Impasses e saídas: o amor em contos de Lygia Fagundes Telles
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UEFS |
Texto Completo: | http://localhost:8080/tede/handle/tede/114 |
Resumo: | This research intends to show the psychological complexity of the Lygia’s characters starting from the different ways they use to deal with the suffering that arises from heartbreaks. To reach such goal it has been used Lygia Fagundes Telles’ storybooks, interviews and testimonials, also academic papers and literary essays about her work besides theoretical texts: Denis de Rougemont, Bauman, Stendhal, Comte-Sponville, Freud and Lacan, among others. The corpus of this dissertation consists of 8 stories by the author, analysed in two chapters entitled: Love and rejection in female characters and The love and its deadlocks in male characters. The female characters Kori (Você não acha que esfriou?), Pomba Enamorada (homonymous story) and Alice (Emanuel) suffer from being rejected and Maria Camila (Um chá bem forte e três xícaras), from the fear of also being rejected in the future; the reactions vary between vengeance, fantasy, delirium and facing the situation. The suffering of the male protagonists come from betrayal (the saxophone man); from abandonment (Ricardo from Venha ver o pôr-do-sol); indecision (Miguel from O Noivo); and contempt (the redhead man from História de Passarinho) and the outputs presented gravitate around sublimation/sadism, murder, forgetfulness and escape. It was observed that in female characters the loving suffering comes, mainly, from rejection, differently from the male characters whose cause for suffering is variable and the outputs present to be more radical. The different ways how female and male characters go through the love impasses created interest of deepen the theme of gender differences, what is only superficially discussed in this paper. This study confirms the psychological complexity of Lygia’s characters whose analyses point to unconscious motivations underlying attitudes, thoughts and feelings, all suggested in the interstices of the text, allowing many reflections about real characters and their positions on issues of love. |
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Gomes, Alessandra Leila Borgeshttp://lattes.cnpq.br/3806636724956841Alves, Paula Rúbia Oliveira do Vale2015-07-28T12:52:05Z2014-05-16ALVES, Paula Rúbia Oliveira do Vale. Impasses e saídas: o amor em contos de Lygia Fagundes Telles. 2014. 154 f. Dissertação (Mestrado Acadêmico em Estudos Literários) - Universidade Estadual de Feira de Santana, Feira de Santana, 2014.http://localhost:8080/tede/handle/tede/114This research intends to show the psychological complexity of the Lygia’s characters starting from the different ways they use to deal with the suffering that arises from heartbreaks. To reach such goal it has been used Lygia Fagundes Telles’ storybooks, interviews and testimonials, also academic papers and literary essays about her work besides theoretical texts: Denis de Rougemont, Bauman, Stendhal, Comte-Sponville, Freud and Lacan, among others. The corpus of this dissertation consists of 8 stories by the author, analysed in two chapters entitled: Love and rejection in female characters and The love and its deadlocks in male characters. The female characters Kori (Você não acha que esfriou?), Pomba Enamorada (homonymous story) and Alice (Emanuel) suffer from being rejected and Maria Camila (Um chá bem forte e três xícaras), from the fear of also being rejected in the future; the reactions vary between vengeance, fantasy, delirium and facing the situation. The suffering of the male protagonists come from betrayal (the saxophone man); from abandonment (Ricardo from Venha ver o pôr-do-sol); indecision (Miguel from O Noivo); and contempt (the redhead man from História de Passarinho) and the outputs presented gravitate around sublimation/sadism, murder, forgetfulness and escape. It was observed that in female characters the loving suffering comes, mainly, from rejection, differently from the male characters whose cause for suffering is variable and the outputs present to be more radical. The different ways how female and male characters go through the love impasses created interest of deepen the theme of gender differences, what is only superficially discussed in this paper. This study confirms the psychological complexity of Lygia’s characters whose analyses point to unconscious motivations underlying attitudes, thoughts and feelings, all suggested in the interstices of the text, allowing many reflections about real characters and their positions on issues of love.Nesta pesquisa pretendeu-se demonstrar a complexidade psicológica das personagens lygianas, a partir das diferentes maneiras pelas quais elas lidam com o sofrimento decorrente das desilusões amorosas. Para alcançar tal objetivo, foram utilizados livros de contos, entrevistas e depoimentos de Lygia Fagundes Telles, trabalhos acadêmicos e ensaios literários sobre sua obra, além de textos dos teóricos: Denis de Rougemont, Bauman, Stendhal, Comte-Sponville, Freud e Lacan, dentre outros. O corpus da dissertação consiste em oito contos da autora, analisados em dois capítulos intitulados: Amor e rejeição em personagens femininas e O amor e seus impasses em personagens masculinas. As personagens femininas Kori (“Você não acha que esfriou?”), Pomba Enamorada (conto homônimo) e Alice (“Emanuel”) sofrem por serem rejeitadas e Maria Camila (“Um chá bem forte e três xícaras”), pelo temor de vir a sê-lo; as reações variam entre vingança, fantasia, delírio e enfrentamento da situação. O sofrimento dos protagonistas do sexo masculino advém da traição (“O moço do saxofone”); do abandono (Ricardo de “Venha ver o pôr-do-sol”); da indecisão (Miguel de “O noivo”) e do desprezo (o homem ruivo de “História de Passarinho”) e as saídas apresentadas gravitam em torno da sublimação/ sadismo, assassinato, esquecimento e fuga. Observou-se que em personagens femininas o sofrimento amoroso decorre, principalmente, da rejeição, diferentemente dos homens cuja causa é variável e as saídas se apresentam mais radicais. A maneira distinta como personagens femininas e masculinas vivenciam os impasses amorosos, gerou interesse de aprofundar a temática da diferença de gênero, discutida apenas superficialmente nesse trabalho. Este estudo confirma a complexidade psicológica das personagens lygianas cuja análise aponta motivações inconscientes subjacentes às atitudes, pensamentos e sentimentos, sugeridas nos interstícios do texto, possibilitando muitas reflexões sobre personagens reais e seus posicionamentos diante das questões do amor.Submitted by Verena Bastos (verena@uefs.br) on 2015-07-28T12:52:05Z No. of bitstreams: 1 Ana Paula Rubia Oliveira do Vale Alves.pdf: 956041 bytes, checksum: 1141e73d6e9c3838a112794ff7ef544f (MD5)Made available in DSpace on 2015-07-28T12:52:05Z (GMT). No. of bitstreams: 1 Ana Paula Rubia Oliveira do Vale Alves.pdf: 956041 bytes, checksum: 1141e73d6e9c3838a112794ff7ef544f (MD5) Previous issue date: 2014-05-16application/pdfporUniversidade Estadual de Feira de SantanaMestrado Acadêmico em Estudos LiteráriosUEFSBrasilDEPARTAMENTO DE LETRAS E ARTESImpassesLiteraturaPsicanáliseLygia Fagundes TellesAmorDeadlocksOutputsLiteraturePsychoanalysesLoveLygia Fagundes TellesLETRAS::LITERATURA BRASILEIRAImpasses e saídas: o amor em contos de Lygia Fagundes Tellesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-21952630937369052076006006006451293484473876986-324704315598873511info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UEFSinstname:Universidade Estadual de Feira de Santana (UEFS)instacron:UEFSORIGINALAna Paula Rubia Oliveira do Vale Alves.pdfAna Paula Rubia Oliveira do Vale Alves.pdfapplication/pdf956041http://tede2.uefs.br:8080/bitstream/tede/114/2/Ana+Paula+Rubia+Oliveira+do+Vale+Alves.pdf1141e73d6e9c3838a112794ff7ef544fMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://tede2.uefs.br:8080/bitstream/tede/114/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51tede/1142016-01-13 20:28:38.904oai:tede2.uefs.br:8080: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.uefs.br:8080/PUBhttp://tede2.uefs.br:8080/oai/requestbcuefs@uefs.br|| bcref@uefs.br||bcuefs@uefs.bropendoar:2016-01-13T23:28:38Biblioteca Digital de Teses e Dissertações da UEFS - Universidade Estadual de Feira de Santana (UEFS)false |
dc.title.por.fl_str_mv |
Impasses e saídas: o amor em contos de Lygia Fagundes Telles |
title |
Impasses e saídas: o amor em contos de Lygia Fagundes Telles |
spellingShingle |
Impasses e saídas: o amor em contos de Lygia Fagundes Telles Alves, Paula Rúbia Oliveira do Vale Impasses Literatura Psicanálise Lygia Fagundes Telles Amor Deadlocks Outputs Literature Psychoanalyses Love Lygia Fagundes Telles LETRAS::LITERATURA BRASILEIRA |
title_short |
Impasses e saídas: o amor em contos de Lygia Fagundes Telles |
title_full |
Impasses e saídas: o amor em contos de Lygia Fagundes Telles |
title_fullStr |
Impasses e saídas: o amor em contos de Lygia Fagundes Telles |
title_full_unstemmed |
Impasses e saídas: o amor em contos de Lygia Fagundes Telles |
title_sort |
Impasses e saídas: o amor em contos de Lygia Fagundes Telles |
author |
Alves, Paula Rúbia Oliveira do Vale |
author_facet |
Alves, Paula Rúbia Oliveira do Vale |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Gomes, Alessandra Leila Borges |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/3806636724956841 |
dc.contributor.author.fl_str_mv |
Alves, Paula Rúbia Oliveira do Vale |
contributor_str_mv |
Gomes, Alessandra Leila Borges |
dc.subject.por.fl_str_mv |
Impasses Literatura Psicanálise Lygia Fagundes Telles Amor |
topic |
Impasses Literatura Psicanálise Lygia Fagundes Telles Amor Deadlocks Outputs Literature Psychoanalyses Love Lygia Fagundes Telles LETRAS::LITERATURA BRASILEIRA |
dc.subject.eng.fl_str_mv |
Deadlocks Outputs Literature Psychoanalyses Love Lygia Fagundes Telles |
dc.subject.cnpq.fl_str_mv |
LETRAS::LITERATURA BRASILEIRA |
description |
This research intends to show the psychological complexity of the Lygia’s characters starting from the different ways they use to deal with the suffering that arises from heartbreaks. To reach such goal it has been used Lygia Fagundes Telles’ storybooks, interviews and testimonials, also academic papers and literary essays about her work besides theoretical texts: Denis de Rougemont, Bauman, Stendhal, Comte-Sponville, Freud and Lacan, among others. The corpus of this dissertation consists of 8 stories by the author, analysed in two chapters entitled: Love and rejection in female characters and The love and its deadlocks in male characters. The female characters Kori (Você não acha que esfriou?), Pomba Enamorada (homonymous story) and Alice (Emanuel) suffer from being rejected and Maria Camila (Um chá bem forte e três xícaras), from the fear of also being rejected in the future; the reactions vary between vengeance, fantasy, delirium and facing the situation. The suffering of the male protagonists come from betrayal (the saxophone man); from abandonment (Ricardo from Venha ver o pôr-do-sol); indecision (Miguel from O Noivo); and contempt (the redhead man from História de Passarinho) and the outputs presented gravitate around sublimation/sadism, murder, forgetfulness and escape. It was observed that in female characters the loving suffering comes, mainly, from rejection, differently from the male characters whose cause for suffering is variable and the outputs present to be more radical. The different ways how female and male characters go through the love impasses created interest of deepen the theme of gender differences, what is only superficially discussed in this paper. This study confirms the psychological complexity of Lygia’s characters whose analyses point to unconscious motivations underlying attitudes, thoughts and feelings, all suggested in the interstices of the text, allowing many reflections about real characters and their positions on issues of love. |
publishDate |
2014 |
dc.date.issued.fl_str_mv |
2014-05-16 |
dc.date.accessioned.fl_str_mv |
2015-07-28T12:52:05Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
ALVES, Paula Rúbia Oliveira do Vale. Impasses e saídas: o amor em contos de Lygia Fagundes Telles. 2014. 154 f. Dissertação (Mestrado Acadêmico em Estudos Literários) - Universidade Estadual de Feira de Santana, Feira de Santana, 2014. |
dc.identifier.uri.fl_str_mv |
http://localhost:8080/tede/handle/tede/114 |
identifier_str_mv |
ALVES, Paula Rúbia Oliveira do Vale. Impasses e saídas: o amor em contos de Lygia Fagundes Telles. 2014. 154 f. Dissertação (Mestrado Acadêmico em Estudos Literários) - Universidade Estadual de Feira de Santana, Feira de Santana, 2014. |
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http://localhost:8080/tede/handle/tede/114 |
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Universidade Estadual de Feira de Santana |
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UEFS |
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Universidade Estadual de Feira de Santana |
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