De que povo é a praça? Lambe-lambes, estúdios e discursos urbanizadores em Feira de Santana (1970-1985)

Detalhes bibliográficos
Autor(a) principal: Gama, Kalila Catharine Oliveira
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UEFS
Texto Completo: http://localhost:8080/tede/handle/tede/599
Resumo: The dissertation has as object to analyze the occupation and appropriation of the "Bernardino Bahia Square" as a space for the construction of the professional work of the lambe-lambes photographers, undertaken in the early 1970's in the city of Feira de Santana. The intention is to understand the tensions born of the occupation of the square by the photographers lambe-lambes. For that, an analysis of the conjuncture that precedes the temporal cut - 1970-1985 is presented. The kickback is fundamental for the understanding about the rise of the county Feirense as a road junction and commercial warehouse, its insertion in the policy of decentralization of industries through fiscal incentives and the implications in the processes of urbanization and migration registered in the city. Throughout the text, will also be studied the representations forged by the newspapers Folha do Norte and Feira Hoje on the county Feirense, in agreement with the interests of certain groups. In addition, it seeks to understand how the determination of an ordering in the commercial center was carried out, by means of norms, like the Tax Code of 1963 and the Code of Postures of 1967. From the oral testimonies of three lambe-lambes photographers, it was possible to draw a scenario of the daily toil of these professionals, detailing the journey and the discipline of work, the photographic technique and the internal organization of the group. Finally, were examined the motivations for traveling photographers to occupy the square cited, the mechanisms used for the appropriation of the site and the tactics for maintenance in the public space; as well as the repercussions of this dynamic in the local press and in the municipal legislature, without neglecting the actions undertaken by the Municipal Government to alleviate conflicts.
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spelling Silva, Aldo José Morais39154289572http://lattes.cnpq.br/339255043055901603708445562http://lattes.cnpq.br/8965242829119332Gama, Kalila Catharine Oliveira2018-01-31T22:55:14Z2017-08-30GAMA, Kalila Catharine Oliveira. De que povo é a praça? Lambe-lambes, estúdios e discursos urbanizadores em Feira de Santana (1970-1985). 2017. 176 f. Dissertação (Mestrado Acadêmico em História) - Universidade Estadual de Feira de Santana, Feira de Santana, 2017.http://localhost:8080/tede/handle/tede/599The dissertation has as object to analyze the occupation and appropriation of the "Bernardino Bahia Square" as a space for the construction of the professional work of the lambe-lambes photographers, undertaken in the early 1970's in the city of Feira de Santana. The intention is to understand the tensions born of the occupation of the square by the photographers lambe-lambes. For that, an analysis of the conjuncture that precedes the temporal cut - 1970-1985 is presented. The kickback is fundamental for the understanding about the rise of the county Feirense as a road junction and commercial warehouse, its insertion in the policy of decentralization of industries through fiscal incentives and the implications in the processes of urbanization and migration registered in the city. Throughout the text, will also be studied the representations forged by the newspapers Folha do Norte and Feira Hoje on the county Feirense, in agreement with the interests of certain groups. In addition, it seeks to understand how the determination of an ordering in the commercial center was carried out, by means of norms, like the Tax Code of 1963 and the Code of Postures of 1967. From the oral testimonies of three lambe-lambes photographers, it was possible to draw a scenario of the daily toil of these professionals, detailing the journey and the discipline of work, the photographic technique and the internal organization of the group. Finally, were examined the motivations for traveling photographers to occupy the square cited, the mechanisms used for the appropriation of the site and the tactics for maintenance in the public space; as well as the repercussions of this dynamic in the local press and in the municipal legislature, without neglecting the actions undertaken by the Municipal Government to alleviate conflicts.A dissertação tem como objeto analisar a ocupação e a apropriação da praça Bernardino Bahia enquanto espaço de construção do fazer profissional dos fotógrafos lambe-lambes, empreendida no início da década de 1970, na cidade de Feira de Santana. A intenção é compreender as tensões nascidas da ocupação da praça pelos fotógrafos lambe-lambes. Para tanto, apresenta-se uma análise da conjuntura que precede o recorte temporal – 1970-1985. O recuo é fundamental para o entendimento acerca da ascensão do município feirense como entroncamento rodoviário e entreposto comercial, sua inserção na política de descentralização das indústrias via incentivos fiscais e as implicações nos processos de urbanização e de migração registrados na urbe. Ao longo do texto, serão estudadas, também, as representações forjadas pelos jornais Folha do Norte e Feira Hoje sobre o município feirense, em consonância com os interesses de determinados grupos. Ademais, busca-se entender como se desenrolou a determinação de um ordenamento no centro comercial, por meio de normas, a exemplo do Código Tributário de 1963 e o Código de Posturas de 1967. A partir dos depoimentos orais de três fotógrafos lambe-lambes, foi possível traçar um cenário da labuta diária desses profissionais, detalhando a jornada e a disciplina de trabalho, a técnica fotográfica e a organização interna do grupo. Por fim, foram examinadas as motivações pelas quais os fotógrafos ambulantes ocuparam a praça citada, os mecanismos utilizados para a apropriação do local e as táticas acionadas para a manutenção no espaço público; bem como as repercussões dessa dinâmica na imprensa feirense e no Legislativo municipal, sem deixar de atentar para as ações empreendidas pela Prefeitura Municipal visando amenizar os conflitos.Submitted by Jadson Francisco de Jesus SILVA (jadson@uefs.br) on 2018-01-31T22:55:14Z No. of bitstreams: 1 DISSERTAÇÃO_KALILAGAMA.pdf: 2359247 bytes, checksum: 9e18db5b0c7478f78f8718d2fd1c8b92 (MD5)Made available in DSpace on 2018-01-31T22:55:14Z (GMT). No. of bitstreams: 1 DISSERTAÇÃO_KALILAGAMA.pdf: 2359247 bytes, checksum: 9e18db5b0c7478f78f8718d2fd1c8b92 (MD5) Previous issue date: 2017-08-30Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Estadual de Feira de SantanaMestrado Acadêmico em HistóriaUEFSBrasilDEPARTAMENTO DE CIÊNCIAS HUMANAS E FILOSOFIAlambe-lambefotografiaindustrializaçãourbanizaçãoespaçophotographyindustrializationurbanizationspaceCIENCIAS HUMANAS::HISTORIADe que povo é a praça? 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dc.title.por.fl_str_mv De que povo é a praça? Lambe-lambes, estúdios e discursos urbanizadores em Feira de Santana (1970-1985)
title De que povo é a praça? Lambe-lambes, estúdios e discursos urbanizadores em Feira de Santana (1970-1985)
spellingShingle De que povo é a praça? Lambe-lambes, estúdios e discursos urbanizadores em Feira de Santana (1970-1985)
Gama, Kalila Catharine Oliveira
lambe-lambe
fotografia
industrialização
urbanização
espaço
photography
industrialization
urbanization
space
CIENCIAS HUMANAS::HISTORIA
title_short De que povo é a praça? Lambe-lambes, estúdios e discursos urbanizadores em Feira de Santana (1970-1985)
title_full De que povo é a praça? Lambe-lambes, estúdios e discursos urbanizadores em Feira de Santana (1970-1985)
title_fullStr De que povo é a praça? Lambe-lambes, estúdios e discursos urbanizadores em Feira de Santana (1970-1985)
title_full_unstemmed De que povo é a praça? Lambe-lambes, estúdios e discursos urbanizadores em Feira de Santana (1970-1985)
title_sort De que povo é a praça? Lambe-lambes, estúdios e discursos urbanizadores em Feira de Santana (1970-1985)
author Gama, Kalila Catharine Oliveira
author_facet Gama, Kalila Catharine Oliveira
author_role author
dc.contributor.advisor1.fl_str_mv Silva, Aldo José Morais
dc.contributor.advisor1ID.fl_str_mv 39154289572
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/3392550430559016
dc.contributor.authorID.fl_str_mv 03708445562
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/8965242829119332
dc.contributor.author.fl_str_mv Gama, Kalila Catharine Oliveira
contributor_str_mv Silva, Aldo José Morais
dc.subject.por.fl_str_mv lambe-lambe
fotografia
industrialização
urbanização
espaço
topic lambe-lambe
fotografia
industrialização
urbanização
espaço
photography
industrialization
urbanization
space
CIENCIAS HUMANAS::HISTORIA
dc.subject.eng.fl_str_mv photography
industrialization
urbanization
space
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::HISTORIA
description The dissertation has as object to analyze the occupation and appropriation of the "Bernardino Bahia Square" as a space for the construction of the professional work of the lambe-lambes photographers, undertaken in the early 1970's in the city of Feira de Santana. The intention is to understand the tensions born of the occupation of the square by the photographers lambe-lambes. For that, an analysis of the conjuncture that precedes the temporal cut - 1970-1985 is presented. The kickback is fundamental for the understanding about the rise of the county Feirense as a road junction and commercial warehouse, its insertion in the policy of decentralization of industries through fiscal incentives and the implications in the processes of urbanization and migration registered in the city. Throughout the text, will also be studied the representations forged by the newspapers Folha do Norte and Feira Hoje on the county Feirense, in agreement with the interests of certain groups. In addition, it seeks to understand how the determination of an ordering in the commercial center was carried out, by means of norms, like the Tax Code of 1963 and the Code of Postures of 1967. From the oral testimonies of three lambe-lambes photographers, it was possible to draw a scenario of the daily toil of these professionals, detailing the journey and the discipline of work, the photographic technique and the internal organization of the group. Finally, were examined the motivations for traveling photographers to occupy the square cited, the mechanisms used for the appropriation of the site and the tactics for maintenance in the public space; as well as the repercussions of this dynamic in the local press and in the municipal legislature, without neglecting the actions undertaken by the Municipal Government to alleviate conflicts.
publishDate 2017
dc.date.issued.fl_str_mv 2017-08-30
dc.date.accessioned.fl_str_mv 2018-01-31T22:55:14Z
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dc.identifier.citation.fl_str_mv GAMA, Kalila Catharine Oliveira. De que povo é a praça? Lambe-lambes, estúdios e discursos urbanizadores em Feira de Santana (1970-1985). 2017. 176 f. Dissertação (Mestrado Acadêmico em História) - Universidade Estadual de Feira de Santana, Feira de Santana, 2017.
dc.identifier.uri.fl_str_mv http://localhost:8080/tede/handle/tede/599
identifier_str_mv GAMA, Kalila Catharine Oliveira. De que povo é a praça? Lambe-lambes, estúdios e discursos urbanizadores em Feira de Santana (1970-1985). 2017. 176 f. Dissertação (Mestrado Acadêmico em História) - Universidade Estadual de Feira de Santana, Feira de Santana, 2017.
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