The sublime fashion of the brand Ronaldo Fraga
Autor(a) principal: | |
---|---|
Data de Publicação: | 2023 |
Outros Autores: | , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | ModaPalavra e-periódico |
Texto Completo: | https://www.revistas.udesc.br/index.php/modapalavra/article/view/22517 |
Resumo: | This study explored the otherness of things and the sublime (HAN, 2019b) to present the concept of sublime fashion, expanding the conceptualization of authorial fashion. It was based on how sociomateriality manifests itself and constitutes the auretization of the process of creating an authorial fashion brand. The article had a brief discussion about fashion (MCCRACKEN, 2003), notions of materiality from the relational perspective of object orientation (HARMAN, 2018; DELANDA, 2016) and also about alterity and the sublime (HAN, 2019a; 2019b). When detailing the case of Ronaldo Fraga with an interpretative approach, he considered the constitutive elements of the brand and the vision of managers and their consumers, observing the overlaps between creator, object and consumption network. The analyzes show the experiences of materiality’s ravishment, antagonisms and the unusual and disconcerting effects of the sublime for the world and those that return to the creator. |
id |
UDSC-2_eb73d9d381efc73426556d716db3b0df |
---|---|
oai_identifier_str |
oai::article/22517 |
network_acronym_str |
UDSC-2 |
network_name_str |
ModaPalavra e-periódico |
repository_id_str |
|
spelling |
The sublime fashion of the brand Ronaldo FragaLa sublime moda de la marca Ronaldo FragaA moda sublime da marca Ronaldo Fraga fashionculture and consumptionsociomaterialitymodacultura y consumosociomaterialidadmoda autoralalteridade e consumosociomaterialidadeThis study explored the otherness of things and the sublime (HAN, 2019b) to present the concept of sublime fashion, expanding the conceptualization of authorial fashion. It was based on how sociomateriality manifests itself and constitutes the auretization of the process of creating an authorial fashion brand. The article had a brief discussion about fashion (MCCRACKEN, 2003), notions of materiality from the relational perspective of object orientation (HARMAN, 2018; DELANDA, 2016) and also about alterity and the sublime (HAN, 2019a; 2019b). When detailing the case of Ronaldo Fraga with an interpretative approach, he considered the constitutive elements of the brand and the vision of managers and their consumers, observing the overlaps between creator, object and consumption network. The analyzes show the experiences of materiality’s ravishment, antagonisms and the unusual and disconcerting effects of the sublime for the world and those that return to the creator.Este estudio exploró la alteridad de las cosas y lo sublime (HAN, 2019b) para presentar el concepto de moda sublime, ampliando la conceptualización de la moda autoral. Se partió de cómo la sociomaterialidad se manifiesta y constituye la auretización del proceso de creación de una marca de moda autoral. El artículo tuvo una breve discusión sobre la moda (MCCRACKEN, 2003) las nociones de materialidad desde la perspectiva relacional de la orientación a objetos (HARMAN, 2018; DELANDA, 2016) y también sobre la alteridad y lo sublime (HAN, 2019a; 2019b). Al detallar el caso de Ronaldo Fraga de manera interpretativa, consideró los elementos constitutivos de la marca y la visión de los gestores y sus consumidores, observando las superposiciones entre creador, objeto y red de consumo. Los análisis muestran las experiencias de rapto de la materialidad, los antagonismos y los efectos insólitos y desconcertantes de lo sublime para el mundo y los que vuelven al creador. Este estudo explora a alteridade das coisas e o sublime (HAN, 2019b) para apresentar o conceito de marca de moda sublime expandindo a conceptualização de moda autoral. A partir do caso Ronaldo Fraga, busca-se entender como a sociomaterialidade se manifesta, constituindo a auretização do processo de criação de uma marca de moda. O artigo conta com uma breve discussão sobre moda (MCCRACKEN, 2003) noções de materialidade pela ótica relacional da orientação a objetos (HARMAN, 2018; DELANDA, 2016) e também de alteridade e o sublime (HAN, 2019a; 2019b). Esta pesquisa interpretativista, considera os elementos constitutivos da marca e a visão dos gestores e de suas consumidoras por meio de entrevistas realizadas em 2019, observando os imbricamentos entre criador, objeto e rede de consumo. As análises qualitativas mostram as experiências de arrebatamento da materialidade, antagonismos e os efeitos inusitados e desconcertantes do sublime para o mundo e os que retornam para o criador. Universidade do Estado de Santa Catarina2023-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/epub+ziptext/htmlhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/2251710.5965/1982615x16382023227ModaPalavra e-periódico; Vol. 16 No. 38 (2023): Artes, Moda e Cultura Visual; 227-288ModaPalavra e-periódico; Vol. 16 Núm. 38 (2023): Artes, Moda e Cultura Visual; 227-288 Modapalavra e-periódico; v. 16 n. 38 (2023): Artes, Moda e Cultura Visual; 227-2881982-615X10.5965/1982615x16382023reponame:ModaPalavra e-periódicoinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/22517/15134https://www.revistas.udesc.br/index.php/modapalavra/article/view/22517/15135https://www.revistas.udesc.br/index.php/modapalavra/article/view/22517/15144Copyright (c) 2022 Camila Braga Soares Pinto, Ana Paula Celso de Miranda, Maribel Carvalho Suarez, Leandro Pinheiro Chevitaresehttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessPinto, Camila Braga SoaresMiranda, Ana Paula Celso deSuarez, Maribel CarvalhoChevitarese, Leandro Pinheiro2024-02-29T11:46:06Zoai::article/22517Revistahttps://www.revistas.udesc.br/index.php/modapalavraPUBhttps://www.revistas.udesc.br/index.php/modapalavra/oai||modapalavra@gmail.com1982-615X1982-615Xopendoar:2024-02-29T11:46:06ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
The sublime fashion of the brand Ronaldo Fraga La sublime moda de la marca Ronaldo Fraga A moda sublime da marca Ronaldo Fraga |
title |
The sublime fashion of the brand Ronaldo Fraga |
spellingShingle |
The sublime fashion of the brand Ronaldo Fraga Pinto, Camila Braga Soares fashion culture and consumption sociomateriality moda cultura y consumo sociomaterialidad moda autoral alteridade e consumo sociomaterialidade |
title_short |
The sublime fashion of the brand Ronaldo Fraga |
title_full |
The sublime fashion of the brand Ronaldo Fraga |
title_fullStr |
The sublime fashion of the brand Ronaldo Fraga |
title_full_unstemmed |
The sublime fashion of the brand Ronaldo Fraga |
title_sort |
The sublime fashion of the brand Ronaldo Fraga |
author |
Pinto, Camila Braga Soares |
author_facet |
Pinto, Camila Braga Soares Miranda, Ana Paula Celso de Suarez, Maribel Carvalho Chevitarese, Leandro Pinheiro |
author_role |
author |
author2 |
Miranda, Ana Paula Celso de Suarez, Maribel Carvalho Chevitarese, Leandro Pinheiro |
author2_role |
author author author |
dc.contributor.author.fl_str_mv |
Pinto, Camila Braga Soares Miranda, Ana Paula Celso de Suarez, Maribel Carvalho Chevitarese, Leandro Pinheiro |
dc.subject.por.fl_str_mv |
fashion culture and consumption sociomateriality moda cultura y consumo sociomaterialidad moda autoral alteridade e consumo sociomaterialidade |
topic |
fashion culture and consumption sociomateriality moda cultura y consumo sociomaterialidad moda autoral alteridade e consumo sociomaterialidade |
description |
This study explored the otherness of things and the sublime (HAN, 2019b) to present the concept of sublime fashion, expanding the conceptualization of authorial fashion. It was based on how sociomateriality manifests itself and constitutes the auretization of the process of creating an authorial fashion brand. The article had a brief discussion about fashion (MCCRACKEN, 2003), notions of materiality from the relational perspective of object orientation (HARMAN, 2018; DELANDA, 2016) and also about alterity and the sublime (HAN, 2019a; 2019b). When detailing the case of Ronaldo Fraga with an interpretative approach, he considered the constitutive elements of the brand and the vision of managers and their consumers, observing the overlaps between creator, object and consumption network. The analyzes show the experiences of materiality’s ravishment, antagonisms and the unusual and disconcerting effects of the sublime for the world and those that return to the creator. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-01-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/modapalavra/article/view/22517 10.5965/1982615x16382023227 |
url |
https://www.revistas.udesc.br/index.php/modapalavra/article/view/22517 |
identifier_str_mv |
10.5965/1982615x16382023227 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/modapalavra/article/view/22517/15134 https://www.revistas.udesc.br/index.php/modapalavra/article/view/22517/15135 https://www.revistas.udesc.br/index.php/modapalavra/article/view/22517/15144 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/epub+zip text/html |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
ModaPalavra e-periódico; Vol. 16 No. 38 (2023): Artes, Moda e Cultura Visual; 227-288 ModaPalavra e-periódico; Vol. 16 Núm. 38 (2023): Artes, Moda e Cultura Visual; 227-288 Modapalavra e-periódico; v. 16 n. 38 (2023): Artes, Moda e Cultura Visual; 227-288 1982-615X 10.5965/1982615x16382023 reponame:ModaPalavra e-periódico instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
ModaPalavra e-periódico |
collection |
ModaPalavra e-periódico |
repository.name.fl_str_mv |
ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
||modapalavra@gmail.com |
_version_ |
1798321056893632512 |