Indigenous peoples images: from the 19th century's photographs to Claudia Andujar's photographs

Detalhes bibliográficos
Autor(a) principal: Kontic, Laila Zilber
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista de História da UEG
Texto Completo: https://www.revista.ueg.br/index.php/revistahistoria/article/view/10477
Resumo: This article aims to analyze the way Cláudia Andujar's photos break with a certain image and discursive repertoire consolidated over the 19th and 20th centuries about the representation of indigenous peoples. The construction of a discourse on indigenous peoples in the 19th century is analyzed through the photographic production of missionaries who participated in expeditions organized to explore Brazilian territory. Regarding the photographic production of the 20th century, the investigation starts from the images produced by the Rondon Commission and by the photo reports from the magazine O Cruzeiro. In 1970, Claudia Andujar starts to introduce an innovative way of producing these photographs: result of a long relationship of affection and engagement with the Yanomami, her work combines the aesthetics of images with an attempt to translate the shamanic experience, central to the existence of the Yanomami people. Keywords: Photography. Claudia Andujar. Yanomami. Indigenous peoples.
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spelling Indigenous peoples images: from the 19th century's photographs to Claudia Andujar's photographsImagens de povos indígenas: das fotografias do século XIX às fotografias de Claudia AndujarThis article aims to analyze the way Cláudia Andujar's photos break with a certain image and discursive repertoire consolidated over the 19th and 20th centuries about the representation of indigenous peoples. The construction of a discourse on indigenous peoples in the 19th century is analyzed through the photographic production of missionaries who participated in expeditions organized to explore Brazilian territory. Regarding the photographic production of the 20th century, the investigation starts from the images produced by the Rondon Commission and by the photo reports from the magazine O Cruzeiro. In 1970, Claudia Andujar starts to introduce an innovative way of producing these photographs: result of a long relationship of affection and engagement with the Yanomami, her work combines the aesthetics of images with an attempt to translate the shamanic experience, central to the existence of the Yanomami people. Keywords: Photography. Claudia Andujar. Yanomami. Indigenous peoples.Este artigo tem como objetivo analisar o modo como as fotografias de Claudia Andujar rompem com um determinado repertório imagético e discursivo consolidado ao longo dos séculos XIX e XX acerca da representação de povos indígenas. A construção de um discurso sobre povos indígenas no século XIX é analisada através da produção fotográfica de missionários que participavam das expedições organizadas para explorar o território brasileiro. No que se refere à produção fotográfica do século XX, a investigação parte das imagens produzidas pela Comissão Rondon e pelas fotorreportagens da revista O Cruzeiro. A partir de 1970, Claudia Andujar introduz um modo inovador de produzir essas fotografias: resultado de uma longa relação de afeto e engajamento com os Yanomami, seu trabalho concilia a estética das imagens a uma tentativa de tradução da experiência xamânica, central para a existência do povo yanomami. Palavras-chave: Fotografia. Claudia Andujar. Yanomami. Povos indígenas.Universidade Estadual de Goiás2020-07-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revista.ueg.br/index.php/revistahistoria/article/view/10477Revista de História da UEG; v. 9 n. 2 (2020): Dossiê “A fotografia em instituições de memória”: experiências no Brasil e em Portugal; e9220082316-4379reponame:Revista de História da UEGinstname:Universidade Estadual de Goiás (UEG)instacron:UEGporhttps://www.revista.ueg.br/index.php/revistahistoria/article/view/10477/7621Copyright (c) 2020 Revista de História da UEGhttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessKontic, Laila Zilber2021-01-07T13:58:23Zoai:ojs.pkp.sfu.ca:article/10477Revistahttps://www.revista.ueg.br/index.php/revistahistoria/PUBhttps://www.revista.ueg.br/index.php/revistahistoria/oai||revistaueg-historia@yahoo.com.br|| revhistueg@gmail.com2316-43792316-4379opendoar:2021-01-07T13:58:23Revista de História da UEG - Universidade Estadual de Goiás (UEG)false
dc.title.none.fl_str_mv Indigenous peoples images: from the 19th century's photographs to Claudia Andujar's photographs
Imagens de povos indígenas: das fotografias do século XIX às fotografias de Claudia Andujar
title Indigenous peoples images: from the 19th century's photographs to Claudia Andujar's photographs
spellingShingle Indigenous peoples images: from the 19th century's photographs to Claudia Andujar's photographs
Kontic, Laila Zilber
title_short Indigenous peoples images: from the 19th century's photographs to Claudia Andujar's photographs
title_full Indigenous peoples images: from the 19th century's photographs to Claudia Andujar's photographs
title_fullStr Indigenous peoples images: from the 19th century's photographs to Claudia Andujar's photographs
title_full_unstemmed Indigenous peoples images: from the 19th century's photographs to Claudia Andujar's photographs
title_sort Indigenous peoples images: from the 19th century's photographs to Claudia Andujar's photographs
author Kontic, Laila Zilber
author_facet Kontic, Laila Zilber
author_role author
dc.contributor.author.fl_str_mv Kontic, Laila Zilber
description This article aims to analyze the way Cláudia Andujar's photos break with a certain image and discursive repertoire consolidated over the 19th and 20th centuries about the representation of indigenous peoples. The construction of a discourse on indigenous peoples in the 19th century is analyzed through the photographic production of missionaries who participated in expeditions organized to explore Brazilian territory. Regarding the photographic production of the 20th century, the investigation starts from the images produced by the Rondon Commission and by the photo reports from the magazine O Cruzeiro. In 1970, Claudia Andujar starts to introduce an innovative way of producing these photographs: result of a long relationship of affection and engagement with the Yanomami, her work combines the aesthetics of images with an attempt to translate the shamanic experience, central to the existence of the Yanomami people. Keywords: Photography. Claudia Andujar. Yanomami. Indigenous peoples.
publishDate 2020
dc.date.none.fl_str_mv 2020-07-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revista.ueg.br/index.php/revistahistoria/article/view/10477
url https://www.revista.ueg.br/index.php/revistahistoria/article/view/10477
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revista.ueg.br/index.php/revistahistoria/article/view/10477/7621
dc.rights.driver.fl_str_mv Copyright (c) 2020 Revista de História da UEG
http://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Revista de História da UEG
http://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Goiás
publisher.none.fl_str_mv Universidade Estadual de Goiás
dc.source.none.fl_str_mv Revista de História da UEG; v. 9 n. 2 (2020): Dossiê “A fotografia em instituições de memória”: experiências no Brasil e em Portugal; e922008
2316-4379
reponame:Revista de História da UEG
instname:Universidade Estadual de Goiás (UEG)
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reponame_str Revista de História da UEG
collection Revista de História da UEG
repository.name.fl_str_mv Revista de História da UEG - Universidade Estadual de Goiás (UEG)
repository.mail.fl_str_mv ||revistaueg-historia@yahoo.com.br|| revhistueg@gmail.com
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