De repente, o improviso: uma proposta de letramento ao som de aboios e toadas

• Autor(a) principal: Freitas, Gilmara Carneiro da Silva
• Data de Publicação: 2018
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UEFS
• Texto Completo: http://tede2.uefs.br:8080/handle/tede/tede/636
• topic: Letramento Literário; Aboio; Toada; Fanfic; Literature; Aboio; Toada; Fanfic; Literacy; LETRAS::LINGUA PORTUGUESA

This paper presents the elaboration and execution processes of a didatic-pedagogical proposal applied in a 9 (ninth) grade class of the Ensino Fundamental at Colégio José Rufino, a municipal public school in Riachão do Jacuípe – Ba, in which were used aboios (cow herding) and toadas (short textual composition with stanzas and chorus) as a pedagogical tool to promote literacy from the production of fanfics. It is an applied research with a diversified instruments of data collection such as survey questionnaires, logbooks and subject’s productions. In this proposition, we had the support of the aboiadores (people who sing the cow herding) and cowboy coworkers to perform the cultural practices such as improvised aboios and toadas tune which were used as materials for the development of teaching sequences applied during the Língua Portuguesa classes. The proposed activities are characterized by reading promotion events and valuation of the students’ sociocultural identity aspects, through the aboios verses and the toadas narratives with the purpose of producing texts. The theoretical assumptions are based on official documents such as PCN (1998) and the concept of language defended by Mikhail Bakhtin (2003[1979]), it finds support in the readind considerations defended by Petit (2008), it considers the cultural references presented by Bauman (2013) e Chartier (2011), the reflections on orality and literature from Ayala (1988;2013). The literay studies are based on Steet (2014), Rojo (2009;2014) e Cosson (2014;2017). Opinions about fanfics are based on Fontenele (2015) e Cavalcanti (2010), among others. The productions carried out during the intervention were socialized in a virtual page Zumthor (2010;2014), Sautchuk (2009), Amorim (2007), and distributed in a booklet format for the community