Qorpo-Santo, encenador de si mesmo

Detalhes bibliográficos
Autor(a) principal: Santos, Thiago de Freitas
Data de Publicação: 2012
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UEFS
Texto Completo: http://tede2.uefs.br:8080/handle/tede/983
Resumo: In 1877 José Joaquim de Campos Leão Qorpo-Santo privately printed, with the exception of one of the nine volumes, his complete work, the Ensiqlopédia ou Seis mezes de huma enfermidade.The construction of the encyclopedia project reveals at times a troubled process of creation, as if the author had a race against time, with no possible corrections, sometimes in an uninterrupted flow. The theater, for example, all of it dated, was written in only six months, from January to June 1866. This work revolves around of how Qorpo-Santo produced a theatre that demonstrates all the time its artificial nature, either by his self-representation, conscious characters, or the play within the play. We also discussed the concept of openwork, and highlighted the “opening” that Qorpo-Santo gives to the reader. A freedom of speech that comes from self-consciousness,that his work is incomplete, perhaps even imperfect. Ironically, the playwright titled his work Ensiqlopédia(encyclopedia), suggesting universality. However, what takes place is a theatrefull of imperfections, not aesthetics, but as reflect of the human condition, a chaotic and fragmented world.
id UEFS_88a3a92e16a1d37d7d0c99fa11521dd4
oai_identifier_str oai:tede2.uefs.br:8080:tede/983
network_acronym_str UEFS
network_name_str Biblioteca Digital de Teses e Dissertações da UEFS
repository_id_str
spelling Pereira, Elvya Shirley Ribeiro10776305735http://lattes.cnpq.br/7158125057897009Santos, Thiago de Freitas2020-03-21T02:44:49Z2012-08-19SANTOS, Thiago de Freitas. Qorpo-Santo, encenador de si mesmo. 2012. 125 f. Dissertação (Mestrado Acadêmico em Literatura e Diversidade Cultural)- Universidade Estadual de Feira de Santana, Feira de Santana, 2012.http://tede2.uefs.br:8080/handle/tede/983In 1877 José Joaquim de Campos Leão Qorpo-Santo privately printed, with the exception of one of the nine volumes, his complete work, the Ensiqlopédia ou Seis mezes de huma enfermidade.The construction of the encyclopedia project reveals at times a troubled process of creation, as if the author had a race against time, with no possible corrections, sometimes in an uninterrupted flow. The theater, for example, all of it dated, was written in only six months, from January to June 1866. This work revolves around of how Qorpo-Santo produced a theatre that demonstrates all the time its artificial nature, either by his self-representation, conscious characters, or the play within the play. We also discussed the concept of openwork, and highlighted the “opening” that Qorpo-Santo gives to the reader. A freedom of speech that comes from self-consciousness,that his work is incomplete, perhaps even imperfect. Ironically, the playwright titled his work Ensiqlopédia(encyclopedia), suggesting universality. However, what takes place is a theatrefull of imperfections, not aesthetics, but as reflect of the human condition, a chaotic and fragmented world.Em 1877 o gaúcho José Joaquim de Campos Leão Qorpo-Santo imprimiu por conta própria, com a exceção de um dos nove volumes, sua obra completa, a Ensiqlopédia ou Seis mezes de huma enfermidade. A construção do projeto enciclopédico revela em alguns momentos um processo de criação conturbado, como se o autor tivesse correndo contra o tempo, sem possibilidades de correções, às vezes num fluxo ininterrupto de criação. O teatro, por exemplo, todo ele datado, teria sido escrito em apenas seis meses, de janeiro a junho de 1866. O presente trabalho gira em torno de como Qorpo-Santo realizou um teatro que demonstra a todo tempo seu caráter de artificialidade, seja através de sua auto representação, de personagens conscientes de si mesmas, ou do teatro-dentro-do-teatro. Também discutimos o conceito de obra aberta, e destacamos a “abertura”que Qorpo-Santo concede ao leitor. Uma liberdade de intervenção que parte duma consciência própria de que sua obra é incompleta, talvez até mesmo imperfeita. Ironicamente, o dramaturgo gaúcho intitulou sua obra completa de Ensiqlopédia, o que sugere uma pretensão de universalidade, de completude. No entanto, o que se realiza é um teatro repleto de imperfeições, não estéticas, mas reflexo da condição humana, de um mundo caótico e fragmentado.Submitted by Ricardo Cedraz Duque Moliterno (ricardo.moliterno@uefs.br) on 2020-03-21T02:44:49Z No. of bitstreams: 1 dissertação_Thiago Freitas.pdf: 1352636 bytes, checksum: a7aa297072e1b7cd09d5083edae5cf62 (MD5)Made available in DSpace on 2020-03-21T02:44:49Z (GMT). No. of bitstreams: 1 dissertação_Thiago Freitas.pdf: 1352636 bytes, checksum: a7aa297072e1b7cd09d5083edae5cf62 (MD5) Previous issue date: 2012-08-19Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Estadual de Feira de SantanaMestrado Acadêmico em Literatura e Diversidade CulturalUEFSBrasilDEPARTAMENTO DE LETRAS E ARTESQorpo SantoMetateatroObra abertaEnsiqlopédiaMetatheatreOpenworkLETRAS::LITERATURA BRASILEIRAARTES::TEATROQorpo-Santo, encenador de si mesmoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis41214306366573067286006006006006006451293484473876986-324704315598873511-65068885184758611343590462550136975366info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UEFSinstname:Universidade Estadual de Feira de Santana (UEFS)instacron:UEFSORIGINALdissertação_Thiago Freitas.pdfdissertação_Thiago Freitas.pdfapplication/pdf1352636http://tede2.uefs.br:8080/bitstream/tede/983/2/disserta%C3%A7%C3%A3o_Thiago+Freitas.pdfa7aa297072e1b7cd09d5083edae5cf62MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82089http://tede2.uefs.br:8080/bitstream/tede/983/1/license.txt7b5ba3d2445355f386edab96125d42b7MD51tede/9832020-03-20 23:44:49.47oai:tede2.uefs.br:8080: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.uefs.br:8080/PUBhttp://tede2.uefs.br:8080/oai/requestbcuefs@uefs.br|| bcref@uefs.br||bcuefs@uefs.bropendoar:2020-03-21T02:44:49Biblioteca Digital de Teses e Dissertações da UEFS - Universidade Estadual de Feira de Santana (UEFS)false
dc.title.por.fl_str_mv Qorpo-Santo, encenador de si mesmo
title Qorpo-Santo, encenador de si mesmo
spellingShingle Qorpo-Santo, encenador de si mesmo
Santos, Thiago de Freitas
Qorpo Santo
Metateatro
Obra aberta
Ensiqlopédia
Metatheatre
Openwork
LETRAS::LITERATURA BRASILEIRA
ARTES::TEATRO
title_short Qorpo-Santo, encenador de si mesmo
title_full Qorpo-Santo, encenador de si mesmo
title_fullStr Qorpo-Santo, encenador de si mesmo
title_full_unstemmed Qorpo-Santo, encenador de si mesmo
title_sort Qorpo-Santo, encenador de si mesmo
author Santos, Thiago de Freitas
author_facet Santos, Thiago de Freitas
author_role author
dc.contributor.advisor1.fl_str_mv Pereira, Elvya Shirley Ribeiro
dc.contributor.authorID.fl_str_mv 10776305735
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/7158125057897009
dc.contributor.author.fl_str_mv Santos, Thiago de Freitas
contributor_str_mv Pereira, Elvya Shirley Ribeiro
dc.subject.por.fl_str_mv Qorpo Santo
Metateatro
Obra aberta
Ensiqlopédia
topic Qorpo Santo
Metateatro
Obra aberta
Ensiqlopédia
Metatheatre
Openwork
LETRAS::LITERATURA BRASILEIRA
ARTES::TEATRO
dc.subject.eng.fl_str_mv Metatheatre
Openwork
dc.subject.cnpq.fl_str_mv LETRAS::LITERATURA BRASILEIRA
ARTES::TEATRO
description In 1877 José Joaquim de Campos Leão Qorpo-Santo privately printed, with the exception of one of the nine volumes, his complete work, the Ensiqlopédia ou Seis mezes de huma enfermidade.The construction of the encyclopedia project reveals at times a troubled process of creation, as if the author had a race against time, with no possible corrections, sometimes in an uninterrupted flow. The theater, for example, all of it dated, was written in only six months, from January to June 1866. This work revolves around of how Qorpo-Santo produced a theatre that demonstrates all the time its artificial nature, either by his self-representation, conscious characters, or the play within the play. We also discussed the concept of openwork, and highlighted the “opening” that Qorpo-Santo gives to the reader. A freedom of speech that comes from self-consciousness,that his work is incomplete, perhaps even imperfect. Ironically, the playwright titled his work Ensiqlopédia(encyclopedia), suggesting universality. However, what takes place is a theatrefull of imperfections, not aesthetics, but as reflect of the human condition, a chaotic and fragmented world.
publishDate 2012
dc.date.issued.fl_str_mv 2012-08-19
dc.date.accessioned.fl_str_mv 2020-03-21T02:44:49Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv SANTOS, Thiago de Freitas. Qorpo-Santo, encenador de si mesmo. 2012. 125 f. Dissertação (Mestrado Acadêmico em Literatura e Diversidade Cultural)- Universidade Estadual de Feira de Santana, Feira de Santana, 2012.
dc.identifier.uri.fl_str_mv http://tede2.uefs.br:8080/handle/tede/983
identifier_str_mv SANTOS, Thiago de Freitas. Qorpo-Santo, encenador de si mesmo. 2012. 125 f. Dissertação (Mestrado Acadêmico em Literatura e Diversidade Cultural)- Universidade Estadual de Feira de Santana, Feira de Santana, 2012.
url http://tede2.uefs.br:8080/handle/tede/983
dc.language.iso.fl_str_mv por
language por
dc.relation.program.fl_str_mv 4121430636657306728
dc.relation.confidence.fl_str_mv 600
600
600
600
600
dc.relation.department.fl_str_mv 6451293484473876986
dc.relation.cnpq.fl_str_mv -324704315598873511
-6506888518475861134
dc.relation.sponsorship.fl_str_mv 3590462550136975366
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Feira de Santana
dc.publisher.program.fl_str_mv Mestrado Acadêmico em Literatura e Diversidade Cultural
dc.publisher.initials.fl_str_mv UEFS
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv DEPARTAMENTO DE LETRAS E ARTES
publisher.none.fl_str_mv Universidade Estadual de Feira de Santana
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da UEFS
instname:Universidade Estadual de Feira de Santana (UEFS)
instacron:UEFS
instname_str Universidade Estadual de Feira de Santana (UEFS)
instacron_str UEFS
institution UEFS
reponame_str Biblioteca Digital de Teses e Dissertações da UEFS
collection Biblioteca Digital de Teses e Dissertações da UEFS
bitstream.url.fl_str_mv http://tede2.uefs.br:8080/bitstream/tede/983/2/disserta%C3%A7%C3%A3o_Thiago+Freitas.pdf
http://tede2.uefs.br:8080/bitstream/tede/983/1/license.txt
bitstream.checksum.fl_str_mv a7aa297072e1b7cd09d5083edae5cf62
7b5ba3d2445355f386edab96125d42b7
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
repository.name.fl_str_mv Biblioteca Digital de Teses e Dissertações da UEFS - Universidade Estadual de Feira de Santana (UEFS)
repository.mail.fl_str_mv bcuefs@uefs.br|| bcref@uefs.br||bcuefs@uefs.br
_version_ 1809288779468374016