Jorge Amado and the family myth of Ojuaruá
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | A Cor das Letras |
Texto Completo: | http://periodicos.uefs.br/index.php/acordasletras/article/view/7764 |
Resumo: | Black-oral literatures corroborate the construction of Brazilian identities, especially with regard to the representation of Bahian identity, they are one of the riches found in Jorge Amado's literature. The Work O Compadre de Ogum brings with it essential identity representations for understanding the influence of black myths on the Brazilian social body. In it, Jorge Amado demonstrates, through the candomblé myths in the lives of subjects / initiates, the continuity of black identities, and does so in a narrative based on humor and syncretism. Thus, the present article, based on the reflections of scholars like Stuart Hall (2014), Luiz Silva (2010), consists of an analysis of black identities and their representations through the Ojuaruá family, a family with complex identities and. However, the narrative demonstrates how we are all, fictional or real characters, immersed in the mythological context of the orixás. The representation of the orixás' poetics and their identities, in O Compadre de Ogum, allows us to study devices that present themselves as traces of denunciation of religious racism, as well as allowing us to analyze that life is in confluence with black-religious mythology. Therefore, it is discussed about representations and identities of black characters in their forms and movements in the society represented by Amadian literature. |
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Jorge Amado and the family myth of Ojuaruá Jorge Amado e o mito da família de OjuaruáJorge AmadoRepresentaçãoIdentidadeMitoAncestralidadeBlack-oral literatures corroborate the construction of Brazilian identities, especially with regard to the representation of Bahian identity, they are one of the riches found in Jorge Amado's literature. The Work O Compadre de Ogum brings with it essential identity representations for understanding the influence of black myths on the Brazilian social body. In it, Jorge Amado demonstrates, through the candomblé myths in the lives of subjects / initiates, the continuity of black identities, and does so in a narrative based on humor and syncretism. Thus, the present article, based on the reflections of scholars like Stuart Hall (2014), Luiz Silva (2010), consists of an analysis of black identities and their representations through the Ojuaruá family, a family with complex identities and. However, the narrative demonstrates how we are all, fictional or real characters, immersed in the mythological context of the orixás. The representation of the orixás' poetics and their identities, in O Compadre de Ogum, allows us to study devices that present themselves as traces of denunciation of religious racism, as well as allowing us to analyze that life is in confluence with black-religious mythology. Therefore, it is discussed about representations and identities of black characters in their forms and movements in the society represented by Amadian literature.As literaturas negro-orais corroboram com a construção das identidades brasileiras, especialmente no que concerne a representação da identidade baiana, elas são uma das riquezas encontradas na literatura de Jorge Amado. A Obra O Compadre de Ogum traz consigo representações identitárias primordiais para a compreensão da influência dos mitos negros no corpo social brasileiro. Nela, Jorge Amado demonstra, através dos mitos do candomblé na vida dos sujeitos/iniciados, a continuidade das identidades negras, e faz isso numa narrativa assentada no humor e sincretismo. Desse modo, o presente artigo, a partir das reflexões de estudiosos como Stuart Hall (2014), Luiz Silva (2010), consiste numa análise de identidades negras e suas representações por meio da família de Ojuaruá, uma família com identidades complexas. Todavia, a narrativa demonstra como estamos todos, personagens ficcionais ou reais, imersos no contexto mitológico dos orixás. A representação da poética dos orixás e suas identidades, em O Compadre de Ogum, nos permite estudar dispositivos que se apresentam como traços de denúncia de racismo religioso, bem como, também permite analisar que a vida está em confluência a mitologia negro-religiosa. Portanto, se discute sobre representações e identidades de personagens negras em suas formas e movimentos na sociedade representada pela literatura amadiana.UNIVERSIDADE ESTADUAL DE FEIRA DE SANTANA2022-05-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.uefs.br/index.php/acordasletras/article/view/776410.13102/cl.v22i3.7764A Cor das Letras; v. 23 n. 1 (2022): Estudos Literários; 74-932594-96751415-8973reponame:A Cor das Letrasinstname:Universidade Estadual de Feira de Santana (UEFS)instacron:UEFSporhttp://periodicos.uefs.br/index.php/acordasletras/article/view/7764/6859Copyright (c) 2022 A Cor das Letrashttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessSantos, Alisson Vital OliveiraSilva, Edil Costa 2022-12-31T21:15:33Zoai:ojs3.uefs.br:article/7764Revistahttp://periodicos.uefs.br/index.php/acordasletrasPUBhttp://periodicos.uefs.br/index.php/acordasletras/oairevistacordasletras@uefs.br||revistacordasletras@uefs.br1415-89732594-9675opendoar:2022-12-31T21:15:33A Cor das Letras - Universidade Estadual de Feira de Santana (UEFS)false |
dc.title.none.fl_str_mv |
Jorge Amado and the family myth of Ojuaruá Jorge Amado e o mito da família de Ojuaruá |
title |
Jorge Amado and the family myth of Ojuaruá |
spellingShingle |
Jorge Amado and the family myth of Ojuaruá Santos, Alisson Vital Oliveira Jorge Amado Representação Identidade Mito Ancestralidade |
title_short |
Jorge Amado and the family myth of Ojuaruá |
title_full |
Jorge Amado and the family myth of Ojuaruá |
title_fullStr |
Jorge Amado and the family myth of Ojuaruá |
title_full_unstemmed |
Jorge Amado and the family myth of Ojuaruá |
title_sort |
Jorge Amado and the family myth of Ojuaruá |
author |
Santos, Alisson Vital Oliveira |
author_facet |
Santos, Alisson Vital Oliveira Silva, Edil Costa |
author_role |
author |
author2 |
Silva, Edil Costa |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Santos, Alisson Vital Oliveira Silva, Edil Costa |
dc.subject.por.fl_str_mv |
Jorge Amado Representação Identidade Mito Ancestralidade |
topic |
Jorge Amado Representação Identidade Mito Ancestralidade |
description |
Black-oral literatures corroborate the construction of Brazilian identities, especially with regard to the representation of Bahian identity, they are one of the riches found in Jorge Amado's literature. The Work O Compadre de Ogum brings with it essential identity representations for understanding the influence of black myths on the Brazilian social body. In it, Jorge Amado demonstrates, through the candomblé myths in the lives of subjects / initiates, the continuity of black identities, and does so in a narrative based on humor and syncretism. Thus, the present article, based on the reflections of scholars like Stuart Hall (2014), Luiz Silva (2010), consists of an analysis of black identities and their representations through the Ojuaruá family, a family with complex identities and. However, the narrative demonstrates how we are all, fictional or real characters, immersed in the mythological context of the orixás. The representation of the orixás' poetics and their identities, in O Compadre de Ogum, allows us to study devices that present themselves as traces of denunciation of religious racism, as well as allowing us to analyze that life is in confluence with black-religious mythology. Therefore, it is discussed about representations and identities of black characters in their forms and movements in the society represented by Amadian literature. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-05-07 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.uefs.br/index.php/acordasletras/article/view/7764 10.13102/cl.v22i3.7764 |
url |
http://periodicos.uefs.br/index.php/acordasletras/article/view/7764 |
identifier_str_mv |
10.13102/cl.v22i3.7764 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.uefs.br/index.php/acordasletras/article/view/7764/6859 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 A Cor das Letras https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 A Cor das Letras https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UNIVERSIDADE ESTADUAL DE FEIRA DE SANTANA |
publisher.none.fl_str_mv |
UNIVERSIDADE ESTADUAL DE FEIRA DE SANTANA |
dc.source.none.fl_str_mv |
A Cor das Letras; v. 23 n. 1 (2022): Estudos Literários; 74-93 2594-9675 1415-8973 reponame:A Cor das Letras instname:Universidade Estadual de Feira de Santana (UEFS) instacron:UEFS |
instname_str |
Universidade Estadual de Feira de Santana (UEFS) |
instacron_str |
UEFS |
institution |
UEFS |
reponame_str |
A Cor das Letras |
collection |
A Cor das Letras |
repository.name.fl_str_mv |
A Cor das Letras - Universidade Estadual de Feira de Santana (UEFS) |
repository.mail.fl_str_mv |
revistacordasletras@uefs.br||revistacordasletras@uefs.br |
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1798321161568780288 |