Sensoriality of medieval orchads

Detalhes bibliográficos
Autor(a) principal: Miranda, Lidia Raquel
Data de Publicação: 2024
Outros Autores: Rodríguez, Gerardo Fabián
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Antíteses
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/47598
Resumo: Although medieval people knew and lived in contact with nature, the allusions in the literary texts do not go into great detail about it. This is due to the fact that the appreciation of the vegetal world was fundamentally rhetorical, inherited from Antiquity and impregnated by the Christian perspective. The expressive space of literature, largely intended to persuade, describes nature through sensory and bodily metaphors that always link it to the human being. Within this framework, the article analyses the sensoriality of orchards in two works, belonging to the miraculous genre but from different times, which recover the rhetorical landscape of the orchard but connote it as a sensory landscape: Milagros de Nuestra Señora, written in the 13th century by Gonzalo de Berceo, and Los Milagros de Guadalupe, composed in the 15th century.
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spelling Sensoriality of medieval orchadsLa sensorialidad de los vergeles medievalesA sensorialidade dos pomares medievaissensorialityorchardmiddle ageslandscaperhetoricsensorialidadvergeledad mediapaisajeretóricasensorialidadepomaridade médiapaisagemretóricaAlthough medieval people knew and lived in contact with nature, the allusions in the literary texts do not go into great detail about it. This is due to the fact that the appreciation of the vegetal world was fundamentally rhetorical, inherited from Antiquity and impregnated by the Christian perspective. The expressive space of literature, largely intended to persuade, describes nature through sensory and bodily metaphors that always link it to the human being. Within this framework, the article analyses the sensoriality of orchards in two works, belonging to the miraculous genre but from different times, which recover the rhetorical landscape of the orchard but connote it as a sensory landscape: Milagros de Nuestra Señora, written in the 13th century by Gonzalo de Berceo, and Los Milagros de Guadalupe, composed in the 15th century.Pese a que el hombre medieval conocía y vivía en contacto con la naturaleza, las alusiones en los textos literarios no se explayan grandemente sobre ella. Ello se debe a que su apreciación del mundo vegetal era fundamentalmente retórica, heredada de la Antigüedad e impregnada por la perspectiva cristiana. El espacio expresivo de la literatura, destinado en gran medida a persuadir, describe la naturaleza a través de metáforas sensoriales y corporales que siempre la vinculan al ser humano. En ese marco, el artículo analiza la sensorialidad de los vergeles en dos obras, pertenecientes al género milagroso pero de distintas centurias, que recuperan el paisaje retórico del vergel pero lo connotan como un paisaje sensorial: los Milagros de Nuestra Señora, de Gonzalo de Berceo, del siglo XIII, y Los Milagros de Guadalupe, del siglo XV.Apesar de o homem medieval conhecer e viver em contato com a natureza, as alusões nos textos literários não entram em muitos detalhes sobre ela. Isso se deve ao fato de que sua apreciação do mundo vegetal era fundamentalmente retórica, herdada da Antiguidade e impregnada pela perspectiva cristã. O espaço expressivo da literatura, em grande parte destinado à persuasão, descreve a natureza por meio de metáforas sensoriais e corporais que sempre a vinculam ao ser humano. Neste âmbito, o artigo analisa a sensorialidade dos pomares em duas obras, pertencentes ao género milagroso mas de diferentes centúrias, que recuperam a paisagem retórica do pomar mas conotam-no como paisagem sensorial: Milagros de Nuestra Señora escrito por Gonzalo de Berceo no século XIII, e Los Milagros de Guadalupe, do século XV.Universidade Estadual de Londrina2024-04-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/4759810.5433/1984-3356.2023v16n32p216-246Antíteses; Vol. 16 No. 32 (2023): The Chilean Unidad Popular: a cultural history; 216-246Antíteses; v. 16 n. 32 (2023): A Unidad Popular chilena: uma história cultural; 216-2461984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELspahttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/47598/50272Copyright (c) 2024 Lidia Raquel Miranda, Gerardo Fabián Rodríguezhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMiranda, Lidia RaquelRodríguez, Gerardo Fabián2024-04-11T18:07:18Zoai:ojs.pkp.sfu.ca:article/47598Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2024-04-11T18:07:18Antíteses - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv Sensoriality of medieval orchads
La sensorialidad de los vergeles medievales
A sensorialidade dos pomares medievais
title Sensoriality of medieval orchads
spellingShingle Sensoriality of medieval orchads
Miranda, Lidia Raquel
sensoriality
orchard
middle ages
landscape
rhetoric
sensorialidad
vergel
edad media
paisaje
retórica
sensorialidade
pomar
idade média
paisagem
retórica
title_short Sensoriality of medieval orchads
title_full Sensoriality of medieval orchads
title_fullStr Sensoriality of medieval orchads
title_full_unstemmed Sensoriality of medieval orchads
title_sort Sensoriality of medieval orchads
author Miranda, Lidia Raquel
author_facet Miranda, Lidia Raquel
Rodríguez, Gerardo Fabián
author_role author
author2 Rodríguez, Gerardo Fabián
author2_role author
dc.contributor.author.fl_str_mv Miranda, Lidia Raquel
Rodríguez, Gerardo Fabián
dc.subject.por.fl_str_mv sensoriality
orchard
middle ages
landscape
rhetoric
sensorialidad
vergel
edad media
paisaje
retórica
sensorialidade
pomar
idade média
paisagem
retórica
topic sensoriality
orchard
middle ages
landscape
rhetoric
sensorialidad
vergel
edad media
paisaje
retórica
sensorialidade
pomar
idade média
paisagem
retórica
description Although medieval people knew and lived in contact with nature, the allusions in the literary texts do not go into great detail about it. This is due to the fact that the appreciation of the vegetal world was fundamentally rhetorical, inherited from Antiquity and impregnated by the Christian perspective. The expressive space of literature, largely intended to persuade, describes nature through sensory and bodily metaphors that always link it to the human being. Within this framework, the article analyses the sensoriality of orchards in two works, belonging to the miraculous genre but from different times, which recover the rhetorical landscape of the orchard but connote it as a sensory landscape: Milagros de Nuestra Señora, written in the 13th century by Gonzalo de Berceo, and Los Milagros de Guadalupe, composed in the 15th century.
publishDate 2024
dc.date.none.fl_str_mv 2024-04-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/47598
10.5433/1984-3356.2023v16n32p216-246
url https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/47598
identifier_str_mv 10.5433/1984-3356.2023v16n32p216-246
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/47598/50272
dc.rights.driver.fl_str_mv Copyright (c) 2024 Lidia Raquel Miranda, Gerardo Fabián Rodríguez
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Lidia Raquel Miranda, Gerardo Fabián Rodríguez
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Antíteses; Vol. 16 No. 32 (2023): The Chilean Unidad Popular: a cultural history; 216-246
Antíteses; v. 16 n. 32 (2023): A Unidad Popular chilena: uma história cultural; 216-246
1984-3356
reponame:Antíteses
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Antíteses
collection Antíteses
repository.name.fl_str_mv Antíteses - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv antiteses@uel.br||
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