Qorpo-Santo, encenador de si mesmo
Autor(a) principal: | |
---|---|
Data de Publicação: | 2012 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UEFS |
Texto Completo: | http://tede2.uefs.br:8080/handle/tede/983 |
Resumo: | In 1877 José Joaquim de Campos Leão Qorpo-Santo privately printed, with the exception of one of the nine volumes, his complete work, the Ensiqlopédia ou Seis mezes de huma enfermidade.The construction of the encyclopedia project reveals at times a troubled process of creation, as if the author had a race against time, with no possible corrections, sometimes in an uninterrupted flow. The theater, for example, all of it dated, was written in only six months, from January to June 1866. This work revolves around of how Qorpo-Santo produced a theatre that demonstrates all the time its artificial nature, either by his self-representation, conscious characters, or the play within the play. We also discussed the concept of openwork, and highlighted the “opening” that Qorpo-Santo gives to the reader. A freedom of speech that comes from self-consciousness,that his work is incomplete, perhaps even imperfect. Ironically, the playwright titled his work Ensiqlopédia(encyclopedia), suggesting universality. However, what takes place is a theatrefull of imperfections, not aesthetics, but as reflect of the human condition, a chaotic and fragmented world. |
id |
UEFS_88a3a92e16a1d37d7d0c99fa11521dd4 |
---|---|
oai_identifier_str |
oai:tede2.uefs.br:8080:tede/983 |
network_acronym_str |
UEFS |
network_name_str |
Biblioteca Digital de Teses e Dissertações da UEFS |
repository_id_str |
|
spelling |
Pereira, Elvya Shirley Ribeiro10776305735http://lattes.cnpq.br/7158125057897009Santos, Thiago de Freitas2020-03-21T02:44:49Z2012-08-19SANTOS, Thiago de Freitas. Qorpo-Santo, encenador de si mesmo. 2012. 125 f. Dissertação (Mestrado Acadêmico em Literatura e Diversidade Cultural)- Universidade Estadual de Feira de Santana, Feira de Santana, 2012.http://tede2.uefs.br:8080/handle/tede/983In 1877 José Joaquim de Campos Leão Qorpo-Santo privately printed, with the exception of one of the nine volumes, his complete work, the Ensiqlopédia ou Seis mezes de huma enfermidade.The construction of the encyclopedia project reveals at times a troubled process of creation, as if the author had a race against time, with no possible corrections, sometimes in an uninterrupted flow. The theater, for example, all of it dated, was written in only six months, from January to June 1866. This work revolves around of how Qorpo-Santo produced a theatre that demonstrates all the time its artificial nature, either by his self-representation, conscious characters, or the play within the play. We also discussed the concept of openwork, and highlighted the “opening” that Qorpo-Santo gives to the reader. A freedom of speech that comes from self-consciousness,that his work is incomplete, perhaps even imperfect. Ironically, the playwright titled his work Ensiqlopédia(encyclopedia), suggesting universality. However, what takes place is a theatrefull of imperfections, not aesthetics, but as reflect of the human condition, a chaotic and fragmented world.Em 1877 o gaúcho José Joaquim de Campos Leão Qorpo-Santo imprimiu por conta própria, com a exceção de um dos nove volumes, sua obra completa, a Ensiqlopédia ou Seis mezes de huma enfermidade. A construção do projeto enciclopédico revela em alguns momentos um processo de criação conturbado, como se o autor tivesse correndo contra o tempo, sem possibilidades de correções, às vezes num fluxo ininterrupto de criação. O teatro, por exemplo, todo ele datado, teria sido escrito em apenas seis meses, de janeiro a junho de 1866. O presente trabalho gira em torno de como Qorpo-Santo realizou um teatro que demonstra a todo tempo seu caráter de artificialidade, seja através de sua auto representação, de personagens conscientes de si mesmas, ou do teatro-dentro-do-teatro. Também discutimos o conceito de obra aberta, e destacamos a “abertura”que Qorpo-Santo concede ao leitor. Uma liberdade de intervenção que parte duma consciência própria de que sua obra é incompleta, talvez até mesmo imperfeita. Ironicamente, o dramaturgo gaúcho intitulou sua obra completa de Ensiqlopédia, o que sugere uma pretensão de universalidade, de completude. No entanto, o que se realiza é um teatro repleto de imperfeições, não estéticas, mas reflexo da condição humana, de um mundo caótico e fragmentado.Submitted by Ricardo Cedraz Duque Moliterno (ricardo.moliterno@uefs.br) on 2020-03-21T02:44:49Z No. of bitstreams: 1 dissertação_Thiago Freitas.pdf: 1352636 bytes, checksum: a7aa297072e1b7cd09d5083edae5cf62 (MD5)Made available in DSpace on 2020-03-21T02:44:49Z (GMT). No. of bitstreams: 1 dissertação_Thiago Freitas.pdf: 1352636 bytes, checksum: a7aa297072e1b7cd09d5083edae5cf62 (MD5) Previous issue date: 2012-08-19Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Estadual de Feira de SantanaMestrado Acadêmico em Literatura e Diversidade CulturalUEFSBrasilDEPARTAMENTO DE LETRAS E ARTESQorpo SantoMetateatroObra abertaEnsiqlopédiaMetatheatreOpenworkLETRAS::LITERATURA BRASILEIRAARTES::TEATROQorpo-Santo, encenador de si mesmoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis41214306366573067286006006006006006451293484473876986-324704315598873511-65068885184758611343590462550136975366info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UEFSinstname:Universidade Estadual de Feira de Santana (UEFS)instacron:UEFSORIGINALdissertação_Thiago Freitas.pdfdissertação_Thiago Freitas.pdfapplication/pdf1352636http://tede2.uefs.br:8080/bitstream/tede/983/2/disserta%C3%A7%C3%A3o_Thiago+Freitas.pdfa7aa297072e1b7cd09d5083edae5cf62MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82089http://tede2.uefs.br:8080/bitstream/tede/983/1/license.txt7b5ba3d2445355f386edab96125d42b7MD51tede/9832020-03-20 23:44:49.47oai:tede2.uefs.br:8080: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.uefs.br:8080/PUBhttp://tede2.uefs.br:8080/oai/requestbcuefs@uefs.br|| bcref@uefs.br||bcuefs@uefs.bropendoar:2020-03-21T02:44:49Biblioteca Digital de Teses e Dissertações da UEFS - Universidade Estadual de Feira de Santana (UEFS)false |
dc.title.por.fl_str_mv |
Qorpo-Santo, encenador de si mesmo |
title |
Qorpo-Santo, encenador de si mesmo |
spellingShingle |
Qorpo-Santo, encenador de si mesmo Santos, Thiago de Freitas Qorpo Santo Metateatro Obra aberta Ensiqlopédia Metatheatre Openwork LETRAS::LITERATURA BRASILEIRA ARTES::TEATRO |
title_short |
Qorpo-Santo, encenador de si mesmo |
title_full |
Qorpo-Santo, encenador de si mesmo |
title_fullStr |
Qorpo-Santo, encenador de si mesmo |
title_full_unstemmed |
Qorpo-Santo, encenador de si mesmo |
title_sort |
Qorpo-Santo, encenador de si mesmo |
author |
Santos, Thiago de Freitas |
author_facet |
Santos, Thiago de Freitas |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Pereira, Elvya Shirley Ribeiro |
dc.contributor.authorID.fl_str_mv |
10776305735 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7158125057897009 |
dc.contributor.author.fl_str_mv |
Santos, Thiago de Freitas |
contributor_str_mv |
Pereira, Elvya Shirley Ribeiro |
dc.subject.por.fl_str_mv |
Qorpo Santo Metateatro Obra aberta Ensiqlopédia |
topic |
Qorpo Santo Metateatro Obra aberta Ensiqlopédia Metatheatre Openwork LETRAS::LITERATURA BRASILEIRA ARTES::TEATRO |
dc.subject.eng.fl_str_mv |
Metatheatre Openwork |
dc.subject.cnpq.fl_str_mv |
LETRAS::LITERATURA BRASILEIRA ARTES::TEATRO |
description |
In 1877 José Joaquim de Campos Leão Qorpo-Santo privately printed, with the exception of one of the nine volumes, his complete work, the Ensiqlopédia ou Seis mezes de huma enfermidade.The construction of the encyclopedia project reveals at times a troubled process of creation, as if the author had a race against time, with no possible corrections, sometimes in an uninterrupted flow. The theater, for example, all of it dated, was written in only six months, from January to June 1866. This work revolves around of how Qorpo-Santo produced a theatre that demonstrates all the time its artificial nature, either by his self-representation, conscious characters, or the play within the play. We also discussed the concept of openwork, and highlighted the “opening” that Qorpo-Santo gives to the reader. A freedom of speech that comes from self-consciousness,that his work is incomplete, perhaps even imperfect. Ironically, the playwright titled his work Ensiqlopédia(encyclopedia), suggesting universality. However, what takes place is a theatrefull of imperfections, not aesthetics, but as reflect of the human condition, a chaotic and fragmented world. |
publishDate |
2012 |
dc.date.issued.fl_str_mv |
2012-08-19 |
dc.date.accessioned.fl_str_mv |
2020-03-21T02:44:49Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SANTOS, Thiago de Freitas. Qorpo-Santo, encenador de si mesmo. 2012. 125 f. Dissertação (Mestrado Acadêmico em Literatura e Diversidade Cultural)- Universidade Estadual de Feira de Santana, Feira de Santana, 2012. |
dc.identifier.uri.fl_str_mv |
http://tede2.uefs.br:8080/handle/tede/983 |
identifier_str_mv |
SANTOS, Thiago de Freitas. Qorpo-Santo, encenador de si mesmo. 2012. 125 f. Dissertação (Mestrado Acadêmico em Literatura e Diversidade Cultural)- Universidade Estadual de Feira de Santana, Feira de Santana, 2012. |
url |
http://tede2.uefs.br:8080/handle/tede/983 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
4121430636657306728 |
dc.relation.confidence.fl_str_mv |
600 600 600 600 600 |
dc.relation.department.fl_str_mv |
6451293484473876986 |
dc.relation.cnpq.fl_str_mv |
-324704315598873511 -6506888518475861134 |
dc.relation.sponsorship.fl_str_mv |
3590462550136975366 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Feira de Santana |
dc.publisher.program.fl_str_mv |
Mestrado Acadêmico em Literatura e Diversidade Cultural |
dc.publisher.initials.fl_str_mv |
UEFS |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
DEPARTAMENTO DE LETRAS E ARTES |
publisher.none.fl_str_mv |
Universidade Estadual de Feira de Santana |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações da UEFS instname:Universidade Estadual de Feira de Santana (UEFS) instacron:UEFS |
instname_str |
Universidade Estadual de Feira de Santana (UEFS) |
instacron_str |
UEFS |
institution |
UEFS |
reponame_str |
Biblioteca Digital de Teses e Dissertações da UEFS |
collection |
Biblioteca Digital de Teses e Dissertações da UEFS |
bitstream.url.fl_str_mv |
http://tede2.uefs.br:8080/bitstream/tede/983/2/disserta%C3%A7%C3%A3o_Thiago+Freitas.pdf http://tede2.uefs.br:8080/bitstream/tede/983/1/license.txt |
bitstream.checksum.fl_str_mv |
a7aa297072e1b7cd09d5083edae5cf62 7b5ba3d2445355f386edab96125d42b7 |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações da UEFS - Universidade Estadual de Feira de Santana (UEFS) |
repository.mail.fl_str_mv |
bcuefs@uefs.br|| bcref@uefs.br||bcuefs@uefs.br |
_version_ |
1809288779468374016 |