Paco Rabanne
title_fullStr Female Emancipation and the sixty fashion of three visionaries: Pierre Cardin, André Courrèges and Paco Rabanne
title_full_unstemmed Female Emancipation and the sixty fashion of three visionaries: Pierre Cardin, André Courrèges and Paco Rabanne
title_sort Female Emancipation and the sixty fashion of three visionaries: Pierre Cardin, André Courrèges and Paco Rabanne
author Ypiranga, Maria Teresa Lopes
author_facet Ypiranga, Maria Teresa Lopes
Barros Neto, Dionísio Tito de
author_role author
author2 Barros Neto, Dionísio Tito de
author2_role author
dc.contributor.author.fl_str_mv Ypiranga, Maria Teresa Lopes
Barros Neto, Dionísio Tito de
dc.subject.por.fl_str_mv emancipação feminina
discurso visual
moda - 1960
female emancipation
visual discourse
fashion - 1960
emancipación femenina
discurso visual
moda - 1960
topic emancipação feminina
discurso visual
moda - 1960
female emancipation
visual discourse
fashion - 1960
emancipación femenina
discurso visual
moda - 1960
description This work exposes how stylists’ aesthetic productions, entitled: the three visionaries, legitimized the 1960’s fashion decade or appearance regime, and how they, in line with the historical context of the time, acted as agents in the process of female emancipation, the from the concept of Visual Discourse of Lopes, M.T. (2014). We talk about how fashion aroused the processes of women’s emancipation, also highlighting the change in the line of modesty with the use of the mini essay, expanding this aspect to an understanding of it as a struggle for the will to truth (Foucault [(1970)) 203)] that empowered women and the female body of that period.
publishDate 2023
dc.date.none.fl_str_mv 2023-01-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/modapalavra/article/view/22509
10.5965/1982615x16382023065
url https://www.revistas.udesc.br/index.php/modapalavra/article/view/22509
identifier_str_mv 10.5965/1982615x16382023065
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/modapalavra/article/view/22509/15132
https://www.revistas.udesc.br/index.php/modapalavra/article/view/22509/15133
https://www.revistas.udesc.br/index.php/modapalavra/article/view/22509/15146
dc.rights.driver.fl_str_mv Copyright (c) 2022 Maria Teresa Lopes Ypiranga, Dionísio Tito de Barros Neto
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Maria Teresa Lopes Ypiranga, Dionísio Tito de Barros Neto
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/epub+zip
text/html
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv ModaPalavra e-periódico; Vol. 16 No. 38 (2023): Artes, Moda e Cultura Visual; 65-118
ModaPalavra e-periódico; Vol. 16 Núm. 38 (2023): Artes, Moda e Cultura Visual; 65-118
Modapalavra e-periódico; v. 16 n. 38 (2023): Artes, Moda e Cultura Visual; 65-118
1982-615X
10.5965/1982615x16382023
reponame:ModaPalavra e-periódico
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str ModaPalavra e-periódico
collection ModaPalavra e-periódico
repository.name.fl_str_mv ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv ||modapalavra@gmail.com
_version_ 1798321056889438208

Registros relacionados